{"id":1821,"date":"2021-05-02T15:59:36","date_gmt":"2021-05-02T18:59:36","guid":{"rendered":"http:\/\/x-enapol.org\/?page_id=1821"},"modified":"2021-05-02T16:08:06","modified_gmt":"2021-05-02T19:08:06","slug":"segunda-entrega","status":"publish","type":"page","link":"https:\/\/enapol.com\/x\/bibliografia\/el-amor-como-suplencia\/segunda-entrega\/","title":{"rendered":"Segunda Entrega"},"content":{"rendered":"<p><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-margin-top:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1352px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-title title fusion-title-1 fusion-sep-none fusion-title-text fusion-title-size-one\" style=\"--awb-margin-bottom:0px;\"><h1 class=\"fusion-title-heading title-heading-left fusion-responsive-typography-calculated\" style=\"margin:0;--fontSize:80;line-height:1.2;\">CITAS<\/h1><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-2 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1352px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-1 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-testimonials classic awb-speech-bubble-show fusion-testimonials-1\" style=\"--awb-textcolor:#ffffff;--awb-backgroundcolor:#2a2a38;--awb-testimonial-border-style:solid;--awb-testimonial-border-color:var(--awb-color3);--awb-border-top-left-radius:0px;--awb-border-top-right-radius:0px;--awb-border-bottom-left-radius:0px;--awb-border-bottom-right-radius:0px;--testimonial-border-width-top:0px;--testimonial-border-width-right:0px;--testimonial-border-width-bottom:0px;--testimonial-border-width-left:0px;\" data-random=\"0\" data-speed=\"0\"><div class=\"reviews\"><div class=\"review active-testimonial no-avatar\"><blockquote><div class=\"awb-quote\"><div class=\"awb-quote-content\">\n<p style=\"text-align: justify;\">\u201cH\u00e1 um texto de Rimbaud, de que tratei ano passado, que se chama <em>A uma raz\u00e3o<\/em>, e que se escande por esta r\u00e9plica que termina cada vers\u00edculo \u2013 <em>Um novo amor.<\/em> (&#8230;) o amor nesse texto, \u00e9 signo, apontado como tal, de que se troca de raz\u00e3o, e \u00e9 por isso que o poeta se dirige a essa raz\u00e3o. Mudamos de raz\u00e3o, quer dizer \u2013 mudamos de discurso.\u201d<\/p>\n<\/div><\/div><span class=\"awb-triangle\"><\/span><\/blockquote><div class=\"author\"><span class=\"company-name\"><strong>Jacques Lacan<\/strong><span>, <\/span><span>Semin\u00e1rio 20, ... mais ainda. Rio de Janeiro.Jorge Zahar Editor. 1982. P.26<\/span><\/span><\/div><\/div><\/div><\/div><div class=\"fusion-separator fusion-full-width-sep\" style=\"align-self: center;margin-left: auto;margin-right: auto;margin-top:20px;margin-bottom:20px;width:100%;\"><\/div><div class=\"fusion-testimonials classic awb-speech-bubble-show fusion-testimonials-2\" style=\"--awb-textcolor:#ffffff;--awb-backgroundcolor:#2a2a38;--awb-testimonial-border-style:solid;--awb-testimonial-border-color:var(--awb-color3);--awb-border-top-left-radius:0px;--awb-border-top-right-radius:0px;--awb-border-bottom-left-radius:0px;--awb-border-bottom-right-radius:0px;--testimonial-border-width-top:0px;--testimonial-border-width-right:0px;--testimonial-border-width-bottom:0px;--testimonial-border-width-left:0px;\" data-random=\"0\" data-speed=\"0\"><div class=\"reviews\"><div class=\"review active-testimonial no-avatar\"><blockquote><div class=\"awb-quote\"><div class=\"awb-quote-content\">\n<p style=\"text-align: justify;\">\u201cLa perversi\u00f3n de la mujer se constituye del lado del amor. \u00c9ste es el sentido del ejemplo de Freud de la joven homosexual decepcionada por la falta de amor del padre, de tal manera que empieza a demostrarle qu\u00e9 es amar, que para amar necesita no tener. Es completamente diferente de la perversi\u00f3n en el hombre, que se constituye del lado del goce y em detrimiento del amor\u201d.