{"id":1173,"date":"2021-09-09T02:15:37","date_gmt":"2021-09-09T02:15:37","guid":{"rendered":"http:\/\/x-enapol.org\/viii\/?p=1173"},"modified":"2021-09-09T02:15:37","modified_gmt":"2021-09-09T02:15:37","slug":"14-lacos-e-instituicoes","status":"publish","type":"post","link":"https:\/\/enapol.com\/viii\/pt\/14-lacos-e-instituicoes\/","title":{"rendered":"#14 &#8211; La\u00e7os e institui\u00e7\u00f5es"},"content":{"rendered":"<p><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1352px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-1\"><p style=\"text-align: justify;\">Como respondem os analistas \u00e0 tentativa, da \u00e9poca, de eliminar o real nos assuntos de fam\u00edlia? Esta \u00e9 a pergunta que se desdobra neste boletim, atrav\u00e9s de entrevistas e textos que orientam a cl\u00ednica e a interven\u00e7\u00e3o no social.<\/p>\n<p style=\"text-align: justify;\">Lizbeth Ahumada Yanet localiza, nos dispositivos \u00abEscola para pais\u00bb e \u00abHome School\u00bb, a tentativa de continuidade entre fam\u00edlia e escola que almejam escamotear o real, que se aloja no ato de atravessar, sair do familiar.<\/p>\n<p style=\"text-align: justify;\">Cristiane Cunha, situa esta mesma orienta\u00e7\u00e3o nos programas para adolescentes, aos quais, em busca de ideais familiaristas, \u00e9 negada a possibilidade de inventar sua pr\u00f3pria fic\u00e7\u00e3o de fam\u00edlia, considerando-os incapazes de qualquer escolha.<\/p>\n<p style=\"text-align: justify;\">\u00c9 a partir da cl\u00ednica atual que Alejandro Daumas responde \u00e0s perguntas sobre o que s\u00e3o, hoje, um pai, uma m\u00e3e, um filho e um irm\u00e3o. Suas respostas permitem desapegar-nos das carnaduras e roupagens da \u00e9poca para situar o estrutural em jogo, distin\u00e7\u00e3o imprescind\u00edvel para abordar os enredos na pr\u00e1tica.<\/p>\n<p style=\"text-align: justify;\">Como contraponto das entrevistas, tr\u00eas escritos dialogam com elas.<\/p>\n<p style=\"text-align: justify;\">Maritza Bernia nos recorda a indica\u00e7\u00e3o de E. Laurent: \u00abproteger as crian\u00e7as dos del\u00edrios familiaristas\u00bb, acompanh\u00e1-los na constru\u00e7\u00e3o subjetiva, implicando-os desde o in\u00edcio e instaurando um lugar para a causa.<\/p>\n<p style=\"text-align: justify;\">Preservar o segredo como a marca do que n\u00e3o pode desnudar-se totalmente, \u00e9 a aposta da psican\u00e1lise, formula Tatiane Grova, entendendo a fam\u00edlia como aparato que aloja esse \u00ab<b>raio<\/b>\u00a0misterioso\u00bb.<\/p>\n<p style=\"text-align: justify;\">\u00abUma vez que a psican\u00e1lise sabe que o gozo \u00e9 assunto de conting\u00eancia\u00bb, diz Florencia Dassen, o que se prop\u00f5e, precisamente, \u00e9 tocar esse real, fazer algo distinto com o que se sup\u00f5e como \u00abum destino\u00bb dado pelo familiar.<\/p>\n<p style=\"text-align: justify;\">Al\u00e9m disso, nos deixamos ensinar pelo cinema, nas imagens de Juno e com o coment\u00e1rio de Alejandra Loray, enlace, nesse novo Assunto, entre os acordes que deslizam entre \u00abo\u00a0<b>raio<\/b>\u00a0misterioso\u00bb e o \u00abeco sutil\u00bb. Imperd\u00edvel !!!!