{"id":3245,"date":"2023-05-05T08:02:15","date_gmt":"2023-05-05T11:02:15","guid":{"rendered":"https:\/\/enapol.com\/xi\/?post_type=avada_portfolio&#038;p=3245"},"modified":"2023-05-14T15:32:29","modified_gmt":"2023-05-14T18:32:29","slug":"ap-bertura-5-2","status":"publish","type":"avada_portfolio","link":"https:\/\/enapol.com\/xi\/pt\/portfolio-items\/ap-bertura-5-2\/","title":{"rendered":"Ap\/bertura #5"},"content":{"rendered":"<p><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container has-pattern-background has-mask-background nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1248px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div style=\"text-align:right;\"><a class=\"fusion-button button-flat fusion-button-default-size button-default fusion-button-default button-1 fusion-button-default-span fusion-button-default-type\" target=\"_blank\" rel=\"noopener noreferrer\" href=\"http:\/\/enapol.com\/xi\/wp-content\/uploads\/2023\/05\/ENAPOL-Apbetura-05-PT.pdf\"><i class=\"fa-download fas button-icon-left\" aria-hidden=\"true\"><\/i><span class=\"fusion-button-text\">PDF<\/span><\/a><\/div><div class=\"fusion-separator fusion-full-width-sep\" style=\"align-self: center;margin-left: auto;margin-right: auto;margin-top:20px;margin-bottom:20px;width:100%;\"><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-2 fusion-flex-container has-pattern-background has-mask-background nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-margin-top:40px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1248px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-1 fusion_builder_column_1_3 1_3 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:33.333333333333%;--awb-margin-top-large:0px;--awb-spacing-right-large:5.76%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:5.76%;--awb-width-medium:33.333333333333%;--awb-order-medium:0;--awb-spacing-right-medium:5.76%;--awb-spacing-left-medium:5.76%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-image-element \" style=\"--awb-caption-title-font-family:var(--h2_typography-font-family);--awb-caption-title-font-weight:var(--h2_typography-font-weight);--awb-caption-title-font-style:var(--h2_typography-font-style);--awb-caption-title-size:var(--h2_typography-font-size);--awb-caption-title-transform:var(--h2_typography-text-transform);--awb-caption-title-line-height:var(--h2_typography-line-height);--awb-caption-title-letter-spacing:var(--h2_typography-letter-spacing);\"><span class=\" fusion-imageframe imageframe-none imageframe-1 hover-type-none\"><img decoding=\"async\" width=\"1645\" height=\"1355\" title=\"R\u00fabrica 1 &#8211; N\u00ba 5 (Transferencia)\" src=\"http:\/\/enapol.com\/xi\/wp-content\/uploads\/2023\/05\/Rubrica-1-No-5-Transferencia.jpg\" alt class=\"img-responsive wp-image-3239\" srcset=\"https:\/\/enapol.com\/xi\/wp-content\/uploads\/2023\/05\/Rubrica-1-No-5-Transferencia-200x165.jpg 200w, https:\/\/enapol.com\/xi\/wp-content\/uploads\/2023\/05\/Rubrica-1-No-5-Transferencia-400x329.jpg 400w, https:\/\/enapol.com\/xi\/wp-content\/uploads\/2023\/05\/Rubrica-1-No-5-Transferencia-600x494.jpg 600w, https:\/\/enapol.com\/xi\/wp-content\/uploads\/2023\/05\/Rubrica-1-No-5-Transferencia-800x659.jpg 800w, https:\/\/enapol.com\/xi\/wp-content\/uploads\/2023\/05\/Rubrica-1-No-5-Transferencia-1200x988.jpg 1200w, https:\/\/enapol.com\/xi\/wp-content\/uploads\/2023\/05\/Rubrica-1-No-5-Transferencia.jpg 1645w\" sizes=\"(max-width: 640px) 100vw, 400px\" \/><\/span><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-2 fusion_builder_column_2_3 2_3 