{"id":1137,"date":"2021-09-09T00:39:45","date_gmt":"2021-09-09T00:39:45","guid":{"rendered":"http:\/\/x-enapol.org\/viii\/?p=1137"},"modified":"2021-09-09T00:39:45","modified_gmt":"2021-09-09T00:39:45","slug":"06-transformacoes-da-intimidade","status":"publish","type":"post","link":"https:\/\/enapol.com\/viii\/pt\/06-transformacoes-da-intimidade\/","title":{"rendered":"#06 &#8211; Transforma\u00e7\u00f5es da intimidade"},"content":{"rendered":"<p><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1352px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-1\"><p style=\"text-align: justify;\">Nos anos 70, Lacan se indagava, no\u00a0<i>Despertar da primavera<\/i>, sobre os efeitos da \u00abdimens\u00e3o p\u00fablica da retirada do v\u00e9u\u00bb numa \u00e9poca em que a permissividade sexual nas ruas, longe de realizar a promessa de eliminar os embara\u00e7os da sexualidade que perdia sua clandestinidade, ao contr\u00e1rio, j\u00e1 afetava o apetite sexual.<\/p>\n<p style=\"text-align: justify;\">Quando \u00abo privado se torna p\u00fablico\u00bb \u2013como escreve Gerardo R\u00e9quiz neste n\u00famero\u2013, o p\u00fablico pode se converter num estranho familiar inquietante. Quais seus efeitos na subjetividade e na fam\u00edlia? \u00c9 como um \u00abAssunto contempor\u00eaneo\u00bb que Ana L\u00facia Luterbach aborda o tema citando Agambem, pois afinal \u00e9 preciso coragem para lan\u00e7ar luz sobre \u00abo escuro da \u00e9poca\u00bb. A entrevista de D\u00e9bora Fleischer, autora do livro\u00a0<i>Cl\u00ednica de las transformaciones familiares<\/i>\u00a0\u00e9 luminosa, bem como a entrevista de Gerardo Arenas que responde a quest\u00f5es espinhosas. O Nome-do-Pai como mercadoria que se negocia nos Tribunais \u00e9 o tema que Fernanda Otoni traz ao debate, enquanto as teorias sexuais infantis s\u00e3o revisitadas na an\u00e1lise feita por Mar\u00eda Auxiliadora Rodr\u00edguez do filme \u00abCegonhas\u00bb. O que estar\u00e1 destinadoaos filhos da ci\u00eancia e das novas fic\u00e7\u00f5es jur\u00eddicas?<\/p>\n<p style=\"text-align: justify;\"><strong>Maria Josefina Sota Fuentes<\/strong><br \/>Respons\u00e1vel da EBP no VIII ENAPOL<\/p>\n<\/div><div class=\"fusion-separator fusion-full-width-sep\" style=\"align-self: center;margin-left: auto;margin-right: auto;margin-top:10px;margin-bottom:10px;width:100%;\"><\/div><div class=\"fusion-video fusion-youtube\" style=\"--awb-max-width:800px;--awb-max-height:450px;--awb-align-self:center;--awb-width:100%;\"><div class=\"video-shortcode\"><div class=\"fluid-width-video-wrapper\" style=\"padding-top:56.25%;\" ><iframe title=\"YouTube video player 1\" src=\"https:\/\/www.youtube.com\/embed\/4R_AXl5H-AA?wmode=transparent&autoplay=0\" width=\"800\" height=\"450\" allowfullscreen allow=\"autoplay; fullscreen\"><\/iframe><\/div><\/div><\/div><div class=\"fusion-separator fusion-full-width-sep\" style=\"align-self: center;margin-left: auto;margin-right: auto;margin-top:20px;margin-bottom:20px;width:100%;\"><\/div><div class=\"accordian fusion-accordian\" style=\"--awb-border-size:0px;--awb-icon-size:16px;--awb-content-font-size:15px;--awb-icon-alignment:left;--awb-hover-color:#f9f9f9;--awb-border-color:#cccccc;--awb-background-color:#ffffff;--awb-divider-color:rgba(224,222,222,0);--awb-divider-hover-color:rgba(224,222,222,0);--awb-icon-color:#ffffff;--awb-title-color:#0075a8;--awb-content-color:#222222;--awb-icon-box-color:#333333;--awb-toggle-hover-accent-color:#46b1fd;--awb-title-font-family:&quot;Raleway&quot;;--awb-title-font-weight:700;--awb-title-font-style:normal;--awb-title-line-height:1.5;--awb-content-font-family:&quot;Open