{"id":57,"date":"2021-08-29T14:51:29","date_gmt":"2021-08-29T17:51:29","guid":{"rendered":"http:\/\/x-enapol.org\/vii\/?page_id=57"},"modified":"2021-09-01T17:29:49","modified_gmt":"2021-09-01T20:29:49","slug":"programa-2","status":"publish","type":"page","link":"https:\/\/enapol.com\/vii\/pt\/programa-2\/","title":{"rendered":"PROGRAMA"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1352px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_2 1_2 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:50%;--awb-margin-top-large:0px;--awb-spacing-right-large:3.84%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:3.84%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-builder-row fusion-builder-row-inner fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"width:104% !important;max-width:104% !important;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column_inner fusion-builder-nested-column-0 fusion_builder_column_inner_1_1 1_1 fusion-flex-column\" style=\"--awb-padding-top:7px;--awb-padding-bottom:7px;--awb-bg-color:#003f5a;--awb-bg-color-hover:#003f5a;--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-1\"><p style=\"font-family: Raleway; letter-spacing: 4px; font-size: 20px; font-weight: 500; margin-bottom: 0px; text-align: center;\"><span style=\"color: #ffffff;\">SEXTA-FEIRA 4 SEPTIEMBRE<\/span><\/p>\n<\/div><\/div><\/div><\/div><div class=\"fusion-separator fusion-full-width-sep\" style=\"align-self: center;margin-left: auto;margin-right: auto;margin-top:10px;margin-bottom:10px;width:100%;\"><\/div><div class=\"fusion-builder-row fusion-builder-row-inner fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"width:104% !important;max-width:104% !important;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column_inner fusion-builder-nested-column-1 fusion_builder_column_inner_1_1 1_1 fusion-flex-column\" style=\"--awb-padding-top:7px;--awb-padding-bottom:7px;--awb-bg-color:#222222;--awb-bg-color-hover:#222222;--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-2\"><p style=\"font-family: Raleway; letter-spacing: 4px; font-size: 17px; font-weight: 500; margin-bottom: 0px; text-align: center;\"><span style=\"color: #ffffff;\">12:00 a 14:00 HS. &#8211; CREDENCIAMENTO<\/span><\/p>\n<\/div><\/div><\/div><\/div><div class=\"fusion-separator fusion-full-width-sep\" style=\"align-self: center;margin-left: auto;margin-right: auto;margin-top:10px;margin-bottom:10px;width:100%;\"><\/div><div class=\"fusion-builder-row fusion-builder-row-inner fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"width:104% !important;max-width:104% !important;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column_inner fusion-builder-nested-column-2 fusion_builder_column_inner_1_1 1_1 fusion-flex-column\" style=\"--awb-padding-top:7px;--awb-padding-bottom:7px;--awb-bg-color:#222222;--awb-bg-color-hover:#222222;--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-3\"><p style=\"font-family: Raleway; letter-spacing: 4px; font-size: 17px; font-weight: 500; margin-bottom: 0px; text-align: center;\"><span style=\"color: #ffffff;\">14:00 a 15:00 HS. &#8211; ABERTURA<\/span><\/p>\n<\/div><\/div><\/div><\/div><div class=\"accordian fusion-accordian\" style=\"--awb-border-size:0px;--awb-icon-size:16px;--awb-content-font-size:15px;--awb-icon-alignment:left;--awb-hover-color:#f9f9f9;--awb-border-color:#cccccc;--awb-background-color:#ffffff;--awb-divider-color:rgba(224,222,222,0);--awb-divider-hover-color:rgba(224,222,222,0);--awb-icon-color:#ffffff;--awb-title-color:#0075a8;--awb-content-color:#222222;--awb-icon-box-color:#333333;--awb-toggle-hover-accent-color:#0075a8;--awb-title-font-family:&quot;Raleway&quot;;--awb-title-font-weight:600;--awb-title-font-style:normal;--awb-title-line-height:1.5;--awb-content-font-family:&quot;Open Sans&quot;;--awb-content-font-style:normal;--awb-content-font-weight:400;\"><div class=\"panel-group fusion-toggle-icon-boxed\" id=\"accordion-57-1\"><div class=\"fusion-panel panel-default panel-86e8a303c3dc03f03 fusion-toggle-no-divider\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_86e8a303c3dc03f03\"><a aria-expanded=\"false\" aria-controls=\"86e8a303c3dc03f03\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-57-1\" data-target=\"#86e8a303c3dc03f03\" href=\"#86e8a303c3dc03f03\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">Mesa I \u2013 Autoridades<\/span><\/a><\/h4><\/div><div id=\"86e8a303c3dc03f03\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_86e8a303c3dc03f03\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<ul>\n<li>Ana Estela Haddad \u2013 Primeira dama da cidade de S\u00e3o Paulo<\/li>\n<li>Belmira Bueno \u2013 Diretora da FEUSP<\/li>\n<li>Leny Mrech (EBP)<\/li>\n<li>Mauricio Tarrab \u2013 Predidente FAPOL<\/li>\n<li>Miquel Bassols \u2013 Presidente AMP<\/li>\n<li>R\u00f4mulo Ferreira da Silva \u2013 Diretor do VII ENAPOL<\/li>\n<\/ul>\n<\/div><\/div><\/div><div class=\"fusion-panel panel-default panel-d005a00b10472e27a fusion-toggle-no-divider\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_d005a00b10472e27a\"><a aria-expanded=\"false\" aria-controls=\"d005a00b10472e27a\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-57-1\" data-target=\"#d005a00b10472e27a\" href=\"#d005a00b10472e27a\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">Mesa II \u2013 Comiss\u00e3o Cient\u00ecfica<\/span><\/a><\/h4><\/div><div id=\"d005a00b10472e27a\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_d005a00b10472e27a\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<ul>\n<li>Ana Lydia Santiago (EBP)<\/li>\n<li>Ernesto Sinatra (EOL)<\/li>\n<li>Fernando Vitale (EOL)<\/li>\n<li>H\u00e9ctor Gallo (NEL)<\/li>\n<li>Mercedes Iglesias (NEL)<\/li>\n<\/ul>\n<p><strong>Coordena\u00e7\u00e3o:<\/strong>\u00a0R\u00f4mulo Ferreira da Silva (EBP)<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"fusion-separator fusion-full-width-sep\" style=\"align-self: center;margin-left: auto;margin-right: auto;margin-top:10px;margin-bottom:10px;width:100%;\"><\/div><div class=\"fusion-builder-row fusion-builder-row-inner fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"width:104% !important;max-width:104% !important;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column_inner fusion-builder-nested-column-3 fusion_builder_column_inner_1_1 1_1 fusion-flex-column\" style=\"--awb-padding-top:7px;--awb-padding-bottom:7px;--awb-bg-color:#222222;--awb-bg-color-hover:#222222;--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-4\"><p style=\"font-family: Raleway; letter-spacing: 4px; font-size: 17px; font-weight: 500; margin-bottom: 0px; text-align: center;\"><span style=\"color: #ffffff;\">15:00 a 19:30 HS. &#8211; PLENARIAS<\/span><\/p>\n<\/div><\/div><\/div><\/div><div class=\"accordian fusion-accordian\" style=\"--awb-border-size:0px;--awb-icon-size:16px;--awb-content-font-size:15px;--awb-icon-alignment:left;--awb-hover-color:#f9f9f9;--awb-border-color:#cccccc;--awb-background-color:#ffffff;--awb-divider-color:rgba(224,222,222,0);--awb-divider-hover-color:rgba(224,222,222,0);--awb-icon-color:#ffffff;--awb-title-color:#0075a8;--awb-content-color:#222222;--awb-icon-box-color:#333333;--awb-toggle-hover-accent-color:#0075a8;--awb-title-font-family:&quot;Raleway&quot;;--awb-title-font-weight:600;--awb-title-font-style:normal;--awb-title-line-height:1.5;--awb-content-font-family:&quot;Open Sans&quot;;--awb-content-font-style:normal;--awb-content-font-weight:400;\"><div class=\"panel-group fusion-toggle-icon-boxed\" id=\"accordion-57-2\"><div class=\"fusion-panel panel-default panel-8d60fb57402f231f0 fusion-toggle-no-divider\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_8d60fb57402f231f0\"><a