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:66.666666666667%;--awb-margin-top-large:0px;--awb-spacing-right-large:2.88%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:2.88%;--awb-width-medium:66.666666666667%;--awb-order-medium:0;--awb-spacing-right-medium:2.88%;--awb-spacing-left-medium:2.88%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-title title fusion-title-1 fusion-sep-none fusion-title-text fusion-title-size-one\" style=\"--awb-text-color:var(--awb-custom_color_1);--awb-font-size:18px;\"><h1 class=\"fusion-title-heading title-heading-left\" style=\"font-family:&quot;Public Sans&quot;;font-style:normal;font-weight:500;margin:0;font-size:1em;\">RUBRICA 1<\/h1><\/div><div class=\"fusion-title title fusion-title-2 fusion-sep-none fusion-title-text fusion-title-size-one\" style=\"--awb-text-color:var(--awb-custom_color_1);--awb-font-size:22px;\"><h1 class=\"fusion-title-heading title-heading-left\" style=\"font-family:&quot;Public Sans&quot;;font-style:normal;font-weight:800;margin:0;font-size:1em;\">TRANSFER\u00caNCIA<\/h1><\/div><div class=\"fusion-text fusion-text-1\"><p style=\"text-align: justify;\"><strong>Come\u00e7ar a se analisar &#8211; A transfer\u00eancia<\/strong><\/p>\n<p style=\"text-align: right;\">Jos\u00e9 Fernando Vel\u00e1squez &#8211; NEL<em>cf<\/em><\/p>\n<p style=\"text-align: justify;\">A transfer\u00eancia n\u00e3o se apoia somente no deciframento de sentido pelo fato de colocar em jogo a vontade de gozo sobre aquele a quem algu\u00e9m se dirige[1]. O substrato transferencial \u00e9 a libido em dire\u00e7\u00e3o ao saber freudiano referido \u00e0 ordem do Pai. A psican\u00e1lise lacaniana, contudo, ir\u00e1 ressaltar o gozo da Coisa que perdura apesar do trabalho do sujeito em se assumir e se encaixar no Outro ou fazer o outro se encaixar. A puls\u00e3o sob transfer\u00eancia desdiz a suposta linearidade, intencionalidade e adequa\u00e7\u00e3o entre o sujeito e o analista. A libido lacaniana[2] que \u00e9 a \u201cderiva\u201d do sujeito na dimens\u00e3o real, pulsional, tamb\u00e9m se far\u00e1 presente sob transfer\u00eancia. A tarefa do analista est\u00e1 compelida por esses outros tipos de gozos. A extimidade do pulsional sob transfer\u00eancia \u00e9 outra presen\u00e7a, diferente daquela da significa\u00e7\u00e3o do falo, \u00e0 qual o analista deve estar atento, n\u00e3o como receptor de sentido, mas como superf\u00edcie de inscri\u00e7\u00e3o.<\/p>\n<p style=\"text-align: justify;\">\u00c9 uma quest\u00e3o das pe\u00e7as na dimens\u00e3o real \u2013o objeto, a imagem e o S<sub>1<\/sub> sozinho\u2013, fazer dizer para al\u00e9m do inconsciente transferencial, por se tratar dos gozos ancorados em pe\u00e7as que recha\u00e7am a <em>aufhebung<\/em> significante[3]. Isso que fala n\u00e3o \u00e9 traduz\u00edvel porque \u00e9 \u201cexterior \u00e0 m\u00e1quina significante que produz sentido\u201d[4]. \u201cIsso fala\u201d[5] no seu mon\u00f3logo de gozo sujo, sem o Outro, pois nesse n\u00edvel n\u00e3o h\u00e1 metalinguagem, n\u00e3o h\u00e1 rela\u00e7\u00e3o <em>linguageira<\/em> com o outro. Isso, que fala como fuga de sentido, ocorre de modo contingente[6], surpreende e \u00e9 cifr\u00e1vel como um tra\u00e7o que bordeia um furo onde o Nome do Pai fracassa, que se l\u00ea como letra, significante sem significado, imagem sem ideal, gozo do objeto sem sentido. Esses gozos n\u00e3o s\u00e3o separ\u00e1veis do ser porque s\u00e3o o que o constituem como Um.<\/p>\n<p style=\"text-align: justify;\">Inscrevemos o sujeito na regra da associa\u00e7\u00e3o livre para fazer surgir, sob transfer\u00eancia, o inconsciente real que aparece como acontecimento ou trope\u00e7o, com uma temporalidade puls\u00e1til de abertura e fechamento[7]. O ato falho, o chiste, o sonho s\u00e3o express\u00f5es da <em>une-b\u00e9vue<\/em>, a \u201cUma equivoca\u00e7\u00e3o\u201d, uma microunidade[8] do psiquismo que se imp\u00f5e como soldagem ou fixa\u00e7\u00e3o:<\/p>\n<ul style=\"text-align: justify;\">\n<li>Como um significante S<sub>1<\/sub> que se localiza separado do saber que \u00e9 efeito da adi\u00e7\u00e3o do S<sub>2<\/sub> ao S<sub>1<\/sub>, mas que d\u00e1 a unidade ao sentir e ao gozar do corpo.