<\/p>\n<\/div><\/div><span class=\"awb-triangle\"><\/span><\/blockquote><div class=\"author\"><span class=\"company-name\"><strong>Jacques-Alain Miller<\/strong><span>, <\/span><span>L\u00f3gicas de la vida amorosa. El amor entre repetici\u00f3n e invenci\u00f3n. Conferencias Porte\u00f1as tomo II. Buenos Aires. Paid\u00f3s. 2010. P. 24 <\/span><\/span><\/div><\/div><\/div><\/div><div class=\"fusion-separator fusion-full-width-sep\" style=\"align-self: center;margin-left: auto;margin-right: auto;margin-top:20px;margin-bottom:20px;width:100%;\"><\/div><div class=\"fusion-testimonials classic awb-speech-bubble-show fusion-testimonials-3\" style=\"--awb-textcolor:#ffffff;--awb-backgroundcolor:#2a2a38;--awb-testimonial-border-style:solid;--awb-testimonial-border-color:var(--awb-color3);--awb-border-top-left-radius:0px;--awb-border-top-right-radius:0px;--awb-border-bottom-left-radius:0px;--awb-border-bottom-right-radius:0px;--testimonial-border-width-top:0px;--testimonial-border-width-right:0px;--testimonial-border-width-bottom:0px;--testimonial-border-width-left:0px;\" data-random=\"0\" data-speed=\"0\"><div class=\"reviews\"><div class=\"review active-testimonial no-avatar\"><blockquote><div class=\"awb-quote\"><div class=\"awb-quote-content\">\n<p>\u00a0\u201c&#8230;a m\u00edstica, que \u00e9, justamente, a rela\u00e7\u00e3o com o grande Outro do amor. Tudo isso compondo uma bela irracionalidade.\u201d<\/p>\n<\/div><\/div><span class=\"awb-triangle\"><\/span><\/blockquote><div class=\"author\"><span class=\"company-name\"><strong>Jacques-Alain Miller<\/strong><span>, <\/span><span>Uma partilha sexual. Op\u00e7\u00e3o Lacaniana online nova s\u00e9rie n. 20. 2016. P.14<\/span><\/span><\/div><\/div><\/div><\/div><div class=\"fusion-separator fusion-full-width-sep\" style=\"align-self: center;margin-left: auto;margin-right: auto;margin-top:20px;margin-bottom:20px;width:100%;\"><\/div><div class=\"fusion-testimonials classic awb-speech-bubble-show fusion-testimonials-4\" style=\"--awb-textcolor:#ffffff;--awb-backgroundcolor:#2a2a38;--awb-testimonial-border-style:solid;--awb-testimonial-border-color:var(--awb-color3);--awb-border-top-left-radius:0px;--awb-border-top-right-radius:0px;--awb-border-bottom-left-radius:0px;--awb-border-bottom-right-radius:0px;--testimonial-border-width-top:0px;--testimonial-border-width-right:0px;--testimonial-border-width-bottom:0px;--testimonial-border-width-left:0px;\" data-random=\"0\" data-speed=\"0\"><div class=\"reviews\"><div class=\"review active-testimonial no-avatar\"><blockquote><div class=\"awb-quote\"><div class=\"awb-quote-content\">\n<p style=\"text-align: justify;\">\u201cEssas duas formas de gozo, reparti\u00e7\u00e3o que recobre a pr\u00f3pria experi\u00eancia do corpo, d\u00e3o conta das duas formas de amor distinguidas por Lacan, a forma fetichista e a forma erotoman\u00edaca\u00a0 \u0336\u00a0 e por tr\u00e1s dessa palavra amor \u00e9 preciso escutar o Liebe freudiano, ou seja, amor, desejo e gozo numa \u00fanica palavra\u201d.<\/p>\n<\/div><\/div><span class=\"awb-triangle\"><\/span><\/blockquote><div class=\"author\"><span class=\"company-name\"><strong>Jacques-Alain Miller<\/strong><span>, <\/span><span>Uma partilha sexual. Op\u00e7\u00e3o Lacaniana online nova s\u00e9rie n.20. 