<\/p>\n<p style=\"text-align: justify;\">Mar\u00eda Marciani<br \/>Respons\u00e1vel Rosario VIII ENAPOL<\/p>\n<\/div><div class=\"fusion-separator fusion-full-width-sep\" style=\"align-self: center;margin-left: auto;margin-right: auto;margin-top:10px;margin-bottom:10px;width:100%;\"><\/div><div class=\"fusion-video fusion-youtube\" style=\"--awb-max-width:600px;--awb-max-height:360px;--awb-align-self:center;--awb-width:100%;\"><div class=\"video-shortcode\"><div class=\"fluid-width-video-wrapper\" style=\"padding-top:60%;\" ><iframe title=\"YouTube video player 1\" src=\"https:\/\/www.youtube.com\/embed\/NzxHoxA7vl0?wmode=transparent&autoplay=0\" width=\"600\" height=\"360\" allowfullscreen allow=\"autoplay; fullscreen\"><\/iframe><\/div><\/div><\/div><div class=\"fusion-separator fusion-full-width-sep\" style=\"align-self: center;margin-left: auto;margin-right: auto;margin-top:20px;margin-bottom:20px;width:100%;\"><\/div><div class=\"accordian fusion-accordian\" style=\"--awb-border-size:0px;--awb-icon-size:16px;--awb-content-font-size:15px;--awb-icon-alignment:left;--awb-hover-color:#f9f9f9;--awb-border-color:#cccccc;--awb-background-color:#ffffff;--awb-divider-color:rgba(224,222,222,0);--awb-divider-hover-color:rgba(224,222,222,0);--awb-icon-color:#ffffff;--awb-title-color:#0075a8;--awb-content-color:#222222;--awb-icon-box-color:#333333;--awb-toggle-hover-accent-color:#46b1fd;--awb-title-font-family:&quot;Raleway&quot;;--awb-title-font-weight:700;--awb-title-font-style:normal;--awb-title-line-height:1.5;--awb-content-font-family:&quot;Open Sans&quot;;--awb-content-font-style:normal;--awb-content-font-weight:400;\"><div class=\"panel-group fusion-toggle-icon-boxed\" id=\"accordion-1173-1\"><div class=\"fusion-panel panel-default panel-140ddd648e7a3de36 fusion-toggle-no-divider\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_140ddd648e7a3de36\"><a aria-expanded=\"false\" aria-controls=\"140ddd648e7a3de36\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-1173-1\" data-target=\"#140ddd648e7a3de36\" href=\"#140ddd648e7a3de36\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">Juno - Alejandra Loray<\/span><\/a><\/h4><\/div><div id=\"140ddd648e7a3de36\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_140ddd648e7a3de36\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<p style=\"text-align: justify;\">O filme[1] gira em torno de\u00a0<i>Juno,\u00a0<\/i>uma adolescente de 16 anos que engravida e deve decidir o que fazer. Rejeitada a op\u00e7\u00e3o de aborto (o filme toma uma posi\u00e7\u00e3o contr\u00e1ria, embora delicadamente), decide \u00abter o beb\u00ea e d\u00e1-lo a algu\u00e9m que o queira\u00bb,* pois ela \u00abn\u00e3o est\u00e1 preparada para ser uma mam\u00e3e\u00bb, uma vez que nem sequer sabe \u00abque tipo de garota eu sou\u00bb.<\/p>\n<p style=\"text-align: justify;\">Quer escolher bem os pais para a crian\u00e7a: que o queiram, que tenham certa ousadia e outras condi\u00e7\u00f5es para que tudo saia bem. Encontra o casal adequado: jovens, ricos, belos e com almejos postergados de um beb\u00ea. Ela, Vanessa, com um comovedor desejo de ser m\u00e3e (\u00abnasci para isso\u00bb). Seu marido, Mark, a acompanha, mas sem renunciar \u00e0 sua ilus\u00e3o de ser um\u00a0<i>rockstar<\/i>. O filme mostra a fam\u00edlia de Juno, sua amiga, a vida na escola, o amor com o jovem, pai de seu filho, um certo flerte entre Juno e Mark e a desilus\u00e3o da poss\u00edvel fam\u00edlia perfeita, em um tom que aborda o que poderia ser dram\u00e1tico com toques de humor e ironia sutis. Como os personagens e seus desejos se entrecruzam, voc\u00eas o ver\u00e3o, porque n\u00e3o se deve contar o filme todo, pior ainda contar o seu final! Por isso, destacarei umas poucas pinceladas do que a arte ensina \u00e0 psican\u00e1lise, como disse Lacan em \u00abHomenagem a Marguerite Duras\u00bb.