<\/li>\n<li>Como um real pulsional que singulariza e anula o Outro do sentido. \u201cO objeto pulsional que responde ao princ\u00edpio do prazer, em um momento dado, se transforma em algo que vai muito al\u00e9m\u201d[9].<\/li>\n<li>Como imagem real que estava recoberta sob o abrigo da fantasia.<\/li>\n<\/ul>\n<p style=\"text-align: justify;\">Algo disso que se desprende como acontecimento, se enoda ao analista, que o capta e faz essa pe\u00e7a ressoar, produzindo, assim, uma vacila\u00e7\u00e3o fantasm\u00e1tica que perturba a f\u00f3rmula do sujeito com o objeto. \u00c9 desse modo que a transfer\u00eancia se reorienta rumo \u00e0 experi\u00eancia do real, ao gozo que n\u00e3o se coletiviza. O analista pode presentific\u00e1-lo para que o analisante o perceba e se reconhe\u00e7a nisso \u201cque sabe\u201d de forma impessoal[10]. Os recursos s\u00e3o o corte, o equ\u00edvoco ou um ato que o produza.<\/p>\n<p style=\"text-align: justify;\">Tradu\u00e7\u00e3o: Bruna Guaran\u00e1.<br \/>\nRevis\u00e3o: Paola Salinas e Renata Martinez.<\/p>\n<hr \/>\n<p style=\"text-align: justify;\">[1] Laurent, E., \u201c<em>Princ\u00edpios<\/em> diretores do <em>ato anal\u00edtico<\/em>\u201d, <em>Sociedade do sintoma<\/em>, Rio de Janeiro, contracapa, 2007.<\/p>\n<p style=\"text-align: justify;\">[2] Zaidel, R., \u201cPunto Vivo\u201d do Semin\u00e1rio do Campo Freudiano de Barcelona, abril de 2013. Resenha da apresenta\u00e7\u00e3o de Jean-Louis Gault sobre o escrito de Lacan \u201cPosi\u00e7\u00e3o do inconsciente\u201d, no SCFB de abril de 2013. Dispon\u00edvel online em: <a href=\"https:\/\/www.scb-icf.net\/nodus\/contingut\/article.php?art=487&amp;rev=59&amp;pub=0\">https:\/\/www.scb-icf.net\/nodus\/contingut\/article.php?art=487&amp;rev=59&amp;pub=0<\/a><\/p>\n<p style=\"text-align: justify;\">[3] Miller, J.-A., \u201cIntrodu\u00e7\u00e3o \u00e0 leitura do Semin\u00e1rio da <em>Ang\u00fastia<\/em> de Jacques Lacan\u201d, <em>Op\u00e7\u00e3o Lacaniana<\/em> n\u00ba 43, maio\/2005, partes I e II.<\/p>\n<p style=\"text-align: justify;\">[4] Miller, J.-A., \u201cO inconsciente real\u201d, <em>Op\u00e7\u00e3o Lacaniana Online<\/em> n\u00ba 4, primeira li\u00e7\u00e3o do Curso de orienta\u00e7\u00e3o lacaniana III, 9 (2006-2007).<\/p>\n<p style=\"text-align: justify;\">[5] Lacan, J., \u201cRumo a um significante novo\u201d, <em>Op\u00e7\u00e3o Lacaniana n\u00ba 22<\/em>, S\u00e3o Paulo, Eolia, ago. 1998, p. 10.<\/p>\n<p style=\"text-align: justify;\">[6] Miller, J.-A., \u201c[&#8230;] nem acordo nem harmonia, nenhuma programa\u00e7\u00e3o, nada preestabelecido: tudo fica entregue ao acaso, ao que se chama, em l\u00f3gica modal, a conting\u00eancia.\u201d, <em>Semin\u00e1rio 19, &#8230;ou pior<\/em>, Rio de Janeiro, Jorge Zahar, 2012, contracapa.<\/p>\n<p style=\"text-align: justify;\">[7] Lacan, J., (1964) <em>Semin\u00e1rio 11, Os quatro conceitos fundamentais da psican\u00e1lise<\/em>, Rio de Janeiro, Jorge Zahar, 1985. p. 30.<\/p>\n<p style=\"text-align: justify;\">[8] Miller, J.-A., (2006-2007) <em>El<\/em> ultim\u00edsimo<em> Lacan<\/em>, Buenos Aires, Paid\u00f3s, 2013, p. 253.<\/p>\n<p style=\"text-align: justify;\">[9] Laurent, E., \u201cLos objetos <em>a<\/em>\u201d, Confer\u00eancia na Biblioteca Nacional, Parte II, Buenos Aires, 2007. Recuperado em: <a href=\"http:\/\/psicoanalisislacaniano.blogspot.com\/2007\/07\/los-objetos-eric-laurent-en-la.html%2010\">http:\/\/psicoanalisislacaniano.blogspot.com\/2007\/07\/los-objetos-eric-laurent-en-la.html 10<\/a><\/p>\n<p style=\"text-align: justify;\">[10] Miller, J.