aria-expanded=\"false\" aria-controls=\"8d60fb57402f231f0\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-57-2\" data-target=\"#8d60fb57402f231f0\" href=\"#8d60fb57402f231f0\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">15:00 a 16:30 hs. - O Lugar das Imagens na Cl\u00ednica da Psicose<\/span><\/a><\/h4><\/div><div id=\"8d60fb57402f231f0\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_8d60fb57402f231f0\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<ul>\n<li>Henri Kaufmanner (EBP)<\/li>\n<li>Jorge Forbes (EBP)<\/li>\n<li>Jos\u00e9 Fernando Vel\u00e1squez (NEL)<\/li>\n<li>Silvia Baudini (EOL)<\/li>\n<\/ul>\n<p><strong>Conversam com<\/strong> Carlos Rossi (EOL) y Margarida Assad (EBP)<\/p>\n<p><strong>Presidente de mesa:<\/strong>\u00a0Osvaldo Delgado (EOL)<\/p>\n<\/div><\/div><\/div><div class=\"fusion-panel panel-default panel-147c1cd73302a4e76 fusion-toggle-no-divider\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_147c1cd73302a4e76\"><a aria-expanded=\"false\" aria-controls=\"147c1cd73302a4e76\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-57-2\" data-target=\"#147c1cd73302a4e76\" href=\"#147c1cd73302a4e76\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">16:30 A 18:00 hs. - A Arte e o Imp\u00e9rio das Imagens<\/span><\/a><\/h4><\/div><div id=\"147c1cd73302a4e76\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_147c1cd73302a4e76\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<ul>\n<li>Maria Adelaide Amaral (jornalista, escritora, dramaturga\/periodista, escritora, dramaturga)<\/li>\n<li>Regina Silveira (artista multim\u00eddia, gravadora, pintora, professora\/artista multimedios, grabadora, pintora, professora)<\/li>\n<li><strong>Conversam com<\/strong> Ra\u00fal Antelo (professor titular de literatura brasileira na UFSC\/professor titular de literatura brasile\u00f1a em la UFSC)<\/li>\n<\/ul>\n<p><strong>Coordena\u00e7\u00e3o:<\/strong>\u00a0S\u00e9rgio Laia (EBP)<\/p>\n<\/div><\/div><\/div><div class=\"fusion-panel panel-default panel-eef7e7b92a8fbe0fe fusion-toggle-no-divider\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_eef7e7b92a8fbe0fe\"><a aria-expanded=\"false\" aria-controls=\"eef7e7b92a8fbe0fe\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-57-2\" data-target=\"#eef7e7b92a8fbe0fe\" href=\"#eef7e7b92a8fbe0fe\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">18:00 a 19:30 hs. - Mesa del Pase I<\/span><\/a><\/h4><\/div><div id=\"eef7e7b92a8fbe0fe\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_eef7e7b92a8fbe0fe\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<p><strong>Uma Imagem Indel\u00e9vel na Vida<\/strong><\/p>\n<ul>\n<li>Beatriz Udenio (EOL)<\/li>\n<li>D\u00e9bora Rabinovich (EOL)<\/li>\n<li>J\u00e9sus Santiago (EBP)<\/li>\n<li>Paula Kalfus (EOL)<\/li>\n<li>Ram Mandil (EBP)<\/li>\n<\/ul>\n<p><strong>Interlocutora:<\/strong>\u00a0Angelina Harari (EBP)<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"fusion-separator fusion-full-width-sep\" style=\"align-self: center;margin-left: auto;margin-right: auto;margin-top:10px;margin-bottom:10px;width:100%;\"><\/div><div class=\"fusion-builder-row fusion-builder-row-inner fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"width:104% !important;max-width:104% !important;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column_inner fusion-builder-nested-column-4 fusion_builder_column_inner_1_1 1_1 fusion-flex-column\" style=\"--awb-padding-top:7px;--awb-padding-bottom:7px;--awb-bg-color:#222222;--awb-bg-color-hover:#222222;--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-5\"><p style=\"font-family: Raleway; letter-spacing: 4px; font-size: 17px; font-weight: 500; margin-bottom: 0px; text-align: center;\"><span style=\"color: #ffffff;\">21:00 a 23:00 HS. &#8211; COQUETEL<\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-1 fusion_builder_column_1_2 1_2 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:50%;--awb-margin-top-large:0px;--awb-spacing-right-large:3.84%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:3.84%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-builder-row fusion-builder-row-inner fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"width:104% !important;max-width:104% !important;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column_inner fusion-builder-nested-column-5 fusion_builder_column_inner_1_1 1_1 fusion-flex-column\" style=\"--awb-padding-top:7px;--awb-padding-bottom:7px;--awb-bg-color:#003f5a;--awb-bg-color-hover:#003f5a;--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-6\"><p style=\"font-family: Raleway; letter-spacing: 4px; font-size: 20px; font-weight: 500; margin-bottom: 0px; text-align: center;\"><span style=\"color: #ffffff;\">S\u00c1BADO 5 DE SEPTIEMBRE<\/span><\/p>\n<\/div><\/div><\/div><\/div><div class=\"fusion-separator fusion-full-width-sep\" style=\"align-self: center;margin-left: auto;margin-right: auto;margin-top:10px;margin-bottom:10px;width:100%;\"><\/div><div class=\"fusion-builder-row fusion-builder-row-inner fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"width:104% !important;max-width:104% !important;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column_inner fusion-builder-nested-column-6 fusion_builder_column_inner_1_1 1_1 fusion-flex-column\" style=\"--awb-padding-top:7px;--awb-padding-bottom:7px;--awb-bg-color:#222222;--awb-bg-color-hover:#222222;--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-7\"><p style=\"font-family: Raleway; letter-spacing: 4px; font-size: 16px; font-weight: 500; margin-bottom: 0px; text-align: center;\"><span style=\"color: #ffffff;\">CONVERSA\u00c7\u00d5ES E MESAS SIMULT\u00c2NEAS<\/span><\/p>\n<\/div><\/div><\/div><\/div><div class=\"accordian fusion-accordian\" style=\"--awb-border-size:0px;--awb-icon-size:16px;--awb-content-font-size:15px;--awb-icon-alignment:left;--awb-hover-color:#f9f9f9;--awb-border-color:#cccccc;--awb-background-color:#ffffff;--awb-divider-color:rgba(224,222,222,0);--awb-divider-hover-color:rgba(224,222,222,0);--awb-icon-color:#ffffff;--awb-title-color:#0075a8;--awb-content-color:#222222;--awb-icon-box-color:#333333;--awb-toggle-hover-accent-color:#0075a8;--awb-title-font-family:&quot;Raleway&quot;;--awb-title-font-weight:600;--awb-title-font-style:normal;--awb-title-line-height:1.5;--awb-content-font-family:&quot;Open Sans&quot;;--awb-content-font-style:normal;--awb-content-font-weight:400;\"><div class=\"panel-group fusion-toggle-icon-boxed\" id=\"accordion-57-3\"><div class=\"fusion-panel panel-default panel-e30e829df31c8a68a fusion-toggle-no-divider\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_e30e829df31c8a68a\"><a aria-expanded=\"false\" aria-controls=\"e30e829df31c8a68a\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-57-3\" data-target=\"#e30e829df31c8a68a\" href=\"#e30e829df31c8a68a\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">12:00 a 13:15 hs.<\/span><\/a><\/h4><\/div><div id=\"e30e829df31c8a68a\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_e30e829df31c8a68a\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<p><strong>Sala Ballroom 1 \u2013 Piso C<\/strong><\/p>\n<p><em>Fotografia na cl\u00ednica das psicoses<\/em>\u00a0\u2013 Rebeca Cardoso Anafe (BR)<\/p>\n<p><em>Si no me veo, no s\u00e9 quien soy<\/em>\u00a0\u2013 Viviana Capisciolto (AR)<\/p>\n<p><em>Quiero tener otra cara<\/em>\u00a0\u2013 Maria Paula Fontana (AR)<\/p>\n<p><em>La princesa mayaan<\/em>\u00a0\u2013 Aldo Avila (MX)<\/p>\n<p><strong>Coordena\u00e7\u00e3o\/Coordinaci\u00f3n:\u00a0<\/strong>Marcelo Veras (EBP)<\/p>\n<p>___________________________<\/p>\n<p><strong>Sala Ballroom 2 \u2013 Piso C<\/strong><\/p>\n<p><em>Supl\u00eancias virtuais?