2016. P.34. <\/span><\/span><\/div><\/div><\/div><\/div><div class=\"fusion-separator fusion-full-width-sep\" style=\"align-self: center;margin-left: auto;margin-right: auto;margin-top:20px;margin-bottom:20px;width:100%;\"><\/div><div class=\"fusion-testimonials classic awb-speech-bubble-show fusion-testimonials-5\" style=\"--awb-textcolor:#ffffff;--awb-backgroundcolor:#2a2a38;--awb-testimonial-border-style:solid;--awb-testimonial-border-color:var(--awb-color3);--awb-border-top-left-radius:0px;--awb-border-top-right-radius:0px;--awb-border-bottom-left-radius:0px;--awb-border-bottom-right-radius:0px;--testimonial-border-width-top:0px;--testimonial-border-width-right:0px;--testimonial-border-width-bottom:0px;--testimonial-border-width-left:0px;\" data-random=\"0\" data-speed=\"0\"><div class=\"reviews\"><div class=\"review active-testimonial no-avatar\"><blockquote><div class=\"awb-quote\"><div class=\"awb-quote-content\">\n<p style=\"text-align: justify;\">\u201cAqu\u00ed vemos surgir el amor en una funci\u00f3n in\u00e9dita. Lacan intenta poner en funci\u00f3n al amor como aquello que se introduce para establecer la conexi\u00f3n con el Otro\u201d.<\/p>\n<\/div><\/div><span class=\"awb-triangle\"><\/span><\/blockquote><div class=\"author\"><span class=\"company-name\"><strong>Jacques-Alain Miller<\/strong><span>, <\/span><span>El partenaire-s\u00edntoma. Buenos Aires. Paid\u00f3s. 2008. P. 157<\/span><\/span><\/div><\/div><\/div><\/div><div class=\"fusion-separator fusion-full-width-sep\" style=\"align-self: center;margin-left: auto;margin-right: auto;margin-top:20px;margin-bottom:20px;width:100%;\"><\/div><div class=\"fusion-testimonials classic awb-speech-bubble-show fusion-testimonials-6\" style=\"--awb-textcolor:#ffffff;--awb-backgroundcolor:#2a2a38;--awb-testimonial-border-style:solid;--awb-testimonial-border-color:var(--awb-color3);--awb-border-top-left-radius:0px;--awb-border-top-right-radius:0px;--awb-border-bottom-left-radius:0px;--awb-border-bottom-right-radius:0px;--testimonial-border-width-top:0px;--testimonial-border-width-right:0px;--testimonial-border-width-bottom:0px;--testimonial-border-width-left:0px;\" data-random=\"0\" data-speed=\"0\"><div class=\"reviews\"><div class=\"review active-testimonial no-avatar\"><blockquote><div class=\"awb-quote\"><div class=\"awb-quote-content\">\n<p style=\"text-align: justify;\">\u201cM\u00e1s all\u00e1, el amor como irresistible extrae su fuerza, su exigencia, de la pulsi\u00f3n misma; es decir que puede cobrar el valor de una exigencia que se burla de la defensa. En esta l\u00ednea, veremos m\u00e1s tarde de qu\u00e9 modo el amor puede ser equivalente a un s\u00edntoma\u201d.<\/p>\n<\/div><\/div><span class=\"awb-triangle\"><\/span><\/blockquote><div class=\"author\"><span class=\"company-name\"><strong>Jacques-Alain Miller<\/strong><span>, <\/span><span>Los divinos detalles. Buenos Aires. Paid\u00f3s. 2010. P. 158.