-A., \u201cO inconsciente real\u201d, <em>Op\u00e7\u00e3o Lacaniana online<\/em> n\u00ba 4, primeira li\u00e7\u00e3o do Curso de orienta\u00e7\u00e3o lacaniana III, 9 (2006-2007).<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-3 fusion-flex-container has-pattern-background has-mask-background nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-margin-top:40px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1248px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-3 fusion_builder_column_1_3 1_3 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:33.333333333333%;--awb-margin-top-large:0px;--awb-spacing-right-large:5.76%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:5.76%;--awb-width-medium:33.333333333333%;--awb-order-medium:0;--awb-spacing-right-medium:5.76%;--awb-spacing-left-medium:5.76%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-image-element \" style=\"--awb-caption-title-font-family:var(--h2_typography-font-family);--awb-caption-title-font-weight:var(--h2_typography-font-weight);--awb-caption-title-font-style:var(--h2_typography-font-style);--awb-caption-title-size:var(--h2_typography-font-size);--awb-caption-title-transform:var(--h2_typography-text-transform);--awb-caption-title-line-height:var(--h2_typography-line-height);--awb-caption-title-letter-spacing:var(--h2_typography-letter-spacing);\"><span class=\" fusion-imageframe imageframe-none imageframe-2 hover-type-none\"><img decoding=\"async\" width=\"2004\" height=\"1399\" title=\"R\u00fabrica 2 &#8211; N\u00ba 5 (Tiempo)\" src=\"http:\/\/enapol.com\/xi\/wp-content\/uploads\/2023\/05\/Rubrica-2-No-5-Tiempo.jpg\" alt class=\"img-responsive wp-image-3240\" srcset=\"https:\/\/enapol.com\/xi\/wp-content\/uploads\/2023\/05\/Rubrica-2-No-5-Tiempo-200x140.jpg 200w, https:\/\/enapol.com\/xi\/wp-content\/uploads\/2023\/05\/Rubrica-2-No-5-Tiempo-400x279.jpg 400w, https:\/\/enapol.com\/xi\/wp-content\/uploads\/2023\/05\/Rubrica-2-No-5-Tiempo-600x419.jpg 600w, https:\/\/enapol.com\/xi\/wp-content\/uploads\/2023\/05\/Rubrica-2-No-5-Tiempo-800x558.jpg 800w, https:\/\/enapol.com\/xi\/wp-content\/uploads\/2023\/05\/Rubrica-2-No-5-Tiempo-1200x838.jpg 1200w, https:\/\/enapol.com\/xi\/wp-content\/uploads\/2023\/05\/Rubrica-2-No-5-Tiempo.jpg 2004w\" sizes=\"(max-width: 640px) 100vw, 400px\" \/><\/span><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-4 fusion_builder_column_2_3 2_3 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:66.666666666667%;--awb-margin-top-large:0px;--awb-spacing-right-large:2.88%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:2.88%;--awb-width-medium:66.666666666667%;--awb-order-medium:0;--awb-spacing-right-medium:2.88%;--awb-spacing-left-medium:2.88%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-title title fusion-title-3 fusion-sep-none fusion-title-text fusion-title-size-one\" style=\"--awb-text-color:var(--awb-custom_color_1);--awb-font-size:18px;\"><h1 class=\"fusion-title-heading title-heading-left\" style=\"font-family:&quot;Public Sans&quot;;font-style:normal;font-weight:500;margin:0;font-size:1em;\">RUBRICA 2<\/h1><\/div><div class=\"fusion-title title fusion-title-4 fusion-sep-none fusion-title-text fusion-title-size-one\" style=\"--awb-text-color:var(--awb-custom_color_1);--awb-font-size:22px;\"><h1 class=\"fusion-title-heading title-heading-left\" style=\"font-family:&quot;Public Sans&quot;;font-style:normal;font-weight:800;margin:0;font-size:1em;\">TEMPO\/TEMPORALIDADE<\/h1><\/div><div class=\"fusion-text fusion-text-2\"><p style=\"text-align: justify;\"><strong>\u201cAnalisar-se\u201d: uma temporalidade singular<\/strong><\/p>\n<p style=\"text-align: right;\">Andrea V. Zelaya &#8211; EOL<\/p>\n<p style=\"text-align: justify;\">O tema do XI ENAPOL \u00e9 uma aposta da orienta\u00e7\u00e3o lacaniana, lida e interpretada por J.