<\/em>\u00a0\u2013 Fernando Casula (BR)<\/p>\n<p><em>El cuello de un an\u00e1lisis<\/em>\u00a0\u2013 Estefania Bonifacio (AR)<\/p>\n<p><em>Do lugar nenhum, a um lugar<\/em>\u00a0\u2013 Maria Ros\u00e1lia Pinfildi Gomes (BR)<\/p>\n<p><em>El psicoanalista y el imperio de las im\u00e1genes<\/em>\u00a0\u2013 Marcos Fina (AR)<\/p>\n<p><strong>Coordena\u00e7\u00e3o\/Coordinaci\u00f3n:\u00a0<\/strong>Manoel Zlotnik (EOL)<\/p>\n<p>___________________________<\/p>\n<p><strong>Sala Ballroom 3 \u2013 Piso C<\/strong><\/p>\n<p><em>A gente tava brincando, senhor<\/em>\u00a0\u2013 Daniela Camargo Barros Affonso (BR)<\/p>\n<p><em>As identifica\u00e7\u00f5es l\u00edquidas: novas configura\u00e7\u00f5es do mal-estar<\/em>\u00a0\u2013 Li\u00e8ge Uch\u00f4a (BR)<\/p>\n<p><em>Del objeto mirada en el tiempo del imperio de las im\u00e1genes<\/em>\u00a0\u2013 Catery Tato (AR)<\/p>\n<p><em>Debes ser un cuerpo<\/em>\u00a0\u2013 Jos\u00e9 Damiano (AR)<\/p>\n<p><strong>Coordena\u00e7\u00e3o\/Coordinaci\u00f3n:\u00a0<\/strong>Gabriela Camaly (EOL)<\/p>\n<p>___________________________<\/p>\n<p><strong>Sala Ballroom 4 \u2013 Piso C<\/strong><\/p>\n<p><em>Nem santas, nem rameiras, somente objetos sem romantismo<\/em>\u00a0\u2013 Rosa Guedes Lopes (BR)<\/p>\n<p><em>Bate-se com uma imagem<\/em>\u00a0\u2013 Luiz Felipe Monteiro (BR)<\/p>\n<p><em>De ser un anim\u00e9 a tener un cuerpo animado<\/em>\u00a0\u2013 Ana C. Aiassa (AR)<\/p>\n<p><em>Ser adolescente<\/em>\u00a0\u2013 Marcela Errecondo (AR)<\/p>\n<p><strong>Coordena\u00e7\u00e3o\/Coordinaci\u00f3n:\u00a0<\/strong>Maria Bernadette Soares de Sant\u2019Ana Pitteri (EBP)<\/p>\n<p>___________________________<\/p>\n<p><strong>Sala S\u00e3o Paulo 1+2 \u2013 Piso C<\/strong><\/p>\n<p><em>Adolescentes em busca de um lugar quando o Outro n\u00e3o existe<\/em>\u00a0\u2013 Lisley Braun (BR)<\/p>\n<p><em>O empuxo ao consumo e o ato infracional em adolescentes<\/em>\u00a0\u2013 Maralucia Bueno (BR)<\/p>\n<p><em>La fuga en el espejo<\/em>\u00a0\u2013 Alma P\u00e9rez Abella (AR)<\/p>\n<p><em>Identixicaciones<\/em>\u00a0\u2013 Lucila Tavernier (AR)<\/p>\n<p><strong>Coordena\u00e7\u00e3o\/Coordinaci\u00f3n:\u00a0<\/strong>Paula Szabo (EOL)<\/p>\n<p>___________________________<\/p>\n<p><strong>Sala S\u00e3o Paulo 3+4 \u2013 Piso C<\/strong><\/p>\n<p><em>A montagem de um corpo<\/em>\u00a0\u2013 Helenice Saldanha de Castro (BR)<\/p>\n<p><em>Entre piercings, tatuagens e penduricalhos<\/em>\u00a0\u2013 Francine Negr\u00e3o Granato (BR)<\/p>\n<p><em>Do parceiro olhar<\/em>\u00a0\u2013 Guilherme Pimentel Jord\u00e3o (BR)<\/p>\n<p><em>Men are the new women?<\/em>\u00a0\u2013 Ana Vigan\u00f3 (MX)<\/p>\n<p><strong>Coordena\u00e7\u00e3o\/Coordinaci\u00f3n:\u00a0<\/strong>Rosane da Fonte (EBP)<\/p>\n<p>___________________________<\/p>\n<p><strong>WTC Galeria \u2013 Piso C<\/strong><\/p>\n<p><em>La soledad de los objetos<\/em>\u00a0\u2013 Gerardo Batista (AR)<\/p>\n<p><em>Eu estou aqui?<\/em>\u00a0\u2013 Silvana Sbravati (BR)<\/p>\n<p><em>El caso 50 sombras: \u00bfPorno para mam\u00e1s?<\/em>\u00a0\u2013 Silvina Bragagnolo (AR)<\/p>\n<p><em>Del imperio de la imagen al goce de los agujeros<\/em>\u00a0\u2013 H\u00e9ctor Gallo (CO)<\/p>\n<p><strong>Coordena\u00e7\u00e3o\/Coordinaci\u00f3n:\u00a0<\/strong>Silvia Tendlarz (EOL)<\/p>\n<p>___________________________<\/p>\n<p><strong>Sala Gauguin \u2013 Piso M<\/strong><\/p>\n<p><em>Encarcerar o gozo?<\/em>\u00a0\u2013 Gleice Taciana Barbosa (BR)<\/p>\n<p><em>Eu n\u00e3o sou isso que v\u00ea<\/em>\u00a0\u2013 Cristiane de Freitas Cunha Grillo (BR)<\/p>\n<p><em>La inmigrante<\/em>\u00a0\u2013 Ver\u00f3nica Carbone (AR)<\/p>\n<p><em>El abuso sexual en los campos de concentraci\u00f3n<\/em>\u00a0\u2013 Osvaldo Delgado (AR)<\/p>\n<p><strong>Coordena\u00e7\u00e3o\/Coordinaci\u00f3n:\u00a0<\/strong>Louise Lhullier(EBP)<\/p>\n<p>___________________________<\/p>\n<p><strong>Sala Matisse \u2013 Piso M<\/strong><\/p>\n<p><em>A noturna Sofia<\/em>\u00a0\u2013 Maria Fatima Pinheiro (BR)<\/p>\n<p><em>Da dor ao amor: um resgaste poss\u00edvel<\/em>\u00a0\u2013 Verbena Dias (BR)<\/p>\n<p><em>Pasar de un brillo a outro\u00a0<\/em>&#8211; Paula Bonino (AR)<\/p>\n<p><em>La imagen del hombre que le gusta a las mujeres<\/em>\u00a0\u2013 Luis Salamone (AR)<\/p>\n<p><strong>Coordena\u00e7\u00e3o\/Coordinaci\u00f3n:\u00a0<\/strong>Patricia Badari (EBP)<\/p>\n<p>___________________________<\/p>\n<p><strong>Sala Chagal \u2013 Piso M<\/strong><\/p>\n<p><em>Imp\u00e9rio do direito: do Um ao m\u00faltiplo<\/em>\u00a0\u2013 Paula Moreau (BR)<\/p>\n<p><em>La Escuela: Aldea hiperglobal<\/em>\u00a0\u2013 Adriana Garc\u00eda (AR)<\/p>\n<p><em>Hacerse respetar\u2026hasta la muerte<\/em>\u00a0\u2013 M\u00f3nica Larrahondo (CO)<\/p>\n<p><em>La mirada disse<\/em>\u00a0\u2013 Mar\u00eda P\u00e9rez Duhalde (AR)<\/p>\n<p><strong>Coordena\u00e7\u00e3o\/Coordinaci\u00f3n:\u00a0<\/strong>M\u00f4nica Bueno de Camargo (EBP)<\/p>\n<\/div><\/div><\/div><div class=\"fusion-panel panel-default panel-b2ee46149345a9e4a fusion-toggle-no-divider\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_b2ee46149345a9e4a\"><a aria-expanded=\"false\" aria-controls=\"b2ee46149345a9e4a\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-57-3\" data-target=\"#b2ee46149345a9e4a\" href=\"#b2ee46149345a9e4a\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">13:15 a 14:30 hs.<\/span><\/a><\/h4><\/div><div id=\"b2ee46149345a9e4a\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_b2ee46149345a9e4a\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<p><strong>Sala Ballroom 1 \u2013 Piso C<\/strong><\/p>\n<p><em>Lo que se esconde tras la imagen: un hombre sin-cero<\/em>\u00a0\u2013 Clara Holgu\u00edn (CO)<\/p>\n<p><em>A forma e os fragmentos: o corpo para al\u00e9m da imagem<\/em>\u00a0\u2013 Paula Legey (BR)<\/p>\n<p><em>Cuerpo bomba<\/em>\u00a0\u2013 Dolores Amden (AR)<\/p>\n<p><em>Cuerpo a cuerpo con(tra) la ci\u00eancia<\/em>\u00a0\u2013 Ra\u00fal Casta\u00f1eda-Cerezo (GUA)<\/p>\n<p><strong>Coordena\u00e7\u00e3o\/Coordinaci\u00f3n:\u00a0<\/strong>F\u00e1bio Paes Barreto (EBP)<\/p>\n<p>___________________________<\/p>\n<p><strong>Sala Ballroom 2 \u2013 Piso C<\/strong><\/p>\n<p><em>Caso Amora<\/em>\u00a0\u2013 Fernanda Azevedo da Silva Turbat (BR)<\/p>\n<p><em>A imagem em jogo na parceria Dal\u00ed-Gala<\/em>\u00a0\u2013 Marcia M\u00fcller (BR)<\/p>\n<p><em>La chica Tinder<\/em>\u00a0\u2013 Silvia Baudini (AR)<\/p>\n<p><em>La pantalla desvanecida<\/em>\u00a0\u2013 Graciela N. Gonzalez (AR)<\/p>\n<p><strong>Coordena\u00e7\u00e3o\/Coordinaci\u00f3n:\u00a0<\/strong>Diana Paulosky (EOL)<\/p>\n<p>___________________________<\/p>\n<p><strong>Sala Ballroom 3 \u2013 Piso C<\/strong><\/p>\n<p><em>O uso das imagens como recurso a quest\u00e3o ed\u00edpica<\/em>\u00a0\u2013 Simone Bianchi (BR)<\/p>\n<p><em>Meninas que desaparecem<\/em>\u00a0\u2013 Claudia Figaro-Garcia (BR)<\/p>\n<p><em>\u00bfA qu\u00e9 llamamos virilidad?