<\/span><\/span><\/div><\/div><\/div><\/div><div class=\"fusion-separator fusion-full-width-sep\" style=\"align-self: center;margin-left: auto;margin-right: auto;margin-top:20px;margin-bottom:20px;width:100%;\"><\/div><div class=\"fusion-testimonials classic awb-speech-bubble-show fusion-testimonials-7\" style=\"--awb-textcolor:#ffffff;--awb-backgroundcolor:#2a2a38;--awb-testimonial-border-style:solid;--awb-testimonial-border-color:var(--awb-color3);--awb-border-top-left-radius:0px;--awb-border-top-right-radius:0px;--awb-border-bottom-left-radius:0px;--awb-border-bottom-right-radius:0px;--testimonial-border-width-top:0px;--testimonial-border-width-right:0px;--testimonial-border-width-bottom:0px;--testimonial-border-width-left:0px;\" data-random=\"0\" data-speed=\"0\"><div class=\"reviews\"><div class=\"review active-testimonial no-avatar\"><blockquote><div class=\"awb-quote\"><div class=\"awb-quote-content\">\n<p style=\"text-align: justify;\">\u201cNa \u00faltima temporada da s\u00e9rie <em>Black Mirror <\/em>, o epis\u00f3dio <em>Hang the DJ <\/em>\u00e9 sobre a escolha de parceiros. Cada um tem um dispositivo com um aplicativo que<em> ir\u00e1 <\/em>indicar um parceiro e depois de alguns encontros o sistema re\u00fane algumas informa\u00e7\u00f5es formar o par perfeito definitivo. No primeiro encontro de Amy e Frank, o toque simult\u00e2neo de ambos faz surgir o tempo que dever\u00e3o ficar juntos e inicia a contagem regressiva (&#8230;) Descobrimos, ent\u00e3o, que o Outro n\u00e3o sabia, ele era apenas um operador na busca e de simula\u00e7\u00f5es. Quem faz o ponto de basta \u00e9 a escolha que p\u00f5e um fim \u00e0s infinitas possibilidades e permite ressignificar como necess\u00e1rio o que aconteceu antes como conting\u00eancia\u201d.<\/p>\n<\/div><\/div><span class=\"awb-triangle\"><\/span><\/blockquote><div class=\"author\"><span class=\"company-name\"><strong>Ana L\u00facia L. Holk<\/strong><span>, <\/span><span>O Feminino de Ningu\u00e9m. Correio \u2013 Revista da Escola Brasileira de Psican\u00e1lise. S\u00e3o Paulo. EBP, n. 83, abril 2020. PP. 92-93<\/span><\/span><\/div><\/div><\/div><\/div><div class=\"fusion-separator fusion-full-width-sep\" style=\"align-self: center;margin-left: auto;margin-right: auto;margin-top:20px;margin-bottom:20px;width:100%;\"><\/div><div class=\"fusion-testimonials classic awb-speech-bubble-show fusion-testimonials-8\" style=\"--awb-textcolor:#ffffff;--awb-backgroundcolor:#2a2a38;--awb-testimonial-border-style:solid;--awb-testimonial-border-color:var(--awb-color3);--awb-border-top-left-radius:0px;--awb-border-top-right-radius:0px;--awb-border-bottom-left-radius:0px;--awb-border-bottom-right-radius:0px;--testimonial-border-width-top:0px;--testimonial-border-width-right:0px;--testimonial-border-width-bottom:0px;--testimonial-border-width-left:0px;\" data-random=\"0\" data-speed=\"0\"><div class=\"reviews\"><div class=\"review active-testimonial no-avatar\"><blockquote><div class=\"awb-quote\"><div class=\"awb-quote-content\">\n<p style=\"text-align: justify;\">\u201cLonge de se resolver em uma composi\u00e7\u00e3o significante determinada, o amor, por ser pedido de amor, \u00e9 signo que acena para outro signo, instaurando desse modo, sua demanda sob a \u00e9gide da insatisfa\u00e7\u00e3o. Se do amor procede a cont\u00ednua demanda por \u201cmais ainda\u201d, \u00e9 porque o signo ao qual ele visa jamais encontra uma solu\u00e7\u00e3o significante satisfat\u00f3ria no campo do Outro (&#8230;)<\/p>\n<\/div><\/div><span class=\"awb-triangle\"><\/span><\/blockquote><div class=\"author\"><span class=\"company-name\"><strong>Ant\u00f4nio Teixeira<\/strong><span>, <\/span><span>O casamento do obsessivo com a hist\u00e9rica. Correio \u2013 Revista da Escola Brasileira de Psican\u00e1lise. EBP, n. 56.S\u00e3o Paulo. 