Sans&quot;;--awb-content-font-style:normal;--awb-content-font-weight:400;\"><div class=\"panel-group fusion-toggle-icon-boxed\" id=\"accordion-1137-1\"><div class=\"fusion-panel panel-default panel-f8d4bdc6813d1194e fusion-toggle-no-divider\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_f8d4bdc6813d1194e\"><a aria-expanded=\"false\" aria-controls=\"f8d4bdc6813d1194e\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-1137-1\" data-target=\"#f8d4bdc6813d1194e\" href=\"#f8d4bdc6813d1194e\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">De tal Pai tal filho e Filho de peixe peixinho \u00e9 - Mar\u00eda Laura Errecarte<\/span><\/a><\/h4><\/div><div id=\"f8d4bdc6813d1194e\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_f8d4bdc6813d1194e\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<p style=\"text-align: justify;\">Um primoroso filme japon\u00eas nos convida a deslocar nossos \u00abAssuntos de fam\u00edlia\u00bb at\u00e9 o oriente. Ressoa como um dito popular: \u00abFilho de peixe peixinho \u00e9\u00bb. Qual \u00e9 a natureza dessa rela\u00e7\u00e3o entre o peixe e o peixinho? Qual \u00e9 seu estofo?<\/p>\n<p style=\"text-align: justify;\">A primeira cena mostra um casal e seu filhinho de 6 anos em uma entrevista de avalia\u00e7\u00e3o, inquietos, uma vez que est\u00e1 para ser decidida a entrada da crian\u00e7a em uma escola de prest\u00edgio. O autor ressalta, com sua est\u00e9tica, a \u00abImagem\u00bb de uma fam\u00edlia impec\u00e1vel, c\u00f3pia de uma fotografia que eles mesmos haviam enviado. Diante da pergunta do diretor sobre as qualidades e defeitos do pequeno Keita, Ryota, como pai tradicional, toma a palavra reduzindo-o ao mesmo: \u00abO menino herdou de sua m\u00e3e um car\u00e1ter tranquilo e generoso. Em detrimento dele mesmo, n\u00e3o gosta de perder\u00bb. Isso me faz lembrar dos ditos do psicanalista German Garcia:\u00bb Um pai conservador que n\u00e3o tinha nada que conservar\u00bb [1].<\/p>\n<p style=\"text-align: justify;\">O menino, por sua vez, o surpreende deslizando fantasias\/mentiras sore atividades que realiza com seu pai. Ambos progenitores sustentam esse segredo criando um clima intimista que, ao mesmo tempo em que transmite outra exist\u00eancia a essa fam\u00edlia, convida o p\u00fablico a acompanhar essa trama. [2]\n<p style=\"text-align: justify;\">Inesperadamente, a confiss\u00e3o de outro segredo enredar\u00e1 duas fam\u00edlias. Uma enfermeira trocou o pequeno Keita, ao nascer, com outro menino que nasceu no mesmo dia que ele. Sua confiss\u00e3o se inscreve em uma mudan\u00e7a subjetiva em rela\u00e7\u00e3o a seu desejo como m\u00e3e, velhas invejas que agora demandam castigo.<\/p>\n<p style=\"text-align: justify;\">Mas \u00e9 a mudan\u00e7a na subjetividade do bem sucedido arquiteto Ryota a verdadeira protagonista desta hist\u00f3ria. Uma encruzilhada se apresenta a ele: recuperar seu filho biol\u00f3gico ou continuar criando Keita. Passo a passo, o filme ir\u00e1 revelando a origem de sua divis\u00e3o, os caminhos de sua neurose e a complementa\u00e7\u00e3o da ci\u00eancia, o direito e o mercado. Dir\u00e1 um companheiro de trabalho: \u00abTeu sangue? Esta \u00e9 uma ideia antiga\u00bb.