<\/em>\u00a0\u2013 Laura Arroyo (AR)<\/p>\n<p><em>Im\u00e1gen tribal<\/em>\u00a0\u2013 Gabriela Basz (AR)<\/p>\n<p><strong>Coordena\u00e7\u00e3o\/Coordinaci\u00f3n:\u00a0<\/strong>Cynthia Freitas(EBP)<\/p>\n<p>___________________________<\/p>\n<p><strong>Sala Ballroom 4 \u2013 Piso C<\/strong><\/p>\n<p><em>El declive del ideal: man\u00eda de la imagen<\/em>\u00a0\u2013 Pablo Olivero (AR)<\/p>\n<p><em>A imagem mais al\u00e9m do narcisismo<\/em>\u00a0\u2013 Laureci Nunes (BR)<\/p>\n<p><em>O p\u00fablico e o privado sob a esfera do olhar<\/em>\u00a0\u2013 Evandro Medeiros (BR)<\/p>\n<p><strong>Coordena\u00e7\u00e3o\/Coordinaci\u00f3n:\u00a0<\/strong>Susana Amado (EOL)<\/p>\n<p>___________________________<\/p>\n<p><strong>Sala S\u00e3o Paulo 1+2 \u2013 Piso C<\/strong><\/p>\n<p><em>Las nuevas consist\u00eancias<\/em>\u00a0\u2013 Flory Kruger (AR)<\/p>\n<p><em>O real do corpo vs. o real do organismo: um caso de anorexia<\/em>\u00a0\u2013 Ana M. Lopes (BR)<\/p>\n<p><em>El imperio\u2026vs. la fragilidad de las im\u00e1genes<\/em>\u00a0\u2013 Jos\u00e9 F. Vel\u00e1squez (CO)<\/p>\n<p><em>Lalengua y la imagen en el autismo: Temple Grandin<\/em>\u00a0\u2013 Patricio \u00c1lvarez (AR)<\/p>\n<p><strong>Coordena\u00e7\u00e3o\/Coordinaci\u00f3n:\u00a0<\/strong>Graciela Bessa (EBP)<\/p>\n<p>___________________________<\/p>\n<p><strong>Sala S\u00e3o Paulo 3+4 \u2013 Piso C<\/strong><\/p>\n<p><em>A vi\u00fava negra<\/em>\u00a0\u2013 Julia Solano Martins (BR)<\/p>\n<p><em>Todas locas<\/em>\u00a0\u2013 Anal\u00eda Trachter (AR)<\/p>\n<p><em>Querido esp\u00eda<\/em>\u00a0\u2013 Natal\u00ed Boghossian (AR)<\/p>\n<p><em>Feminista progre liberal<\/em>\u00a0\u2013 Viviana Berger (MX)<\/p>\n<p><strong>Coordena\u00e7\u00e3o\/Coordinaci\u00f3n:\u00a0<\/strong>M\u00e1rio Elkim Ramirez (NEL)<\/p>\n<p>___________________________<\/p>\n<p><strong>WTC Galeria \u2013 Piso C<\/strong><\/p>\n<p><em>Nota sobre a bricolagem po\u00e9tico-cinematogr\u00e1fica de Chris Marker em\u00a0Sans Soleil\u00a0e algumas considera\u00e7\u00f5es psicanal\u00edticas<\/em>\u00a0\u2013 Aline Bemfica (BR)<\/p>\n<p><em>Da meton\u00edmia das imagens \u00e0 constru\u00e7\u00e3o de uma amarra\u00e7\u00e3o<\/em>\u00a0\u2013 Ana B. Z. Guimar\u00e3es (BR)<\/p>\n<p><em>Inmediatez, ominipresencia e hipervigil\u00e2ncia virtual: algunas trampas de las redes sociales en las relaciones amorosas<\/em>\u00a0\u2013 Marcela Gonz\u00e1lez (CH)<\/p>\n<p><em>\u00bfQu\u00e9 diferencia nuestra pr\u00e1ctica de la eficiencia del mago?<\/em>\u00a0\u2013 Ruth Gorenberg (AR)<\/p>\n<p><strong>Coordena\u00e7\u00e3o\/Coordinaci\u00f3n:\u00a0<\/strong>Gisela Smania (EOL)<\/p>\n<p>___________________________<\/p>\n<p><strong>Sala Gauguin \u2013 Piso M<\/strong><\/p>\n<p><em>Uma solid\u00e3o com outro<\/em>\u00a0\u2013 Silvia Jacobo (BR)<\/p>\n<p><em>O virtual, um meio para se colocar no mundo<\/em>\u00a0\u2013 Silvia Sato (BR)<\/p>\n<p><em>El imperio contraataca en la batalla del autismo<\/em>\u00a0-Gast\u00f3n Cottino (AR)<\/p>\n<p><em>\u00a1Qu\u00e9 ojos tan grandes tienes!<\/em>\u00a0\u2013 Antonella Falco (AR)<\/p>\n<p><strong>Coordena\u00e7\u00e3o\/Coordinaci\u00f3n:\u00a0<\/strong>Roberto Bertholet (EOL)<\/p>\n<p>___________________________<\/p>\n<p><strong>Sala Matisse \u2013 Piso M<\/strong><\/p>\n<p><em>A cl\u00ednica do olhar e a medicaliza\u00e7\u00e3o da morte<\/em>\u00a0\u2013 Luiza Sarno (BR)<\/p>\n<p><em>Goces esenciales<\/em>\u00a0\u2013 Cecilia Fava (AR)<\/p>\n<p><em>Decapitaciones y de(s)capitaciones en el televisor<\/em>\u00a0\u2013 Beatriz Grac\u00eda Moreno (CO)<\/p>\n<p><em>Esa mirada de Ch\u00e1vez<\/em>\u00a0\u2013 William dos Santos (VEN)<\/p>\n<p><strong>Coordena\u00e7\u00e3o\/Coordinaci\u00f3n:\u00a0<\/strong>Alejandro Reinoso (SLP)<strong>\u00a0\u00a0<\/strong><\/p>\n<p>___________________________<\/p>\n<p><strong>Sala Chagal \u2013 Piso M<\/strong><\/p>\n<p><em>Fazer-se um corpo -ser\u00e1 arte?<\/em>\u00a0\u2013 Glaucineia Gomes de Lima (BR)<\/p>\n<p><em>Entre a obesidade m\u00f3rbida e o risco do desaparecimento<\/em>\u00a0\u2013 Niraldo Oliveira dos Santos (BR)<\/p>\n<p><em>Pornograf\u00eda. Capturar la mirada, para hacer olvidar la ausencia de relaci\u00f3n sexual<\/em>\u00a0\u2013 Mariana G\u00f3mez (AR)<\/p>\n<p><em>La detective y el sospechoso<\/em>\u00a0\u2013 Beatriz Gregoret (AR)<\/p>\n<p><strong>Coordena\u00e7\u00e3o\/Coordinaci\u00f3n:\u00a0<\/strong>Paola Corn\u00fa (EOL)<\/p>\n<\/div><\/div><\/div><div class=\"fusion-panel panel-default panel-ea8261c868c0c8fbc fusion-toggle-no-divider\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_ea8261c868c0c8fbc\"><a aria-expanded=\"false\" aria-controls=\"ea8261c868c0c8fbc\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-57-3\" data-target=\"#ea8261c868c0c8fbc\" href=\"#ea8261c868c0c8fbc\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">14:30 a 15:45 hs.<\/span><\/a><\/h4><\/div><div id=\"ea8261c868c0c8fbc\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_ea8261c868c0c8fbc\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<p><strong>Sala Ballroom 1 \u2013 Piso C<\/strong><\/p>\n<p>Caso A: cortar, unir \u2013 Rodrigo Fernandez (BR)<\/p>\n<p><em>Do sujeito ao falasser: O analista no imp\u00e9rio das imagens<\/em>\u00a0\u2013 Katiuscia KIntschev (BR)<\/p>\n<p><em>Lo que no agota el imperio de las im\u00e1genes<\/em>\u00a0\u2013 Marcela Ramos (AR)<\/p>\n<p><strong>Coordena\u00e7\u00e3o\/Coordinaci\u00f3n:\u00a0<\/strong>Gloria Aksman (EOL)<\/p>\n<p>___________________________<\/p>\n<p><strong>Sala Ballroom 2 \u2013 Piso C<\/strong><\/p>\n<p><em>Un \u00bfadicto? al video-juego on line<\/em>\u00a0\u2013 Natal\u00ed Ivanier (AR)<\/p>\n<p><em>On line e o fast TIME: o que \u00e9 ser um toxic\u00f4mano hoje?<\/em>\u00a0\u2013 Giovanna Quaglia (BR)<\/p>\n<p><em>Usos de las redes sociales y los juegos on line<\/em>\u00a0\u2013 Juan Pablo Mollo (AR)<\/p>\n<p><em>El amor no es instant\u00e2neo<\/em>\u00a0\u2013 Mart\u00edn Sebasti\u00e1n Fuster (AR)\u00a0\u00a0\u00a0\u00a0\u00a0<strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong><\/p>\n<p><strong>Coordena\u00e7\u00e3o\/Coordinaci\u00f3n:\u00a0<\/strong>Marita Salgado (EOL)<\/p>\n<p>___________________________<\/p>\n<p><strong>Sala Ballroom 3 \u2013 Piso C<\/strong><\/p>\n<p><em>O retorno de um la\u00e7o: do anel do estomago aos grampos da l\u00edngua<\/em>\u00a0\u2013 Magno Azevedo (BR)<\/p>\n<p><em>O caso W: de quando uma imagem se torna letra<\/em>\u00a0\u2013 Rodrigo Camargo (BR)<\/p>\n<p><em>Veo veo\u2026\u00bfqu\u00e9 ves?<\/em>\u00a0\u2013 Laura Ambrosino (AR)<\/p>\n<p><em>Del impudor a la verg\u00fcenza<\/em>\u00a0\u2013 Manuel Carrasco Quintana<\/p>\n<p><strong>Coordena\u00e7\u00e3o\/Coordinaci\u00f3n:\u00a0<\/strong>Mar\u00eda Eugenia Cora (EOL)<\/p>\n<p>___________________________<\/p>\n<p><strong>Sala Ballroom 4 \u2013 Piso C<\/strong><\/p>\n<p><em>A inconsist\u00eancia do imagin\u00e1rio: que consequ\u00eancias para a cl\u00ednica com adolescentes?<\/em>\u00a0\u2013 Mingnon Lins Melo (BR)<\/p>\n<p><em>Um olhar te\u00f3rico e cl\u00ednico de dois modos de se apresentar diante dos bailes de m\u00e1scaras<\/em>\u00a0\u2013 Maria de F\u00e1tima P\u00e9ret (BR)<\/p>\n<p><em>Dorian Gray, siempre el mismo<\/em>\u00a0\u2013 Natalia Andreini (AR)<\/p>\n<p><em>Cuerpo y consistencia en el imaginario del siglo XXI<\/em>\u00a0\u2013 Mart\u00edn Cottone (AR)<\/p>\n<p><strong>Coordena\u00e7\u00e3o\/Coordinaci\u00f3n:\u00a0<\/strong>Fernando G\u00f3mez (NEL)<\/p>\n<p>___________________________<\/p>\n<p><strong>Sala S\u00e3o Paulo 1+2 \u2013 Piso C<\/strong><\/p>\n<p><em>Dor que puxa, pulsa: o caso de um sujeito inibido<\/em>\u00a0-Rog\u00e9rio Barros (BR)<\/p>\n<p><em>Esquiciar\u00a0<\/em>&#8211; Edna G\u00f3mez Murillo (MX)<\/p>\n<p><em>Soy un cuerpo en la escritura<\/em>\u00a0\u2013 Evangelina Fuentes (AR)<\/p>\n<p><strong>Coordena\u00e7\u00e3o\/Coordinaci\u00f3n:\u00a0<\/strong>Maria de F\u00e1tima Ferreira (EBP)<\/p>\n<p>___________________________<\/p>\n<p><strong>Sala S\u00e3o Paulo 3+4 \u2013 Piso C<\/strong><\/p>\n<p><em>Cracol\u00e2ndia: para al\u00e9m da toxicomania<\/em>\u00a0\u2013 Mirmila Musse (BR)<\/p>\n<p><em>Corpos e consumo em tempos do Outro que n\u00e3o existe \u2013 como o Imp\u00e9rio das imagens se relaciona com isso<\/em>\u00a0\u2013 Sa\u00fa Pereira Tavares de Oliveira (BR)<\/p>\n<p><em>Quando a droga \u00e9 a via para a consist\u00eancia corporal<\/em>\u00a0\u2013 Carla Fernandes (BR)<\/p>\n<p><em>Adictos eran los de antes<\/em>\u00a0\u2013 H\u00e9ctor Tarditti (AR)<\/p>\n<p><strong>Coordena\u00e7\u00e3o\/Coordinaci\u00f3n:\u00a0<\/strong>Eduardo Suarez (EOL)<\/p>\n<p>___________________________<\/p>\n<p><strong>WTC Galeria \u2013 Piso C<\/strong><\/p>\n<p><em>Um corpo subst\u00e2ncia que se goza<\/em>\u00a0\u2013 Eliane Costa Dias (BR)<\/p>\n<p><em>Esclerose m\u00faltipla singular: a mulher de corpo