2006. PP. 30-31<\/span><\/span><\/div><\/div><\/div><\/div><div class=\"fusion-separator fusion-full-width-sep\" style=\"align-self: center;margin-left: auto;margin-right: auto;margin-top:20px;margin-bottom:20px;width:100%;\"><\/div><div class=\"fusion-testimonials classic awb-speech-bubble-show fusion-testimonials-9\" style=\"--awb-textcolor:#ffffff;--awb-backgroundcolor:#2a2a38;--awb-testimonial-border-style:solid;--awb-testimonial-border-color:var(--awb-color3);--awb-border-top-left-radius:0px;--awb-border-top-right-radius:0px;--awb-border-bottom-left-radius:0px;--awb-border-bottom-right-radius:0px;--testimonial-border-width-top:0px;--testimonial-border-width-right:0px;--testimonial-border-width-bottom:0px;--testimonial-border-width-left:0px;\" data-random=\"0\" data-speed=\"0\"><div class=\"reviews\"><div class=\"review active-testimonial no-avatar\"><blockquote><div class=\"awb-quote\"><div class=\"awb-quote-content\">\n<p style=\"text-align: justify;\">\u201cO amor em jogo na transmiss\u00e3o (do pai) n\u00e3o adv\u00e9m de garantia alguma, e sua lei \u00e9 ser supl\u00eancia \u00e0 rela\u00e7\u00e3o sexual que n\u00e3o existe\u201d<\/p>\n<\/div><\/div><span class=\"awb-triangle\"><\/span><\/blockquote><div class=\"author\"><span class=\"company-name\"><strong>Sophie Gayard<\/strong><span>, <\/span><span>Pai-vers\u00f5es. Scilicet - O Corpo Falante. EBP. Rio de Janeiro. 2016. P. 241<\/span><\/span><\/div><\/div><\/div><\/div><div class=\"fusion-separator fusion-full-width-sep\" style=\"align-self: center;margin-left: auto;margin-right: auto;margin-top:20px;margin-bottom:20px;width:100%;\"><\/div><div class=\"fusion-testimonials classic awb-speech-bubble-show fusion-testimonials-10\" style=\"--awb-textcolor:#ffffff;--awb-backgroundcolor:#2a2a38;--awb-testimonial-border-style:solid;--awb-testimonial-border-color:var(--awb-color3);--awb-border-top-left-radius:0px;--awb-border-top-right-radius:0px;--awb-border-bottom-left-radius:0px;--awb-border-bottom-right-radius:0px;--testimonial-border-width-top:0px;--testimonial-border-width-right:0px;--testimonial-border-width-bottom:0px;--testimonial-border-width-left:0px;\" data-random=\"0\" data-speed=\"0\"><div class=\"reviews\"><div class=\"review active-testimonial no-avatar\"><blockquote><div class=\"awb-quote\"><div class=\"awb-quote-content\">\n<p style=\"text-align: justify;\">Por mais que o apaixonado fa\u00e7a a lista dos predicados da amada, sempre haver\u00e1 a certeza de que algo permanece fora de alcance, a ser ainda descrito. Esse \u201calgo\u201d se situa no objeto de nossa afei\u00e7\u00e3o como marca de um indiz\u00edvel e assegura que \u00e9 imposs\u00edvel esgotar pela nomea\u00e7\u00e3o o que se perdeu.<\/p>\n<\/div><\/div><span class=\"awb-triangle\"><\/span><\/blockquote><div class=\"author\"><span class=\"company-name\"><strong>Marcus Andr\u00e9 Vieira<\/strong><span>, <\/span><span>Restos. Rio de Janeiro.Contra Capa. 2008. P. 53<\/span><\/span><\/div><\/div><\/div><\/div><div class=\"fusion-separator fusion-full-width-sep\" style=\"align-self: center;margin-left: auto;margin-right: auto;margin-top:20px;margin-bottom:20px;width:100%;\"><\/div><div class=\"fusion-testimonials classic awb-speech-bubble-show fusion-testimonials-11\" style=\"--awb-textcolor:#ffffff;--awb-backgroundcolor:#2a2a38;--awb-testimonial-border-style:solid;--awb-testimonial-border-color:var(--awb-color3);--awb-border-top-left-radius:0px;--awb-border-top-right-radius:0px;--awb-border-bottom-left-radius:0px;--awb-border-bottom-right-radius:0px;--testimonial-border-width-top:0px;--testimonial-border-width-right:0px;--testimonial-border-width-bottom:0px;--testimonial-border-width-left:0px;\" data-random=\"0\" data-speed=\"0\"><div