<\/p>\n<p style=\"text-align: justify;\">Por outro lado, a primeira rea\u00e7\u00e3o do outro pai diante da proposta de troca das crian\u00e7as ser\u00e1: \u00abN\u00e3o se trata de mascotes\u00bb. \u00abEu tamb\u00e9m n\u00e3o trocaria de mascotes\u00bb, diz a m\u00e3e indignada.<\/p>\n<p style=\"text-align: justify;\">Encena\u00e7\u00e3o preciosa, simples e elegante daquilo que constitui fam\u00edlia para cada um, mais al\u00e9m das estruturas de parentesco, novas ou antigas, sejam do oriente ou do ocidente. Sutilmente, ela interroga o imbr\u00f3glio que se monta em torno de uma crian\u00e7a, a fun\u00e7\u00e3o e a fic\u00e7\u00e3o que giram, neste caso, at\u00e9 se poder troc\u00e1-la como um objeto. \u00c9 quando a castra\u00e7\u00e3o joga sua partida, escrevendo algo da rela\u00e7\u00e3o m\u00e3e-filho, que este pai sai dos meandros de seu anonimato.<\/p>\n<div class=\"NotasPie\">\n<p style=\"text-align: justify;\">Tradu\u00e7\u00e3o: Vera Avellar Ribeiro<\/p>\n<p style=\"text-align: justify;\">NOTAS<\/p>\n<ol>\n<li style=\"text-align: justify;\"><a href=\"https:\/\/www.youtube.com\/watch?v=lrS-yT0333Y&#038;feature=youtu.be\" target=\"_blank\" rel=\"noopener\">https:\/\/www.youtube.com\/watch?v=lrS-yT0333Y&#038;feature=youtu.be<\/a><\/li>\n<li style=\"text-align: justify;\">J.A.Miller .1993. \u00abCosas de familia en el inconsciente\u00bb &#8211; A fam\u00edlia est\u00e1 unida essencialmente por um segredo, est\u00e1 unida por um n\u00e3o dito (..). \u00c9 um desejo n\u00e3o dito, \u00e9 sempre um segredo sobre o gozo: de que gozam o pai e a m\u00e3e.<\/li>\n<\/ol>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-2 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1352px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-1 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-title title fusion-title-1 fusion-sep-none fusion-title-text fusion-title-size-three\"><h3 class=\"fusion-title-heading title-heading-left fusion-responsive-typography-calculated\" style=\"margin:0;--fontSize:30;line-height:1.3;\">A crian\u00e7a hoje -Transforma\u00e7\u00f5es &#8211; Gozo singular<\/h3><\/div><style type=\"text\/css\">.fusion-portfolio-wrapper#fusion-portfolio-1 .fusion-portfolio-content{ padding: 25px 25px 25px 25px; text-align: center; }<\/style><div class=\"fusion-recent-works fusion-portfolio-element fusion-portfolio fusion-portfolio-1 fusion-portfolio-grid fusion-portfolio-paging-pagination fusion-portfolio-three fusion-portfolio-boxed fusion-portfolio-text fusion-portfolio-equal-heights fusion-portfolio-rollover\" data-id=\"-rw-1\" data-columns=\"three\"><style type=\"text\/css\">.fusion-portfolio-1 .fusion-portfolio-wrapper .fusion-col-spacing{padding:16.5px;}<\/style><div class=\"fusion-portfolio-wrapper\" id=\"fusion-portfolio-1\" data-picturesize=\"fixed\" data-pages=\"0\" style=\"margin:-16.5px;\"><article id=\"portfolio-1-post-1351\" class=\"fusion-portfolio-post boletin-06-pt boletins fusion-col-spacing post-1351\"><div class=\"fusion-portfolio-content-wrapper\" style=\"border:none;background-color:rgba(255,255,255,1);\"><span class=\"vcard rich-snippet-hidden\"><span class=\"fn\"><a href=\"https:\/\/enapol.com\/viii\/author\/gonzalozabala\/\" title=\"Entradas de gonzalozabala\" rel=\"author\">gonzalozabala<\/a><\/span><\/span><span class=\"updated