intoc\u00e1vel\u00a0<\/em>&#8211; Pedro Braccini Pereira (BR)<\/p>\n<p><em>La novela del cuerpo<\/em>\u00a0\u2013 Jorge Bafico (UY)<\/p>\n<p><em>Ver demais \u00e9 ver de menos: um olhar sobre a viol\u00eancia<\/em>\u00a0\u2013 Gisela Goldwasser (BR)<\/p>\n<p><strong>Coordena\u00e7\u00e3o\/Coordinaci\u00f3n:\u00a0<\/strong>Ana Vigan\u00f3 (NEL)<\/p>\n<p>___________________________<\/p>\n<p><strong>Sala Gauguin \u2013 Piso M<\/strong><\/p>\n<p><em>As aspira\u00e7\u00f5es das telas digitais<\/em>\u00a0\u2013 Bruna Alburquerque (BR)<\/p>\n<p><em>O sal da terra<\/em>\u00a0\u2013 Viviane Lamare (BR)<\/p>\n<p><em>Il taglio. La pantalla rasgada<\/em>\u00a0\u2013 Gabriela Rodriguez (AR)<\/p>\n<p><em>La imagen y lo hiper-real<\/em>\u00a0\u2013 Silvina Rojas (AR)<\/p>\n<p><strong>Coordena\u00e7\u00e3o\/Coordinaci\u00f3n:\u00a0<\/strong>Celia Sales (EBP)<\/p>\n<p>___________________________<\/p>\n<p><strong>Sala Matisse \u2013 Piso M<\/strong><\/p>\n<p><em>Terrorismo goPRO<\/em>\u00a0\u2013 Paula C. Verlangieri Caio (BR)<\/p>\n<p><em>Passagem ao ato capturada pelo circuito digital: uma constru\u00e7\u00e3o cl\u00ednica<\/em>\u00a0\u2013 Mariana Junqueira (BR)<\/p>\n<p><em>Un saca-momentos: apuestas y extracci\u00f3n del tempo<\/em>\u00a0\u2013 Mariela Coletti (AR)<\/p>\n<p><em>La pregnancia de las im\u00e1genes<\/em>\u00a0\u2013 Ernesto Gangli (AR)<\/p>\n<p><strong>Coordena\u00e7\u00e3o\/Coordinaci\u00f3n:\u00a0<\/strong>Luis Salamone (EOL)<\/p>\n<p>___________________________<\/p>\n<p><strong>Sala Chagal \u2013 Piso M<\/strong><\/p>\n<p><em>Sublimar o real em imagem: um mundo omnivoyer<\/em>\u00a0\u2013 Zelma Galesi (BR)<\/p>\n<p><em>Os v\u00eddeos de execu\u00e7\u00e3o do Estado Isl\u00e2mico e das rebeli\u00f5es penitenci\u00e1rias no Brasil<\/em>\u00a0\u2013 Cesar Skaf (BR)<\/p>\n<p><em>A fun\u00e7\u00e3o onivoyer das telas \u2013 Ojos para no ver<\/em>\u00a0\u2013 Paula Szabo (AR)<\/p>\n<p><em>Mirada voraz: cuerpos consumidos<\/em>\u00a0\u2013 Bel\u00e9n Zubillaga (AR)<\/p>\n<p><strong>Coordena\u00e7\u00e3o\/Coordinaci\u00f3n:<\/strong>\u00a0Marcela Almanza (NEL)<\/p>\n<\/div><\/div><\/div><div class=\"fusion-panel panel-default panel-9118b09c8ed01ddf3 fusion-toggle-no-divider\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_9118b09c8ed01ddf3\"><a aria-expanded=\"false\" aria-controls=\"9118b09c8ed01ddf3\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-57-3\" data-target=\"#9118b09c8ed01ddf3\" href=\"#9118b09c8ed01ddf3\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">15:45 a 17:00 hs.<\/span><\/a><\/h4><\/div><div id=\"9118b09c8ed01ddf3\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_9118b09c8ed01ddf3\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<p><strong>Sala Ballroom 1 \u2013 Piso C<\/strong><\/p>\n<p><em>Sobre as imagens impactantes e virais nos aplicativos de celulares<\/em>\u00a0\u2013 Fernanda Fernandes (BR)<\/p>\n<p><em>A imagem e o significante na cl\u00ednica psicanal\u00edtica em l\u00edngua de sinais<\/em>\u00a0\u2013 Viviane dos Santos (BR)<\/p>\n<p><em>Pantallas vs. Pantallas<\/em>\u00a0\u2013 Catalina Guerberoff (AR)<\/p>\n<p><em>Los artistas responden a los psicoanalistas<\/em>\u00a0\u2013 Marisol Guti\u00e9rrez (AR)<\/p>\n<p><strong>Coordena\u00e7\u00e3o\/Coordinaci\u00f3n:\u00a0<\/strong>Jorge Bafico (GLM-Uruguay)<\/p>\n<p>___________________________<\/p>\n<p><strong>Sala Ballroom 2 \u2013 Piso C<\/strong><\/p>\n<p><em>Quando a psicose \u00e9 extraordin\u00e1ria, at\u00e9 o policial e o vizinho reconhecem<\/em>\u00a0\u2013 Gresiela Nunes Rosa (BR)<\/p>\n<p><em>O mal-entendido da linguagem\/imagem<\/em>\u00a0\u2013 Fl\u00e1via Hasky (BR)<\/p>\n<p><em>Tatuajes: escritura y mimetismo<\/em>\u00a0\u2013 Dar\u00edo Galante (AR)<\/p>\n<p><em>El goce de la imagen<\/em>\u00a0\u2013 Patricia Kerszemblat (AR)<\/p>\n<p><strong>Coordena\u00e7\u00e3o\/Coordinaci\u00f3n:\u00a0<\/strong>Pablo Sauce (EBP)<\/p>\n<p>___________________________<\/p>\n<p><strong>Sala Ballroom 3 \u2013 Piso C<\/strong><\/p>\n<p><em>Un saber que enferma<\/em>\u00a0\u2013 Raquel Garc\u00e9s (AR)<\/p>\n<p><em>Lo que impera en las im\u00e1genes<\/em>\u00a0\u2013 Paula Lagunas (AR)<\/p>\n<p><em>As sobreposi\u00e7\u00f5es entre o autismo e os meios de comunica\u00e7\u00e3o<\/em>\u00a0\u2013 Vanessa Ferreresi (BR)<\/p>\n<p><em>Las im\u00e1genes y el pudor<\/em>\u00a0\u2013 Carolina Rovere (AR)<\/p>\n<p><strong>Coordena\u00e7\u00e3o\/Coordinaci\u00f3n:\u00a0<\/strong>Jimena Contreras (EOL)<\/p>\n<p>___________________________<\/p>\n<p><strong>Sala Ballroom 4 \u2013 Piso C<\/strong><\/p>\n<p><em>Retrato de fam\u00edlia<\/em>\u00a0\u2013 Isabel do R\u00eago Barros (BR)<\/p>\n<p><em>Um encontro com as imagens<\/em>\u00a0\u2013 Mar\u00eda Noemi de Araujo (BR)<\/p>\n<p><em>Amo a ella en la pantalla<\/em>\u00a0\u2013 Daniel Senderey (AR)<\/p>\n<p><em>El Arte com el cuerpo\u00a0la \u00e9poca del imperio de las im\u00e1genes<\/em>\u00a0\u2013 Virginia Cura (AR)<\/p>\n<p><strong>Coordena\u00e7\u00e3o\/Coordinaci\u00f3n:\u00a0<\/strong>Marcela Errecondo ((EOL)<\/p>\n<p>___________________________<\/p>\n<p><strong>Sala S\u00e3o Paulo 1+2 \u2013 Piso C<\/strong><\/p>\n<p><em>Priva(da)cidade<\/em>\u00a0\u2013 Eliana Machado Figueiredo (BR)<\/p>\n<p><em>O diz-discurso do rei. O que se repete?<\/em>\u00a0\u2013 Aldo B. Nunes da Silva (BR)<\/p>\n<p><em>Transparencia de la norma y opacidad de la ley<\/em>\u00a0\u2013 Marcelo Barros (AR)<\/p>\n<p><em>El imperio de los desechos<\/em>\u00a0\u2013 Lorena Buchner (AR)<\/p>\n<p><strong>Coordena\u00e7\u00e3o\/Coordinaci\u00f3n:\u00a0<\/strong>Tania Regina Anchite Martins (EBP)<\/p>\n<p>___________________________<\/p>\n<p><strong>Sala S\u00e3o Paulo 3+4 \u2013 Piso C<\/strong><\/p>\n<p><em>Do sujeito do inconsciente ao falasser: considera\u00e7\u00f5es sobre o imagin\u00e1rio em Lacan<\/em>\u00a0\u2013 Mariana Ferretti (BR)<\/p>\n<p><em>Escabelo e imp\u00e9rio das imagens<\/em>\u00a0\u2013 Carlos E. Rodrigues (BR)<\/p>\n<p><em>O c\u00e1lculo das imagens no autismo<\/em>\u00a0\u2013 Mauricio Beltr\u00e1n (BR)<\/p>\n<p><em>Mujeres, sp\u00e9culum -Lucy Irigaray y las esp\u00e9cula(riza)ciones sobre lo feminino<\/em>\u00a0-Cecilia Fasano<\/p>\n<p><strong>Coordena\u00e7\u00e3o\/Coordinaci\u00f3n:\u00a0<\/strong>Ruth Helena Cohen (EBP)<\/p>\n<p>___________________________<\/p>\n<p><strong>WTC Galeria \u2013 Piso C<\/strong><\/p>\n<p><em>El imperio de las im\u00e1genes de la ni\u00f1a que atemoriza<\/em>\u00a0\u2013 Luisa Arag\u00f3n (GUA)<\/p>\n<p><em>Im\u00e1genes e imaginario en las (des)estabilizaciones del parl\u00eatre<\/em>\u00a0\u2013 Alejandro Reinoso(CH)<\/p>\n<p><em>Da toxicomania \u00e0s psicoses ordin\u00e1rias<\/em>\u00a0\u2013 Cl\u00e1udia Henschel de Lima (BR)<\/p>\n<p><em>A perturba\u00e7\u00e3o do imagin\u00e1rio e seu efeito sobre o corpo<\/em>\u00a0\u2013 Virginia Lucas Souto (BR)<\/p>\n<p><strong>Coordena\u00e7\u00e3o\/Coordinaci\u00f3n:\u00a0<\/strong>Ruth Gorenberg (EOL)<\/p>\n<p>___________________________<\/p>\n<p><strong>Sala Gauguin \u2013 Piso M<\/strong><\/p>\n<p><em>Quem \u00e9 o sujeito no imp\u00e9rio das imagens?