<\/p>\n<p style=\"text-align: justify;\">Por um lado, o filme mostra que n\u00e3o existe o suposto \u00abinstinto materno\u00bb, mas sim o desejo de cada sujeito conformado atrav\u00e9s de sua\u00a0<i>histoeria.\u00a0<\/i>Para isso, n\u00e3o h\u00e1 programa que oriente o ser falante. Do que se trata ser m\u00e3e, ou pai ou fam\u00edlia, n\u00e3o \u00e9 respondido por receitas, como o mostra o fracasso dos guias para pais, lidos por Vanessa.<\/p>\n<p style=\"text-align: justify;\"><i>Juno<\/i>\u00a0tamb\u00e9m nos ensina que \u00e9 poss\u00edvel a fam\u00edlia e o casal, fora de um ideal. A jovem busca um casal perfeito, pois \u00abprecisa saber que duas pessoas podem permanecer juntas e felizes para sempre\u00bb, a fim de que \u00abas coisas sejam perfeitas para o beb\u00ea\u00bb. Atravessando o desencanto, se dar\u00e1 conta de que, embora n\u00e3o sejam perfeitos, h\u00e1 casais e fam\u00edlias, cada um, um por um, constru\u00eddos em torno do modo de resposta que cada um p\u00f4de encontrar para o mal-entendido estrutural. \u00abA normalidade n\u00e3o \u00e9 nosso estilo\u00bb, diz Juno, mas, poder\u00edamos dizer, o estilo \u00e9 o que determinar\u00e1 o modo contingente com que cada um encontra sua solu\u00e7\u00e3o singular para a aus\u00eancia de rela\u00e7\u00e3o sexual.<\/p>\n<p style=\"text-align: justify;\">Um detalhe encantador \u00e9 o nome que o diretor, Jason Reitman, deu \u00e0 sua criatura: Juno Mac Guff.\u00a0<i>Juno<\/i>\u00a0\u00e9 a deusa romana da maternidade e protetora do matrimonio, equivalente \u00e0 deusa grega, Hera, a \u00abverdadeira esposa de Zeus\u00bb.\u00a0<i>Mac Guff<\/i>, me remete, por associa\u00e7\u00e3o &#8211; creio que n\u00e3o for\u00e7ada -, ao\u00a0<i>Mac Guffin<\/i>\u00a0do genial Alfred Hitchcock, ao que ele define, em uma entrevista que Fran\u00e7ois Truffaut lhe fizera, \u00ab&#8230; um rodeio, um truque &#8230; algo de grande import\u00e2ncia para os personagens do filme, j\u00e1 que move todas as suas a\u00e7\u00f5es. &#8230;, n\u00e3o para o diretor e acho que tampouco para o espectador. \u00c9 aquilo em torno do qual gira toda a trama, mas que, em si mesmo, \u00e9 pouco importante, e &#8230; demonstra o vazio [&#8230;] o nada \u00ab. H\u00e1 algo assim para os seres falantes, algo em torno do qual gira a trama da vida, as coisas do querer e os distintos modos de fazer fam\u00edlia.<\/p>\n<div class=\"NotasPie\">\n<p style=\"text-align: justify;\">Tradu\u00e7\u00e3o: Vera Avellar Ribeiro<br \/>* Nota: o que figura entre aspas s\u00e3o cita\u00e7\u00f5es textuais do roteiro do filme.<\/p>\n<p style=\"text-align: justify;\">NOTAS<\/p>\n<ol>\n<li style=\"text-align: justify;\">Juno, Jason Reitman, Estados Unidos-Canad\u00e1, 2007.<\/li>\n<\/ol>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-2 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1352px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-1 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><style type=\"text\/css\">.fusion-portfolio-wrapper#fusion-portfolio-1 .fusion-portfolio-content{ padding: 25px 25px 25px 25px; text-align: center; }<\/style><div class=\"fusion-recent-works fusion-portfolio-element fusion-portfolio fusion-portfolio-1 fusion-portfolio-grid fusion-portfolio-paging-pagination fusion-portfolio-three fusion-portfolio-boxed