-A. Miller e nos torna respons\u00e1veis por elucidar como \u201co elemento-tempo \u00e9 uma dimens\u00e3o constitutiva da ordem da palavra\u201d<sup>[1]<\/sup>, na qual se situa o valor desta como motor da transfer\u00eancia nas coordenadas do come\u00e7o e do percurso de uma an\u00e1lise.<\/p>\n<p style=\"text-align: justify;\">Ir ao consult\u00f3rio de um analista, deslocar-se at\u00e9 l\u00e1, repetir essa sequ\u00eancia, associar livremente ao ser perme\u00e1vel ao convite do dispositivo, fazer um trabalho significante, querer deixar para tr\u00e1s o sofrimento, n\u00e3o s\u00e3o os \u00fanicos princ\u00edpios atrav\u00e9s dos quais se atravessa uma experi\u00eancia anal\u00edtica.<\/p>\n<p style=\"text-align: justify;\">O reflexivo do t\u00edtulo: \u201cse analisar\u201d implica tamb\u00e9m um consentimento que, ao chegar o momento, implicar\u00e1 atravessar a fantasia como modo de responder ao programa pulsional.<\/p>\n<p style=\"text-align: justify;\">Trata-se de assumir e levar em conta, tal como Lacan enunciou, \u201centre os componentes prim\u00e1rios da transfer\u00eancia &#8211; a ignor\u00e2ncia enquanto paix\u00e3o. [\u2026]. Nenhuma entrada poss\u00edvel na an\u00e1lise sem essa refer\u00eancia &#8211; n\u00e3o se diz isso nunca, n\u00e3o se pensa nisso nunca, quando ela \u00e9 fundamental\u201d<sup>[2]<\/sup>.<\/p>\n<p style=\"text-align: justify;\"><strong>Efeitos de uma supervis\u00e3o<\/strong><\/p>\n<p style=\"text-align: justify;\">Um sujeito, depois de anos de trabalho anal\u00edtico, consegue isolar um significante, \u201cclausura\u201d, que emerge pela interpreta\u00e7\u00e3o do analista.<\/p>\n<p style=\"text-align: justify;\">A partir da\u00ed, reordenam-se e chamam a aten\u00e7\u00e3o os deciframentos e significa\u00e7\u00f5es daquilo que teceu sua vida, outorga-lhe valor de trauma inaugural e elucida o campo pulsional implicado em seu sintoma. \u00c9 indubit\u00e1vel para o analisante que h\u00e1 outro modo de saber ler e renova sua disponibilidade a \u201cse analisar\u201d pela abertura de uma via contingente e por vir.<\/p>\n<p style=\"text-align: justify;\">Trata-se de ler o que j\u00e1 estava l\u00e1, por\u00e9m de outra maneira para que a aliena\u00e7\u00e3o \u00e0 devasta\u00e7\u00e3o materna n\u00e3o enclausure seu corpo. Houve um novo come\u00e7o. \u00c9 poss\u00edvel estar muito tempo em an\u00e1lise e tamb\u00e9m recome\u00e7\u00e1-la.<\/p>\n<p style=\"text-align: justify;\">Localiza-se o in\u00edcio de um momento diferente do trajeto da an\u00e1lise, iniciado pela surpresa que precipitou esta experi\u00eancia.<\/p>\n<p style=\"text-align: justify;\">No XI ENAPOL, teremos a oportunidade de debater e nos perguntar sobre o que implica come\u00e7ar a se analisar na rela\u00e7\u00e3o que cada sujeito tem com a causa de seu sofrimento, em suas condi\u00e7\u00f5es pulsionais, assim como tamb\u00e9m em sua rela\u00e7\u00e3o com a causa anal\u00edtica, com a pr\u00e1tica dos analistas em sua pr\u00f3pria experi\u00eancia de analisantes na Escola.<\/p>\n<p style=\"text-align: justify;\">Tradu\u00e7\u00e3o: Daniela Nunes Araujo.<br \/>\nRevis\u00e3o: Ruth Jeunon.<\/p>\n<hr \/>\n<p style=\"text-align: justify;\"><sup>[1]<\/sup> Lacan, J., (1953-1954) <em>O semin\u00e1rio, livro 1, Os escritos t\u00e9cnicos de Freud<\/em>, cap\u00edtulo XIX: \u201cA fun\u00e7\u00e3o criativa da palavra\u201d, Rio de Janeiro, Jorge Zahar Editor, 2009, p. 316.<\/p>\n<p style=\"text-align: justify;\"><sup>[2]<\/sup> <em>Ib\u00edd.<\/em>, p. 353.