rich-snippet-hidden\">2021-09-09T22:13:55+00:00<\/span><div  class=\"fusion-image-wrapper fusion-image-size-fixed\" aria-haspopup=\"true\">\n\t\t\t\t<img decoding=\"async\" width=\"200\" height=\"200\" src=\"https:\/\/enapol.com\/viii\/wp-content\/uploads\/sites\/6\/2021\/09\/06_Maria-Auxiliadora-Rodriguez.jpg\" class=\"attachment-portfolio-three size-portfolio-three wp-post-image\" alt=\"\" srcset=\"https:\/\/enapol.com\/viii\/wp-content\/uploads\/sites\/6\/2021\/09\/06_Maria-Auxiliadora-Rodriguez-66x66.jpg 66w, https:\/\/enapol.com\/viii\/wp-content\/uploads\/sites\/6\/2021\/09\/06_Maria-Auxiliadora-Rodriguez-150x150.jpg 150w, https:\/\/enapol.com\/viii\/wp-content\/uploads\/sites\/6\/2021\/09\/06_Maria-Auxiliadora-Rodriguez.jpg 200w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><div class=\"fusion-rollover\">\n\t<div class=\"fusion-rollover-content\">\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"fusion-rollover-link\" href=\"https:\/\/enapol.com\/viii\/pt\/portfolio-items\/da-cegonha-ao-laboratorio\/?portfolioCats=252\">Da cegonha ao laborat\u00f3rio<\/a>\n\t\t\t\n\t\t\t\t\t\t\t\t\n\t\t\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\n\t\t\n\t\t\t\t\t\t<a class=\"fusion-link-wrapper\" href=\"https:\/\/enapol.com\/viii\/pt\/portfolio-items\/da-cegonha-ao-laboratorio\/?portfolioCats=252\" aria-label=\"Da cegonha ao laborat\u00f3rio\"><\/a>\n\t<\/div>\n<\/div>\n<\/div>\n<div class=\"fusion-portfolio-content\" style=\"background-color:rgba(255,255,255,1);\"><h2 class=\"entry-title fusion-post-title\"><a href=\"https:\/\/enapol.com\/viii\/pt\/portfolio-items\/da-cegonha-ao-laboratorio\/?portfolioCats=252\">Da cegonha ao laborat\u00f3rio<\/a><\/h2><div class=\"fusion-post-content\"><\/div><\/div><\/div><\/article><article id=\"portfolio-1-post-1346\" class=\"fusion-portfolio-post boletin-06-pt boletins fusion-col-spacing post-1346\"><div class=\"fusion-portfolio-content-wrapper\" style=\"border:none;background-color:rgba(255,255,255,1);\"><span class=\"vcard rich-snippet-hidden\"><span class=\"fn\"><a href=\"https:\/\/enapol.com\/viii\/author\/gonzalozabala\/\" title=\"Entradas de gonzalozabala\" rel=\"author\">gonzalozabala<\/a><\/span><\/span><span class=\"updated rich-snippet-hidden\">2021-09-09T21:47:29+00:00<\/span><div  class=\"fusion-image-wrapper fusion-image-size-fixed\" aria-haspopup=\"true\">\n\t\t\t\t<img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/enapol.com\/viii\/wp-content\/uploads\/sites\/6\/2021\/09\/06_Deborah-Fleische.jpg\" class=\"attachment-portfolio-three size-portfolio-three wp-post-image\" alt=\"\" srcset=\"https:\/\/enapol.com\/viii\/wp-content\/uploads\/sites\/6\/2021\/09\/06_Deborah-Fleische-66x66.jpg 66w, https:\/\/enapol.com\/viii\/wp-content\/uploads\/sites\/6\/2021\/09\/06_Deborah-Fleische.jpg 150w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><div class=\"fusion-rollover\">\n\t<div class=\"fusion-rollover-content\">\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"fusion-rollover-link\" href=\"https:\/\/enapol.com\/viii\/pt\/portfolio-items\/entrevista-a-deborah-fleischer-2\/?portfolioCats=252\">Entrevista a D\u00e9borah Fleischer<\/a>\n\t\t\t\n\t\t\t\t\t\t\t\t\n\t\t\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\n\t\t\n\t\t\t\t\t\t<a class=\"fusion-link-wrapper\" href=\"https:\/\/enapol.com\/viii\/pt\/portfolio-items\/entrevista-a-deborah-fleischer-2\/?portfolioCats=252\" aria-label=\"Entrevista