fusion-portfolio-text fusion-portfolio-equal-heights fusion-portfolio-rollover\" data-id=\"-rw-1\" data-columns=\"three\"><style type=\"text\/css\">.fusion-portfolio-1 .fusion-portfolio-wrapper .fusion-col-spacing{padding:16.5px;}<\/style><div class=\"fusion-portfolio-wrapper\" id=\"fusion-portfolio-1\" data-picturesize=\"fixed\" data-pages=\"0\" style=\"margin:-16.5px;\"><article id=\"portfolio-1-post-1497\" class=\"fusion-portfolio-post boletin-14-pt boletins fusion-col-spacing post-1497\"><div class=\"fusion-portfolio-content-wrapper\" style=\"border:none;background-color:rgba(255,255,255,1);\"><span class=\"vcard rich-snippet-hidden\"><span class=\"fn\"><a href=\"https:\/\/enapol.com\/viii\/author\/gonzalozabala\/\" title=\"Entradas de gonzalozabala\" rel=\"author\">gonzalozabala<\/a><\/span><\/span><span class=\"updated rich-snippet-hidden\">2021-09-10T19:11:18+00:00<\/span><div  class=\"fusion-image-wrapper fusion-image-size-fixed\" aria-haspopup=\"true\">\n\t\t\t\t<img decoding=\"async\" width=\"250\" height=\"214\" src=\"https:\/\/enapol.com\/viii\/wp-content\/uploads\/sites\/6\/2021\/09\/14_Florencia-Dassen-250x214.jpg\" class=\"attachment-portfolio-three size-portfolio-three wp-post-image\" alt=\"\" \/><div class=\"fusion-rollover\">\n\t<div class=\"fusion-rollover-content\">\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"fusion-rollover-link\" href=\"https:\/\/enapol.com\/viii\/pt\/portfolio-items\/lacos-assuntos-e-ecos\/?portfolioCats=268\">La\u00e7os, assuntos e ecos<\/a>\n\t\t\t\n\t\t\t\t\t\t\t\t\n\t\t\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\n\t\t\n\t\t\t\t\t\t<a class=\"fusion-link-wrapper\" href=\"https:\/\/enapol.com\/viii\/pt\/portfolio-items\/lacos-assuntos-e-ecos\/?portfolioCats=268\" aria-label=\"La\u00e7os, assuntos e ecos\"><\/a>\n\t<\/div>\n<\/div>\n<\/div>\n<div class=\"fusion-portfolio-content\" style=\"background-color:rgba(255,255,255,1);\"><h2 class=\"entry-title fusion-post-title\"><a href=\"https:\/\/enapol.com\/viii\/pt\/portfolio-items\/lacos-assuntos-e-ecos\/?portfolioCats=268\">La\u00e7os, assuntos e ecos<\/a><\/h2><div class=\"fusion-post-content\"><\/div><\/div><\/div><\/article><article id=\"portfolio-1-post-1491\" class=\"fusion-portfolio-post boletin-14-pt boletins fusion-col-spacing post-1491\"><div class=\"fusion-portfolio-content-wrapper\" style=\"border:none;background-color:rgba(255,255,255,1);\"><span class=\"vcard rich-snippet-hidden\"><span class=\"fn\"><a href=\"https:\/\/enapol.com\/viii\/author\/gonzalozabala\/\" title=\"Entradas de gonzalozabala\" rel=\"author\">gonzalozabala<\/a><\/span><\/span><span class=\"updated rich-snippet-hidden\">2021-09-10T18:52:30+00:00<\/span><div  class=\"fusion-image-wrapper fusion-image-size-fixed\" aria-haspopup=\"true\">\n\t\t\t\t<img decoding=\"async\" width=\"250\" height=\"214\" src=\"https:\/\/enapol.com\/viii\/wp-content\/uploads\/sites\/6\/2021\/09\/14_Tatiane-Grova-250x214.jpg\" class=\"attachment-portfolio-three size-portfolio-three wp-post-image\" alt=\"\" \/><div class=\"fusion-rollover\">\n\t<div class=\"fusion-rollover-content\">\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"fusion-rollover-link\" href=\"https:\/\/enapol.com\/viii\/pt\/portfolio-items\/o-segredo-de-gardel\/?portfolioCats=268\">O segredo de Gardel<\/a>\n\t\t\t\n\t\t\t\t\t\t\t\t\n\t\t\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\n\t\t\n\t\t\t\t\t\t<a