<\/em>\u00a0\u2013 Angela Batista (BR)<\/p>\n<p><em>Parl\u00eatre inebriado -solid\u00f5es contempor\u00e2neas<\/em>\u00a0\u2013 Ary Farias (BR)<\/p>\n<p><em>Comandante comandado<\/em>\u00a0\u2013 Claudio Spivak (AR)<\/p>\n<p>Cuando la pantalla no es la imagen \u2013 Carlos Rossi (AR)<\/p>\n<p><strong>Coordena\u00e7\u00e3o\/Coordinaci\u00f3n:\u00a0<\/strong>Gilberto Fonseca (EBP)<\/p>\n<p>___________________________<\/p>\n<p><strong>Sala Matisse \u2013 Piso M<\/strong><\/p>\n<p><em>Sobre as selfies<\/em>\u00a0\u2013 Silvia Ghizzo (BR)<\/p>\n<p><em>Um supereu em a\u00e7\u00e3o<\/em>\u00a0\u2013 Elisangela Miras (BR)<\/p>\n<p><em>Partenaire pantalla<\/em>\u00a0\u2013 Ana L. Piovano (AR)<\/p>\n<p><em>Nuevo Gran Hermano: el sin\u00f3ptico del rey<\/em>\u00a0\u2013 Sergio Zabalza (AR)<\/p>\n<p><strong>Coordena\u00e7\u00e3o\/Coordinaci\u00f3n:\u00a0<\/strong>Marcelo Gonz\u00e1lez Imaz (GLM-Uruguay)<\/p>\n<p>___________________________<\/p>\n<p><strong>Sala Chagal \u2013 Piso M<\/strong><\/p>\n<p><em>O imagin\u00e1rio \u00e9 o imp\u00e9rio da agressividade<\/em>\u00a0\u2013 Paula Brant Fernandes (BR)<\/p>\n<p><em>La funci\u00f3n de lo imaginaria en Donna Williams<\/em>\u00a0\u2013 Ana Cristina A. Ram\u00edrez (CO)<\/p>\n<p><em>Empalagarse con las im\u00e1genes<\/em>\u00a0\u2013 Ver\u00f3nica Escudero (AR)<\/p>\n<p><em>El imaginario en cuesti\u00f3n\u00a0<\/em>&#8211; Graciela Milano (AR)<\/p>\n<p><strong>Coordena\u00e7\u00e3o\/Coordinaci\u00f3n:\u00a0<\/strong>C\u00e1ssia Maria Rumenos Guardado (EBP)<\/p>\n<\/div><\/div><\/div><div class=\"fusion-panel panel-default panel-0515f870f5165274d fusion-toggle-no-divider\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_0515f870f5165274d\"><a aria-expanded=\"false\" aria-controls=\"0515f870f5165274d\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-57-3\" data-target=\"#0515f870f5165274d\" href=\"#0515f870f5165274d\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">17:00 a 18:15 hs.<\/span><\/a><\/h4><\/div><div id=\"0515f870f5165274d\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_0515f870f5165274d\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<p><strong>Sala Ballroom 1 \u2013 Piso C<\/strong><\/p>\n<p><em>Imagem rainha e o termostato para o gozo<\/em>\u00a0\u2013 F\u00e1bio Paes Barreto (BR)<\/p>\n<p><em>O florescer de um encontro<\/em>\u00a0\u2013 Cristiana Pittella de Mattos (BR)<\/p>\n<p><em>Retorno a estudios sobre la histeria<\/em>\u00a0\u2013 Ver\u00f3nica Castro (AR)<\/p>\n<p><em>Entre el artista y el artesano<\/em>\u00a0\u2013 Cecilia Rubinetti (AR)<\/p>\n<p><strong>Coordena\u00e7\u00e3o\/Coordinaci\u00f3n:\u00a0<\/strong>Mario Goldenberg (EOL)<\/p>\n<p>___________________________<\/p>\n<p><strong>Sala Ballroom 2 \u2013 Piso C<\/strong><\/p>\n<p><em>A imagem da v\u00edtima<\/em>\u00a0\u2013 Leonardo Miranda (BR)<\/p>\n<p><em>Bate-se: que lugar para o sujeito entre a imagem de v\u00edtima ou algoz?<\/em>\u00a0\u2013 Heloisa Shimabukuro (BR)<\/p>\n<p><em>Neuro-im\u00e1genes: \u00bftransparencia u opacidad?<\/em>\u00a0\u2013 Ximena Castro (CO)<\/p>\n<p><em>Pensar con los pies<\/em>\u00a0\u2013 Marita Salgado (AR)<\/p>\n<p><strong>Coordena\u00e7\u00e3o\/Coordinaci\u00f3n:\u00a0<\/strong>Lucia Grossi (EBP)<\/p>\n<p>___________________________<\/p>\n<p><strong>Sala Ballroom 3 \u2013 Piso C<\/strong><\/p>\n<p><em>\u00bfQu\u00e9 ves cuando me ves?<\/em>\u00a0\u2013 Nora Cappelletti (AR)<\/p>\n<p><em>Mirada encarnada<\/em>\u00a0\u2013 Andrea Zelaya (AR)<\/p>\n<p><em>El goce real y las neuro-im\u00e1genes: \u00bfD\u00f3nde reunirnos con las neurociencias?<\/em>\u00a0\u2013 Soledad Gonz\u00e1lez Prado (AR)<\/p>\n<p><em>La extimidad de una ilusi\u00f3n<\/em>\u00a0\u2013 Karina Castro (AR)<\/p>\n<p><strong>Coordena\u00e7\u00e3o\/Coordinaci\u00f3n:\u00a0<\/strong>Daniel Aksman (EOL)<\/p>\n<p>___________________________<\/p>\n<p><strong>Sala Ballroom 4 \u2013 Piso C<\/strong><\/p>\n<p><em>Interpreta\u00e7\u00e3o que toca o corpo<\/em>\u00a0\u2013 Guilherme Cunha Ribeiro (BR)<\/p>\n<p><em>Sexualidad virtual: estrellas fugaces y tigres de papel<\/em>\u00a0\u2013 Pedro P. Casalins (AR)<\/p>\n<p><em>En el filo mortal del espejo<\/em>\u00a0\u2013 Anal\u00eda Cuneo (AR)<\/p>\n<p><em>Cuando la carta llega a destino<\/em>\u00a0\u2013 Camila Gonz\u00e1lez Quiroga (AR)<\/p>\n<p><strong>Coordena\u00e7\u00e3o\/Coordinaci\u00f3n:\u00a0<\/strong>Susana Dicker (NEL)<\/p>\n<p>___________________________<\/p>\n<p><strong>Sala S\u00e3o Paulo 1+2 \u2013 Piso C<\/strong><\/p>\n<p><em>Mal\u00fa: uma imagem<\/em>\u00a0\u2013 Oscar Reymundo (BR)<\/p>\n<p><em>Funk-art o corpo<\/em>\u00a0\u2013 Ishtar Rinc\u00f3n (BR)<\/p>\n<p><em>Usos de cuerpo y estilos de vida en la actualidad<\/em>\u00a0\u2013 Nicol\u00e1s Campod\u00f3nico (AR)<\/p>\n<p><em>Un cuerpo alterado<\/em>\u00a0\u2013 Marcelo Marotta (AR)<\/p>\n<p><strong>Coordena\u00e7\u00e3o\/Coordinaci\u00f3n:\u00a0<\/strong>Ant\u00f4nio Teixeira (EBP)<\/p>\n<p>___________________________<\/p>\n<p><strong>Sala S\u00e3o Paulo 3+4 \u2013 Piso C<\/strong><\/p>\n<p><em>A poss\u00edvel fun\u00e7\u00e3o do objeto olhar na m\u00eddia<\/em>\u00a0\u2013 Ana M. Ferreira da Silva (BR)<\/p>\n<p><em>Notas sobre o imp\u00e9rio das imagens<\/em>\u00a0\u2013 Marcia Zucchi (BR)<\/p>\n<p><em>Eso me mira<\/em>\u00a0\u2013 Mariella Lorenzi (AR)<\/p>\n<p><em>Los medios digitales como supl\u00eancia<\/em>\u00a0\u2013 Rolando Gianzone (AR)<\/p>\n<p><strong>Coordena\u00e7\u00e3o\/Coordinaci\u00f3n:\u00a0<\/strong>Cecilia Fassano (EOL)<\/p>\n<p>___________________________<\/p>\n<p><strong>WTC Galeria \u2013 Piso C<\/strong><\/p>\n<p><em>De la imagen a la escritura<\/em>\u00a0\u2013 Fernando Espa\u00f1a (MX)<\/p>\n<p><em>Los escombros de un padre, la imagen como simulacro<\/em>\u00a0\u2013 Silvia I. Garc\u00eda (AR)<\/p>\n<p><em>Presa de ese ojo<\/em>\u00a0\u2013 Viviana Noya (AR)<\/p>\n<p><em>La moral del mat\u00f3n<\/em>\u00a0\u2013 Gimena Sozzi Uboldi (AR)<\/p>\n<p><strong>Coordena\u00e7\u00e3o\/Coordinaci\u00f3n:\u00a0<\/strong>S\u00e9rgio de Castro (EBP)<\/p>\n<p>___________________________<\/p>\n<p><strong>Sala Gauguin \u2013 Piso M<\/strong><\/p>\n<p><em>Lo imaginario y la opacidad de la des-inserci\u00f3n subjetiva<\/em>\u00a0\u2013 Tom\u00e1s Verger (AR)<\/p>\n<p><em>No quiere<\/em>\u00a0\u2013 Marcela Mas (AR)<\/p>\n<p><em>Autismo e o imp\u00e9rio das imagens<\/em>\u00a0\u2013 Juliana Teixeira de Castro (BR)<\/p>\n<p><em>Owen y sus im\u00e1genes -acerca de la affinity therapy<\/em>\u00a0\u2013 Silvia Tendlarz (AR)<\/p>\n<p><strong>Coordena\u00e7\u00e3o\/Coordinaci\u00f3n:\u00a0<\/strong>Rodrigo Lyra (EBP)<\/p>\n<p>___________________________<\/p>\n<p><strong>Sala Matisse \u2013 Piso M<\/strong><\/p>\n<p><em>Uma imagem unheimlich da maternidade: o beb\u00ea reborn<\/em>\u00a0\u2013 Maria Rita O. Guimar\u00e3es (BR)<\/p>\n<p><em>Adolesc\u00eancia e self<\/em>\u00a0\u2013 N\u00e1dia L\u00e1guardia de Lima (BR)<\/p>\n<p><em>Addolesc\u00eancia, no-toda virtual<\/em>\u00a0\u2013 Roxana Vloger (AR)<\/p>\n<p><em>Cuerpo, ficci\u00f3n y consumo en la civilizaci\u00f3n de la im\u00e1gen<\/em>\u00a0\u2013 Mar\u00eda Eugenia Cora (AR)<\/p>\n<p><strong>Coordena\u00e7\u00e3o\/Coordinaci\u00f3n:\u00a0<\/strong>Debora Nitzcaner (EOL)<\/p>\n<p>___________________________<\/p>\n<p><strong>Sala Chagal \u2013 Piso M<\/strong><\/p>\n<p><em>Goza e ostenta!: um novo imperativo supereg\u00f3ico no s\u00e9culo XXI\u00a0<\/em>&#8211; Mariana Vidigal (BR)<\/p>\n<p><em>Usos del gadget: la risa como (des)conexi\u00f3n<\/em>\u00a0\u2013 Juan Mitre (AR)<\/p>\n<p>De las \u2018latitas de cerveza\u2019 a la actriz de teatro de c\u00e2mara \u2013 Carmen Rebell\u00f3n (CO)<\/p>\n<p><strong>Coordena\u00e7\u00e3o\/Coordinaci\u00f3n:\u00a0<\/strong>Maria Helena Barbosa (EBP)<\/p>\n<\/div><\/div><\/div><div class=\"fusion-panel panel-default panel-170086ae705495da3 fusion-toggle-no-divider\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_170086ae705495da3\"><a aria-expanded=\"false\" aria-controls=\"170086ae705495da3\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-57-3\" data-target=\"#170086ae705495da3\" href=\"#170086ae705495da3\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">18:15 a 19:00 hs.<\/span><\/a><\/h4><\/div><div id=\"170086ae705495da3\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_170086ae705495da3\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<p><strong>Sala Ballroom 1 \u2013 Piso C<\/strong><\/p>\n<p><em>A Imagem, o Poema, o Amor<\/em>\u00a0\u2013 Ord\u00e1lia Junqueira (BR)<\/p>\n<p><em>O amor e o feminino na atualidade<\/em>\u00a0\u2013 Marcella Oliveira (BR)<\/p>\n<p><em>\u00bf\u00c1nima?