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-4 fusion-flex-container has-pattern-background has-mask-background nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-margin-top:40px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1248px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-5 fusion_builder_column_1_3 1_3 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:33.333333333333%;--awb-margin-top-large:0px;--awb-spacing-right-large:5.76%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:5.76%;--awb-width-medium:33.333333333333%;--awb-order-medium:0;--awb-spacing-right-medium:5.76%;--awb-spacing-left-medium:5.76%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-image-element \" style=\"--awb-caption-title-font-family:var(--h2_typography-font-family);--awb-caption-title-font-weight:var(--h2_typography-font-weight);--awb-caption-title-font-style:var(--h2_typography-font-style);--awb-caption-title-size:var(--h2_typography-font-size);--awb-caption-title-transform:var(--h2_typography-text-transform);--awb-caption-title-line-height:var(--h2_typography-line-height);--awb-caption-title-letter-spacing:var(--h2_typography-letter-spacing);\"><span class=\" fusion-imageframe imageframe-none imageframe-3 hover-type-none\"><img decoding=\"async\" width=\"800\" height=\"640\" title=\"Milk Run\" src=\"http:\/\/enapol.com\/xi\/wp-content\/uploads\/2023\/05\/Rubrica-3-No-5-Sintoma.jpg\" alt class=\"img-responsive wp-image-3241\" srcset=\"https:\/\/enapol.com\/xi\/wp-content\/uploads\/2023\/05\/Rubrica-3-No-5-Sintoma-200x160.jpg 200w, https:\/\/enapol.com\/xi\/wp-content\/uploads\/2023\/05\/Rubrica-3-No-5-Sintoma-400x320.jpg 400w, https:\/\/enapol.com\/xi\/wp-content\/uploads\/2023\/05\/Rubrica-3-No-5-Sintoma-600x480.jpg 600w, https:\/\/enapol.com\/xi\/wp-content\/uploads\/2023\/05\/Rubrica-3-No-5-Sintoma.jpg 800w\" sizes=\"(max-width: 640px) 100vw, 400px\" \/><\/span><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-6 fusion_builder_column_2_3 2_3 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:66.666666666667%;--awb-margin-top-large:0px;--awb-spacing-right-large:2.88%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:2.88%;--awb-width-medium:66.666666666667%;--awb-order-medium:0;--awb-spacing-right-medium:2.88%;--awb-spacing-left-medium:2.88%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-title title fusion-title-5 fusion-sep-none fusion-title-text fusion-title-size-one\" style=\"--awb-text-color:var(--awb-custom_color_1);--awb-font-size:18px;\"><h1 class=\"fusion-title-heading title-heading-left\" style=\"font-family:&quot;Public Sans&quot;;font-style:normal;font-weight:500;margin:0;font-size:1em;\">RUBRICA 3<\/h1><\/div><div class=\"fusion-title title fusion-title-6 fusion-sep-none fusion-title-text fusion-title-size-one\" style=\"--awb-text-color:var(--awb-custom_color_1);--awb-font-size:22px;\"><h1 class=\"fusion-title-heading title-heading-left\" style=\"font-family:&quot;Public Sans&quot;;font-style:normal;font-weight:800;margin:0;font-size:1em;\">PERSPECTIVA DO SINTOMA<\/h1><\/div><div class=\"fusion-text fusion-text-3\"><p style=\"text-align: justify;\"><strong>Ser nada para o outro<\/strong><\/p>\n<p style=\"text-align: right;\">Louise Lhullier &#8211; EBP<\/p>\n<p style=\"text-align: justify;\">A pandemia e seus efeitos vieram potencializar as profundas mudan\u00e7as observadas na ordem simb\u00f3lica, no campo do imagin\u00e1rio e no registro do real que fizeram emergir um mundo novo nesse s\u00e9culo XXI, criando novos impasses na civiliza\u00e7\u00e3o e incidindo sobre a pr\u00e1tica da psican\u00e1lise. Ap\u00f3s o <em>aggiornamento <\/em>promovido por iniciativas tais como o programa de pesquisa sobre as psicoses ordin\u00e1rias introduzido por Miller na d\u00e9cada de 1990, pelos Congressos da AMP em 2012, 2014 e 2016[1], somos convocados, mais uma vez, a atualizar nossa pr\u00e1xis.