class=\"reviews\"><div class=\"review active-testimonial no-avatar\"><blockquote><div class=\"awb-quote\"><div class=\"awb-quote-content\">\n<p style=\"text-align: justify;\">\u201cComo definir a paix\u00e3o? A melhora maneira de come\u00e7ar \u00e9 pelo amor, e \u00e0 primeira vista (&#8230;) A desmesura do amor parece localizar-se nas verdadeiras epifanias visuais a repetir o mote: nada buscava e te ver me fez cair desesperadamente apaixonado\u201d<\/p>\n<\/div><\/div><span class=\"awb-triangle\"><\/span><\/blockquote><div class=\"author\"><span class=\"company-name\"><strong>Marcus Andr\u00e9 Vieira<\/strong><span>, <\/span><span>A Paix\u00e3o. Rio de Janeiro.  Zahar. 2012. P.19<\/span><\/span><\/div><\/div><\/div><\/div><div class=\"fusion-separator fusion-full-width-sep\" style=\"align-self: center;margin-left: auto;margin-right: auto;margin-top:20px;margin-bottom:20px;width:100%;\"><\/div><div class=\"fusion-testimonials classic awb-speech-bubble-show fusion-testimonials-12\" style=\"--awb-textcolor:#ffffff;--awb-backgroundcolor:#2a2a38;--awb-testimonial-border-style:solid;--awb-testimonial-border-color:var(--awb-color3);--awb-border-top-left-radius:0px;--awb-border-top-right-radius:0px;--awb-border-bottom-left-radius:0px;--awb-border-bottom-right-radius:0px;--testimonial-border-width-top:0px;--testimonial-border-width-right:0px;--testimonial-border-width-bottom:0px;--testimonial-border-width-left:0px;\" data-random=\"0\" data-speed=\"0\"><div class=\"reviews\"><div class=\"review active-testimonial no-avatar\"><blockquote><div class=\"awb-quote\"><div class=\"awb-quote-content\">\n<p style=\"text-align: justify;\">\u201cUma an\u00e1lise come\u00e7a, muitas vezes, por um deslocamento de \u00eanfase, da paix\u00e3o do amor \u00e0 ignor\u00e2ncia, convertendo algu\u00e9m at\u00e9 ent\u00e3o apaixonado por outro (ou por si mesmo) em um amante da pr\u00f3pria an\u00e1lise\u201d.<\/p>\n<\/div><\/div><span class=\"awb-triangle\"><\/span><\/blockquote><div class=\"author\"><span class=\"company-name\"><strong>Marcus Andr\u00e9 Vieira<\/strong><span>, <\/span><span>A Paix\u00e3o.Rio de Janeiro.  Zahar.  2012. P.23<\/span><\/span><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-3 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1352px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-2 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-title title fusion-title-2 fusion-sep-none fusion-title-text fusion-title-size-one\" style=\"--awb-margin-bottom:0px;\"><h1 class=\"fusion-title-heading title-heading-left fusion-responsive-typography-calculated\" style=\"margin:0;--fontSize:80;line-height:1.2;\">BIBLIOGRAF\u00cdA<\/h1><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-4 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1352px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-3 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><ul style=\"--awb-line-height:28.9px;--awb-icon-width:28.9px;--awb-icon-height:28.9px;--awb-icon-margin:11.9px;--awb-content-margin:40.8px;--awb-circlecolor:#ff8700;--awb-circle-yes-font-size:14.96px;\" class=\"fusion-checklist fusion-checklist-1 fusion-checklist-default type-icons\"><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-yes\"><i class=\"fusion-li-icon fa-book fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p>Gayard,S. Pai-vers\u00f5es. Scilicet &#8211; O Corpo Falante. Rio de Janeiro. \u00a0EBP.2016.