class=\"fusion-link-wrapper\" href=\"https:\/\/enapol.com\/viii\/pt\/portfolio-items\/o-segredo-de-gardel\/?portfolioCats=268\" aria-label=\"O segredo de Gardel\"><\/a>\n\t<\/div>\n<\/div>\n<\/div>\n<div class=\"fusion-portfolio-content\" style=\"background-color:rgba(255,255,255,1);\"><h2 class=\"entry-title fusion-post-title\"><a href=\"https:\/\/enapol.com\/viii\/pt\/portfolio-items\/o-segredo-de-gardel\/?portfolioCats=268\">O segredo de Gardel<\/a><\/h2><div class=\"fusion-post-content\"><\/div><\/div><\/div><\/article><article id=\"portfolio-1-post-1485\" class=\"fusion-portfolio-post boletin-14-pt boletins fusion-col-spacing post-1485\"><div class=\"fusion-portfolio-content-wrapper\" style=\"border:none;background-color:rgba(255,255,255,1);\"><span class=\"vcard rich-snippet-hidden\"><span class=\"fn\"><a href=\"https:\/\/enapol.com\/viii\/author\/gonzalozabala\/\" title=\"Entradas de gonzalozabala\" rel=\"author\">gonzalozabala<\/a><\/span><\/span><span class=\"updated rich-snippet-hidden\">2021-09-10T18:43:59+00:00<\/span><div  class=\"fusion-image-wrapper fusion-image-size-fixed\" aria-haspopup=\"true\">\n\t\t\t\t<img decoding=\"async\" width=\"250\" height=\"214\" src=\"https:\/\/enapol.com\/viii\/wp-content\/uploads\/sites\/6\/2021\/09\/14_Maritza-Bernia-250x214.jpg\" class=\"attachment-portfolio-three size-portfolio-three wp-post-image\" alt=\"\" \/><div class=\"fusion-rollover\">\n\t<div class=\"fusion-rollover-content\">\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"fusion-rollover-link\" href=\"https:\/\/enapol.com\/viii\/pt\/portfolio-items\/violencia-e-segregacao-familiar\/?portfolioCats=268\">Viol\u00eancia e segrega\u00e7\u00e3o familiar<\/a>\n\t\t\t\n\t\t\t\t\t\t\t\t\n\t\t\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\n\t\t\n\t\t\t\t\t\t<a class=\"fusion-link-wrapper\" href=\"https:\/\/enapol.com\/viii\/pt\/portfolio-items\/violencia-e-segregacao-familiar\/?portfolioCats=268\" aria-label=\"Viol\u00eancia e segrega\u00e7\u00e3o familiar\"><\/a>\n\t<\/div>\n<\/div>\n<\/div>\n<div class=\"fusion-portfolio-content\" style=\"background-color:rgba(255,255,255,1);\"><h2 class=\"entry-title fusion-post-title\"><a href=\"https:\/\/enapol.com\/viii\/pt\/portfolio-items\/violencia-e-segregacao-familiar\/?portfolioCats=268\">Viol\u00eancia e segrega\u00e7\u00e3o familiar<\/a><\/h2><div class=\"fusion-post-content\"><\/div><\/div><\/div><\/article><\/div><\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[167],"tags":[],"_links":{"self":[{"href":"https:\/\/enapol.com\/viii\/wp-json\/wp\/v2\/posts\/1173"}],"collection":[{"href":"https:\/\/enapol.com\/viii\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/enapol.com\/viii\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/enapol.com\/viii\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/enapol.com\/viii\/wp-json\/wp\/v2\/comments?post=1173"}],"version-history":[{"count":1,"href":"https:\/\/enapol.com\/viii\/wp-json\/wp\/v2\/posts\/1173\/revisions"}],"predecessor-version":[{"id":1174,"href":"https:\/\/enapol.com\/viii\/wp-json\/wp\/v2\/posts\/1173\/revisions\/1174"}],"wp:attachment":[{"href":"https:\/\/enapol.com\/viii\/wp-json\/wp\/v2\/media?parent=1173"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/enapol.com\/viii\/wp-json\/wp\/v2\/categories?post=1173"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/enapol.com\/viii\/wp-json\/wp\/v2\/tags?post=1173"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}