<\/p>\n<p style=\"text-align: justify;\">O Argumento do XI ENAPOL interroga sobre as mudan\u00e7as no in\u00edcio das an\u00e1lises, \u201cnos \u00faltimos anos\u201d, apontando algo que se constata facilmente: os sujeitos que nos procuram, hoje, s\u00e3o diferentes daqueles da \u00e9poca de Freud ou mesmo de Lacan. Que diferen\u00e7as s\u00e3o essas?<\/p>\n<p style=\"text-align: justify;\">Penso que, como afirmou Brousse, \u201ccom a fragmenta\u00e7\u00e3o, a evapora\u00e7\u00e3o, o fr\u00e1gil que se tornou a inst\u00e2ncia da autoridade simb\u00f3lica [&#8230;] estamos todos na ordem da psicose\u201d<sup>[2]<\/sup>. Nessa perspectiva, a organiza\u00e7\u00e3o psic\u00f3tica seria o \u201cnovo normal\u201d, j\u00e1 que estamos \u201ctodos loucos\u201d, pois o Nome do Pai perdeu seu valor na ordem simb\u00f3lica e os m\u00faltiplos predicados que funcionam \u201ccomo se\u201d<sup>[3]<\/sup> n\u00e3o cumprem a fun\u00e7\u00e3o de amarra\u00e7\u00e3o dos tr\u00eas registros \u2013real, simb\u00f3lico e imagin\u00e1rio\u2013 da mesma forma. Podem funcionar at\u00e9 muito bem neste novo mundo, mas n\u00e3o como o Nome do Pai, nome pr\u00f3prio, singular.<\/p>\n<p style=\"text-align: justify;\">Bassols<sup>[4]<\/sup> tamb\u00e9m tratou da queda da autoridade simb\u00f3lica e de seus efeitos sobre a civiliza\u00e7\u00e3o em uma confer\u00eancia recente. Ele cita Koj\u00e8ve ao relacionar a degrada\u00e7\u00e3o da autoridade com a ascens\u00e3o do autoritarismo e da servid\u00e3o volunt\u00e1ria que o viabiliza. Os sujeitos contempor\u00e2neos j\u00e1 n\u00e3o reconhecem a autoridade, inclusive a epist\u00eamica, e a informa\u00e7\u00e3o se sobrep\u00f5e ao saber. Consequentemente, a suposi\u00e7\u00e3o de um saber no analista j\u00e1 n\u00e3o tem o mesmo valor como suporte da transfer\u00eancia.<\/p>\n<p style=\"text-align: justify;\">\u201cEu era nada para ele\u201d. Foi assim que uma analista respondeu \u00e0 pergunta que lhe dirigiu uma colega de cartel sobre a transfer\u00eancia no per\u00edodo anterior \u00e0 entrada em an\u00e1lise de um sujeito que, durante muitos meses, pouco falava, nada associava e chorava muito. Durante esse tempo que se alongava, a analista suportou o lugar de <em>nada<\/em> e aguardou, renunciando ao exerc\u00edcio de um poder[5], e a tentar ser algu\u00e9m para esse sujeito. Assim, uma an\u00e1lise p\u00f4de se desencadear. Me parece que este exemplo ilustra bem o que Bassols aponta como uma nova forma de autoridade, pr\u00f3pria do discurso anal\u00edtico, relacionada ao autorizar-se[6] e orientadora quanto \u00e0 posi\u00e7\u00e3o do analista, desde o primeiro encontro, inclusive nestes tempos de \u201ctodos loucos\u201d: ser nada para o outro e falar com a voz de ningu\u00e9m[7].<\/p>\n<hr \/>\n<p style=\"text-align: justify;\">[1] Miller, J.-A., \u201cUm real para o s\u00e9culo XXI\u201d, Apresenta\u00e7\u00e3o do tema do IX Congresso da AMP, Dispon\u00edvel em: <a href=\"https:\/\/www.congresamp2014.com\/pt\/template.php?file=Textos\/Presentation-du-theme_Jacques-Alain-Miller.html\">https:\/\/www.congresamp2014.com\/pt\/template.php?file=Textos\/Presentation-du-theme_Jacques-Alain-Miller.html<\/a>. \u00daltimo acesso em 8\/4\/2023.<\/p>\n<p style=\"text-align: justify;\">[2] Brousse, M.-H., \u201cMalestar en la cultura em el siglo XXI; los Unos-solos y la orienta\u00e7\u00e3o contempor\u00e2nea por la dimensi\u00f3n de lo posible\u201d, Confer\u00eancia ministrada em 26 de nov. de 2021, Dispon\u00edvel em: <a href=\"https:\/\/www.youtube.com\/watch?v=CuStd0MSh34\">https:\/\/www.youtube.com\/watch?v=CuStd0MSh34<\/a>. \u00daltimo acesso em 05\/04\/2023.