a D\u00e9borah Fleischer\"><\/a>\n\t<\/div>\n<\/div>\n<\/div>\n<div class=\"fusion-portfolio-content\" style=\"background-color:rgba(255,255,255,1);\"><h2 class=\"entry-title fusion-post-title\"><a href=\"https:\/\/enapol.com\/viii\/pt\/portfolio-items\/entrevista-a-deborah-fleischer-2\/?portfolioCats=252\">Entrevista a D\u00e9borah Fleischer<\/a><\/h2><div class=\"fusion-post-content\"><\/div><\/div><\/div><\/article><article id=\"portfolio-1-post-1339\" class=\"fusion-portfolio-post boletin-06-pt boletins fusion-col-spacing post-1339\"><div class=\"fusion-portfolio-content-wrapper\" style=\"border:none;background-color:rgba(255,255,255,1);\"><span class=\"vcard rich-snippet-hidden\"><span class=\"fn\"><a href=\"https:\/\/enapol.com\/viii\/author\/gonzalozabala\/\" title=\"Entradas de gonzalozabala\" rel=\"author\">gonzalozabala<\/a><\/span><\/span><span class=\"updated rich-snippet-hidden\">2021-09-09T21:43:01+00:00<\/span><div  class=\"fusion-image-wrapper fusion-image-size-fixed\" aria-haspopup=\"true\">\n\t\t\t\t<img decoding=\"async\" width=\"300\" height=\"214\" src=\"https:\/\/enapol.com\/viii\/wp-content\/uploads\/sites\/6\/2021\/09\/06_Ana-Lucia-Luterbach-300x214.jpg\" class=\"attachment-portfolio-three size-portfolio-three wp-post-image\" alt=\"\" \/><div class=\"fusion-rollover\">\n\t<div class=\"fusion-rollover-content\">\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"fusion-rollover-link\" href=\"https:\/\/enapol.com\/viii\/pt\/portfolio-items\/familia-assunto-contemporaneo\/?portfolioCats=252\">Fam\u00edlia: Assunto contempor\u00e2neo<\/a>\n\t\t\t\n\t\t\t\t\t\t\t\t\n\t\t\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\n\t\t\n\t\t\t\t\t\t<a class=\"fusion-link-wrapper\" href=\"https:\/\/enapol.com\/viii\/pt\/portfolio-items\/familia-assunto-contemporaneo\/?portfolioCats=252\" aria-label=\"Fam\u00edlia: Assunto contempor\u00e2neo\"><\/a>\n\t<\/div>\n<\/div>\n<\/div>\n<div class=\"fusion-portfolio-content\" style=\"background-color:rgba(255,255,255,1);\"><h2 class=\"entry-title fusion-post-title\"><a href=\"https:\/\/enapol.com\/viii\/pt\/portfolio-items\/familia-assunto-contemporaneo\/?portfolioCats=252\">Fam\u00edlia: Assunto contempor\u00e2neo<\/a><\/h2><div class=\"fusion-post-content\"><\/div><\/div><\/div><\/article><\/div><\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[167],"tags":[],"_links":{"self":[{"href":"https:\/\/enapol.com\/viii\/wp-json\/wp\/v2\/posts\/1137"}],"collection":[{"href":"https:\/\/enapol.com\/viii\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/enapol.com\/viii\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/enapol.com\/viii\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/enapol.com\/viii\/wp-json\/wp\/v2\/comments?post=1137"}],"version-history":[{"count":1,"href":"https:\/\/enapol.com\/viii\/wp-json\/wp\/v2\/posts\/1137\/revisions"}],"predecessor-version":[{"id":1138,"href":"https:\/\/enapol.com\/viii\/wp-json\/wp\/v2\/posts\/1137\/revisions\/1138"}],"wp:attachment":[{"href":"https:\/\/enapol.com\/viii\/wp-json\/wp\/v2\/media?parent=1137"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/enapol.com\/viii\/wp-json\/wp\/v2\/categories?post=1137"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/enapol.com\/viii\/wp-json\/wp\/v2\/tags?post=1137"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}