<\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-yes\"><i class=\"fusion-li-icon fa-book fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p>Holk, AL. O Feminino de Ningu\u00e9m. <em>Correio \u2013 Revista da Escola Brasileira de Psican\u00e1lise.<\/em> S\u00e3o Paulo. EBP, n. 83, abril 2020.<\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-yes\"><i class=\"fusion-li-icon fa-book fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p style=\"text-align: justify;\">Lacan, J. Semin\u00e1rio 20, <em>&#8230; mais ainda<\/em>. Rio de Janeiro.Jorge Zahar Editor. 1982.<\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-yes\"><i class=\"fusion-li-icon fa-book fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p>Miller, J-A. Logicas de la vida amorosa. El amor entre repetici\u00f3n e invenci\u00f3n. Conferencias Porte\u00f1as tomo II. Buenos Aires. Paid\u00f3s. 2010.<\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-yes\"><i class=\"fusion-li-icon fa-book fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p>Miller, J-A. Uma partilha sexual. Op\u00e7\u00e3o Lacaniana online nova s\u00e9rie n. 20. 2016.<\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-yes\"><i class=\"fusion-li-icon fa-book fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p>Miller, J-A. Uma partilha sexual. Op\u00e7\u00e3o Lacaniana online nova s\u00e9rie n.20. 2016.<\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-yes\"><i class=\"fusion-li-icon fa-book fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p>Miller, J-A. El partenaire-s\u00edntoma. Buenos Aires. Paid\u00f3s. 2008.<\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-yes\"><i class=\"fusion-li-icon fa-book fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p>Miller, J-A. Los divinos detalles. Buenos Aires. Paid\u00f3s. 2010.<\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-yes\"><i class=\"fusion-li-icon fa-book fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p>Teixeira,A. O casamento do obsessivo com a hist\u00e9rica. <em>Correio \u2013 Revista da Escola Brasileira de Psican\u00e1lise.<\/em> S\u00e3o Paulo. EBP, n. 56. 2006.<\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-yes\"><i class=\"fusion-li-icon fa-book fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p>Vieira, M. Restos.Rio de Janeiro. \u00a0Contra Capa. 2008.<\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-yes\"><i class=\"fusion-li-icon fa-book fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p>Vieira, M. A Paix\u00e3o. Rio de Janeiro. Zahar. 2012.<\/p>\n<\/div><\/li><\/ul><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":906,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"_links":{"self":[{"href":"https:\/\/enapol.com\/x\/wp-json\/wp\/v2\/pages\/1821"}],"collection":[{"href":"https:\/\/enapol.com\/x\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/enapol.com\/x\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/enapol.com\/x\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/enapol.com\/x\/wp-json\/wp\/v2\/comments?post=1821"}],"version-history":[{"count":3,"href":"https:\/\/enapol.com\/x\/wp-json\/wp\/v2\/pages\/1821\/revisions"}],"predecessor-version":[{"id":1824,"href":"https:\/\/enapol.com\/x\/wp-json\/wp\/v2\/pages\/1821\/revisions\/1824"}],"up":[{"embeddable":true,"href":"https:\/\/enapol.com\/x\/wp-json\/wp\/v2\/pages\/906"}],"wp:attachment":[{"href":"https:\/\/enapol.com\/x\/wp-json\/wp\/v2\/media?parent=1821"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}