<\/em>\u00a0\u2013 Victoria Malischevski (AR)<\/p>\n<p><em>Amores enredados<\/em>\u00a0\u2013 Marcos Pelizzari (AR)<\/p>\n<p><strong>Coordena\u00e7\u00e3o\/Coordinaci\u00f3n:\u00a0<\/strong>Cristiana Pittella de Mattos (EBP)<\/p>\n<p>___________________________<\/p>\n<p><strong>Sala Ballroom 2 \u2013 Piso C<\/strong><\/p>\n<p><em>Comer com os olhos: a dieta na vida das crian\u00e7as?<\/em>\u00a0\u2013 Leny Magalh\u00e3es Mrech (BR)<\/p>\n<p><em>\u2018Fiz isso, fiz muito aquilo\u2019, para construir um corpo<\/em>\u00a0\u2013 Renata Lucindo Mendon\u00e7a (BR)<\/p>\n<p><em>Mi cuerpo no es propiedad de nadie<\/em>\u00a0\u2013 Luc\u00eda Bringas (AR)<\/p>\n<p><em>Construcciones en an\u00e1lisis<\/em>\u00a0\u2013 Ana Ghirardotto (AR)<\/p>\n<p><strong>Coordena\u00e7\u00e3o\/Coordinaci\u00f3n:\u00a0<\/strong>Sonia Mankoff (EOL)<\/p>\n<p>___________________________<\/p>\n<p><strong>Sala Ballroom 3 \u2013 Piso C<\/strong><\/p>\n<p><em>De lo Imaginario sin Nombre del Padre<\/em>\u00a0\u2013 Esteban Klainer (AR)<\/p>\n<p>De la b\u00fasqueda de representaci\u00f3n de lo real a la construcci\u00f3n de un lazo posible \u2013 Laura Valcarce (AR)<\/p>\n<p><em>La imagen como punto de capit\u00f3n<\/em>\u00a0\u2013 Daniel Aksman (AR)<\/p>\n<p><em>Ese cuerpo no soy yo<\/em>\u00a0\u2013 Juan D. Guerra Espa\u00f1a (GUA)<\/p>\n<p><strong>Coordena\u00e7\u00e3o\/Coordinaci\u00f3n:\u00a0<\/strong>Andrea Zelaya (EOL)<\/p>\n<p>___________________________<\/p>\n<p><strong>Sala Ballroom 4 \u2013 Piso C<\/strong><\/p>\n<p><em>Mujermashombre<\/em>\u00a0\u2013 Marcelo Gonz\u00e1lez Imaz (URU)<\/p>\n<p><em>La violencia masculina en la pareja conyugal: de la rivalidad de los sexos a los hombres hijos<\/em>\u00a0\u2013 Luis Mart\u00ednez (AR)<\/p>\n<p>Hombres heterosexuales flexibles \u2013 Esmeralda Miras (AR)<\/p>\n<p><em>Corpo bizarro e o estilha\u00e7o<\/em>\u00a0 \u2013 Katia Ribeiro Nadeau (BR)<\/p>\n<p><strong>Coordena\u00e7\u00e3o\/Coordinaci\u00f3n:\u00a0<\/strong>M\u00e1rcia Souza Mez\u00eancio (EBP)<\/p>\n<p>___________________________<\/p>\n<p><strong>Sala S\u00e3o Paulo 1+2 \u2013 Piso C<\/strong><\/p>\n<p><em>Nome, corpo e gozo: o embara\u00e7o do gozo transexual\u00a0<\/em>&#8211; Eduardo Gomes (BR)<\/p>\n<p><em>Corpo e imagem: uma rela\u00e7\u00e3o extima entre o sujeito e a arte<\/em>\u00a0\u2013 Terezinha Pacheco dos Santos Lima (BR)<\/p>\n<p><em>O mundo de Luiz<\/em>\u00a0\u2013 Juliana Ribeiro Lima (BR)<\/p>\n<p><em>La inesperada virtud del Imperio de las im\u00e1genes<\/em>\u00a0\u2013 Ludmila Malischevski \u201d (AR)<\/p>\n<p><strong>Coordena\u00e7\u00e3o\/Coordinaci\u00f3n:\u00a0<\/strong>Alejandro Daumas (EOL)<\/p>\n<p>___________________________<\/p>\n<p><strong>Sala S\u00e3o Paulo 3+4 \u2013 Piso C<\/strong><\/p>\n<p><em>No Imp\u00e9rio das imagens: ecos de um mal-entendido<\/em>\u00a0\u2013 Mar\u00eda A. H\u00famia D\u00f3rio (BR)<\/p>\n<p><em>El magnetismo de las pantallas<\/em>\u00a0\u2013 Jorge Castillo (AR)<\/p>\n<p><em>El libertino del siglo XXI<\/em>\u00a0\u2013 Blanca S\u00e1nchez (AR)<\/p>\n<p><em>Una relaci\u00f3n pornogr\u00e1fica<\/em>\u00a0\u2013 Christian R\u00edos (AR)<\/p>\n<p><strong>Coordena\u00e7\u00e3o\/Coordinaci\u00f3n:\u00a0<\/strong>Adriano Aguiar (EBP)<\/p>\n<p>___________________________<\/p>\n<p><strong>WTC Galeria \u2013 Piso C<\/strong><\/p>\n<p><em>Tipo singular: en joada<\/em>\u00a0\u2013 Jeannine Narciso (BR)<\/p>\n<p><em>Ni facebook ni WhatsApp<\/em>\u00a0\u2013 Virginia Thedy (AR)<\/p>\n<p><em>Cuando la pantalla decepciona<\/em>\u00a0\u2013 Ana Mar\u00eda Zambianchi (AR)<\/p>\n<p><em>Ant\u00f4nio: uma oferta de sil\u00eancio no imp\u00e9rio das imagens<\/em>\u00a0\u2013 Jussara J. Souza de Rosa (BR)<\/p>\n<p><strong>Coordena\u00e7\u00e3o\/Coordinaci\u00f3n:\u00a0<\/strong>Jorge Ag\u00fcero (EOL)<\/p>\n<p>___________________________<\/p>\n<p><strong>Sala Gauguin \u2013 Piso M<\/strong><\/p>\n<p><em>Um homem feminino<\/em>\u00a0\u2013 Francisca J. Mentas Soares (BR)<\/p>\n<p><em>O escafandro e a borboleta: remendar-se pela escrita<\/em>\u00a0\u2013 Karynna N\u00f3brega (BR)<\/p>\n<p><em>La pareja imaginaria, el objeto ni\u00f1o y el mundo actual<\/em>\u00a0\u2013 Lorena Parra (AR)<\/p>\n<p><em>Una selfie sin dudas<\/em>\u00a0\u2013 Nicol\u00e1s Bouso\u00f1o (AR)<\/p>\n<p><strong>Coordena\u00e7\u00e3o\/Coordinaci\u00f3n:\u00a0<\/strong>Gabriela Basz (EOL)<\/p>\n<p>___________________________<\/p>\n<p><strong>Sala Matisse \u2013 Piso M<\/strong><\/p>\n<p><em>Las dos caras de la outra<\/em>\u00a0-Silvina Chichilnitzky (AR)<\/p>\n<p><em>La imagen al desnudo<\/em>\u00a0\u2013 Ana Setton (AR)<\/p>\n<p><em>Marina: cenas de um abismo<\/em>\u00a0\u2013 Rosilene Caramalac (BR)<\/p>\n<p><strong>Coordena\u00e7\u00e3o\/Coordinaci\u00f3n:\u00a0<\/strong>Wellerson Alkimin (EBP)<\/p>\n<p>___________________________<\/p>\n<p><strong>Sala Chagal \u2013 Piso M<\/strong><\/p>\n<p><em>Imagem e corpo de mulher<\/em>\u00a0\u2013 Cl\u00e1udia Formiga Barbosa (BR)<\/p>\n<p><em>Uma hip\u00f3tese sobre a psicose ordin\u00e1ria: o estatuto da ravissement de Lol V. Stein<\/em>\u00a0\u2013 Pedro Castilho (BR)<\/p>\n<p><em>Las hist\u00e9ricas, sus cuerpos y sus goces<\/em>\u00a0\u2013 Ivan D\u2019Antoni (AR)<\/p>\n<p><em>Comer con la mirada: la imagen de la Otra y la pasi\u00f3n<\/em>\u00a0\u2013 Megdy Zawady (AR)<\/p>\n<p><strong>Coordena\u00e7\u00e3o\/Coordinaci\u00f3n:\u00a0<\/strong>Gerado Arenas (EOL)<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"fusion-separator fusion-full-width-sep\" style=\"align-self: center;margin-left: auto;margin-right: auto;margin-top:15px;margin-bottom:15px;width:100%;\"><\/div><div style=\"text-align:right;\"><a class=\"fusion-button button-flat fusion-button-default-size button-default fusion-button-default button-1 fusion-button-default-span fusion-button-default-type\" target=\"_blank\" rel=\"noopener noreferrer\" href=\"http:\/\/enapol.com\/vii\/pt\/conversacoes\/\"><span class=\"fusion-button-text\">CONVERSA\u00c7\u00d5ES<\/span><\/a><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-2 fusion_builder_column_1_2 1_2 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:50%;--awb-margin-top-large:60px;--awb-spacing-right-large:3.84%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:3.84%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-builder-row fusion-builder-row-inner fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"width:104% !important;max-width:104% !important;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column_inner fusion-builder-nested-column-7 fusion_builder_column_inner_1_1 1_1 fusion-flex-column\" style=\"--awb-padding-top:7px;--awb-padding-bottom:7px;--awb-bg-color:#003f5a;--awb-bg-color-hover:#003f5a;--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-8\"><p style=\"font-family: Raleway; letter-spacing: 4px; font-size: 20px; font-weight: 500; margin-bottom: 0px; text-align: center;\"><span style=\"color: #ffffff;\">DOMIGNO 6 DE SEPTIEMBRE<\/span><\/p>\n<\/div><\/div><\/div><\/div><div class=\"fusion-separator fusion-full-width-sep\" style=\"align-self: center;margin-left: auto;margin-right: auto;margin-top:10px;margin-bottom:10px;width:100%;\"><\/div><div class=\"fusion-builder-row fusion-builder-row-inner fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"width:104% !important;max-width:104% !important;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column_inner fusion-builder-nested-column-8 fusion_builder_column_inner_1_1 1_1 fusion-flex-column\" style=\"--awb-padding-top:7px;--awb-padding-bottom:7px;--awb-bg-color:#222222;--awb-bg-color-hover:#222222;--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-9\"><p style=\"font-family: Raleway; letter-spacing: 4px; font-size: 17px; font-weight: 500; margin-bottom: 0px; text-align: center;\"><span style=\"color: #ffffff;\">09:00 a 16:00 HS. &#8211; PLENARIAS<\/span><\/p>\n<\/div><\/div><\/div><\/div><div class=\"accordian fusion-accordian\" style=\"--awb-border-size:0px;--awb-icon-size:16px;--awb-content-font-size:15px;--awb-icon-alignment:left;--awb-hover-color:#f9f9f9;--awb-border-color:#cccccc;--awb-background-color:#ffffff;--awb-divider-color:rgba(224,222,222,0);--awb-divider-hover-color:rgba(224,222,222,0);--awb-icon-color:#ffffff;--awb-title-color:#0075a8;--awb-content-color:#222222;--awb-icon-box-color:#333333;--awb-toggle-hover-accent-color:#0075a8;--awb-title-font-family:&quot;Raleway&quot;;--awb-title-font-weight:600;--awb-title-font-style:normal;--awb-title-line-height:1.5;--awb-content-font-family:&quot;Open Sans&quot;;--awb-content-font-style:normal;--awb-content-font-weight:400;\"><div class=\"panel-group fusion-toggle-icon-boxed\" id=\"accordion-57-4\"><div class=\"fusion-panel panel-default panel-4fd69d49b3b1c53b2 fusion-toggle-no-divider\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_4fd69d49b3b1c53b2\"><a aria-expanded=\"false\" aria-controls=\"4fd69d49b3b1c53b2\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-57-4\" data-target=\"#4fd69d49b3b1c53b2\" href=\"#4fd69d49b3b1c53b2\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">09:00 a 10:00 hs. - Confer\u00eancia: O corpo, o vis\u00edvel e o invis\u00edvel<\/span><\/a><\/h4><\/div><div id=\"4fd69d49b3b1c53b2\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_4fd69d49b3b1c53b2\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<ul>\n<li>Miquel Bassols (ELP)<\/li>\n<\/ul>\n<p><strong>Coordena\u00e7\u00e3o:<\/strong>\u00a0Clara Holguin (NEL)<\/p>\n<\/div><\/div><\/div><div class=\"fusion-panel panel-default panel-c19bcf407eeacca57 fusion-toggle-no-divider\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_c19bcf407eeacca57\"><a aria-expanded=\"false\" aria-controls=\"c19bcf407eeacca57\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-57-4\" data-target=\"#c19bcf407eeacca57\" href=\"#c19bcf407eeacca57\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">10:00 a 11:00 hs. - Mesa del Pase II<\/span><\/a><\/h4><\/div><div id=\"c19bcf407eeacca57\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_c19bcf407eeacca57\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<p><strong>Uma Imagem Indel\u00e9vel na An\u00e1lise<\/strong><\/p>\n<ul>\n<li>Cecilia Gasbarro (EOL)<\/li>\n<li>Gabriela Grinbaum (EOL)<\/li>\n<li>Marcus Andr\u00e9 Vieira (EBP)<\/li>\n<li>Marina Recalde (EOL)<\/li>\n<\/ul>\n<p><strong>Interlocutora:<\/strong>\u00a0Silvia Salman (EOL)<\/p>\n<\/div><\/div><\/div><div class=\"fusion-panel panel-default panel-b154246994d6fdaf5 fusion-toggle-no-divider\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_b154246994d6fdaf5\"><a aria-expanded=\"false\" aria-controls=\"b154246994d6fdaf5\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-57-4\" data-target=\"#b154246994d6fdaf5\" href=\"#b154246994d6fdaf5\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">11:00 a 12:30 hs. - As Imagens e os Sintomas Contempor\u00e2neos<\/span><\/a><\/h4><\/div><div id=\"b154246994d6fdaf5\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_b154246994d6fdaf5\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<ul>\n<li>Angela Fischer (NEL)<\/li>\n<li>Bernardino Horne (EBP)<\/li>\n<li>Gustavo Stiglitz (EOL)<\/li>\n<li>Patricio Alvarez (EOL)<\/li>\n<\/ul>\n<p><strong>Conversam com<\/strong> Cecilia Rubinetti (EOL) y Luis Francisco Camargo (EBP)<\/p>\n<p><strong>Presidente de mesa:<\/strong>\u00a0S\u00e9rgio de Campos (EBP)<\/p>\n<\/div><\/div><\/div><div class=\"fusion-panel panel-default panel-79c49e62b7c86f134 fusion-toggle-no-divider\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_79c49e62b7c86f134\"><a aria-expanded=\"false\" aria-controls=\"79c49e62b7c86f134\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-57-4\" data-target=\"#79c49e62b7c86f134\" href=\"#79c49e62b7c86f134\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">12:30 a 13:30 hs. - O Imp\u00e9rio das Imagens Sonoras<\/span><\/a><\/h4><\/div><div id=\"79c49e62b7c86f134\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_79c49e62b7c86f134\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<ul>\n<li>Gil Jardim (diretor de orquestra\/director de orquesta)<\/li>\n<\/ul>\n<p><strong>Coordena\u00e7\u00e3o:<\/strong>\u00a0Ana L\u00facia Lutterbach Holck (EBP)<\/p>\n<\/div><\/div><\/div><div class=\"fusion-panel panel-default panel-72333ab6935595809 fusion-toggle-no-divider\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_72333ab6935595809\"><a aria-expanded=\"false\" aria-controls=\"72333ab6935595809\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-57-4\" data-target=\"#72333ab6935595809\" href=\"#72333ab6935595809\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">13:30 a 14:30 hs. - Mesa del Pase III<\/span><\/a><\/h4><\/div><div id=\"72333ab6935595809\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_72333ab6935595809\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<ul>\n<li>Luiz Fernando Carrijo da Cunha (EBP)<\/li>\n<li>Kuky Mildiner (EOL)<\/li>\n<\/ul>\n<p><strong>Coment\u00e1rios:<\/strong>\u00a0Miquel Bassols (ELP)<\/p>\n<\/div><\/div><\/div><div class=\"fusion-panel panel-default panel-bd4f33472cce86718 fusion-toggle-no-divider\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_bd4f33472cce86718\"><a aria-expanded=\"false\" aria-controls=\"bd4f33472cce86718\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-57-4\" data-target=\"#bd4f33472cce86718\" href=\"#bd4f33472cce86718\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">14:30 hs. - Encerramento<\/span><\/a><\/h4><\/div><div id=\"bd4f33472cce86718\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_bd4f33472cce86718\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<ul>\n<li>Maria Helena Barbosa (EBP)<\/li>\n<li>R\u00f4mulo Ferreira da Silva (EBP)<\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div><\/div><div class=\"fusion-separator fusion-full-width-sep\" style=\"align-self: center;margin-left: auto;margin-right: auto;margin-top:10px;margin-bottom:10px;width:100%;\"><\/div><div class=\"fusion-builder-row fusion-builder-row-inner fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"width:104% !important;max-width:104% !important;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column_inner fusion-builder-nested-column-9 fusion_builder_column_inner_1_1 1_1 fusion-flex-column\" style=\"--awb-padding-top:7px;--awb-padding-bottom:7px;--awb-bg-color:#222222;--awb-bg-color-hover:#222222;--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-10\"><p style=\"font-family: Raleway; letter-spacing: 4px; font-size: 17px; font-weight: 500; margin-bottom: 0px; text-align: center;\"><span style=\"color: #ffffff;\">16:00 HS. &#8211; FESTA<\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":9,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"_links":{"self":[{"href":"https:\/\/enapol.com\/vii\/wp-json\/wp\/v2\/pages\/57"}],"collection":[{"href":"https:\/\/enapol.com\/vii\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/enapol.com\/vii\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/enapol.com\/vii\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/enapol.com\/vii\/wp-json\/wp\/v2\/comments?post=57"}],"version-history":[{"count":10,"href":"https:\/\/enapol.com\/vii\/wp-json\/wp\/v2\/pages\/57\/revisions"}],"predecessor-version":[{"id":873,"href":"https:\/\/enapol.com\/vii\/wp-json\/wp\/v2\/pages\/57\/revisions\/873"}],"wp:attachment":[{"href":"https:\/\/enapol.com\/vii\/wp-json\/wp\/v2\/media?parent=57"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}