<\/p>\n<p style=\"text-align: justify;\">[3] Miller, J.-A., <em>op. cit.<\/em>, pp. 11-12.<\/p>\n<p style=\"text-align: justify;\">[4] Bassols, M., \u201cAutoridad y autoritarismo: la experi\u00eancia de la psicoan\u00e1lisis\u201d, Confer\u00eancia no Semin\u00e1rio del Campo Freudiano da Secci\u00f3n cl\u00ednica de Madrid [NUCEP], publicado em 7 de julho de 2022, Dispon\u00edvel em: <a href=\"https:\/\/www.youtube.com\/watch?v=MrSZJ_psc3o&amp;t=3421s\">https:\/\/www.youtube.com\/watch?v=MrSZJ_psc3o&amp;t=3421s<\/a>. \u00daltimo acesso em 7\/4\/2023.<\/p>\n<p style=\"text-align: justify;\">[5] Lacan. J., \u201cA dire\u00e7\u00e3o do tratamento e os princ\u00edpios do seu poder\u201d, <em>Escritos<\/em>, Rio de Janeiro, Zahar, 1998, p. 592.<\/p>\n<p style=\"text-align: justify;\">[6] Bassols, M., \u201cAutoridad y autoritarismo: la experi\u00eancia de la psicoan\u00e1lisis\u201d, <em>op. cit<\/em>.<\/p>\n<p style=\"text-align: justify;\">[7] Araceli Fuentes traz essa refer\u00eancia a Eric Laurent sobre a voz do analista como a voz de ningu\u00e9m, aos 59\u2019 do v\u00eddeo da confer\u00eancia de Bassols, <em>op. cit<\/em>.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-5 fusion-flex-container has-pattern-background has-mask-background nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1248px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-7 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-title title fusion-title-7 fusion-sep-none fusion-title-center fusion-title-text fusion-title-size-one\" style=\"--awb-text-color:var(--awb-custom_color_1);--awb-font-size:22px;\"><h1 class=\"fusion-title-heading title-heading-center\" style=\"font-family:&quot;Public Sans&quot;;font-style:normal;font-weight:800;margin:0;font-size:1em;\">VARIA\u00c7\u00d5ES<\/h1><\/div><div class=\"fusion-separator fusion-full-width-sep\" style=\"align-self: center;margin-left: auto;margin-right: auto;margin-top:20px;margin-bottom:20px;width:100%;\"><\/div><div class=\"fusion-image-element \" style=\"text-align:center;--awb-caption-title-font-family:var(--h2_typography-font-family);--awb-caption-title-font-weight:var(--h2_typography-font-weight);--awb-caption-title-font-style:var(--h2_typography-font-style);--awb-caption-title-size:var(--h2_typography-font-size);--awb-caption-title-transform:var(--h2_typography-text-transform);--awb-caption-title-line-height:var(--h2_typography-line-height);--awb-caption-title-letter-spacing:var(--h2_typography-letter-spacing);\"><span class=\" fusion-imageframe imageframe-none imageframe-4 hover-type-none\"><img decoding=\"async\" width=\"768\" height=\"552\" title=\"Variaciones N\u00ba 5\" src=\"http:\/\/enapol.com\/xi\/wp-content\/uploads\/2023\/05\/Variaciones-No-5.jpg\" alt class=\"img-responsive wp-image-3242\" srcset=\"https:\/\/enapol.com\/xi\/wp-content\/uploads\/2023\/05\/Variaciones-No-5-200x144.jpg 200w, https:\/\/enapol.com\/xi\/wp-content\/uploads\/2023\/05\/Variaciones-No-5-400x288.jpg 400w, https:\/\/enapol.com\/xi\/wp-content\/uploads\/2023\/05\/Variaciones-No-5-600x431.jpg 600w, https:\/\/enapol.com\/xi\/wp-content\/uploads\/2023\/05\/Variaciones-No-5.jpg 768w\" sizes=\"(max-width: 640px) 100vw, 768px\" \/><\/span><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-6 fusion-flex-container has-pattern-background has-mask-background nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-margin-top:40px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1248px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-8 fusion_builder_column_1_4 1_4 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:25%;--awb-margin-top-large:0px;--awb-spacing-right-large:7.68%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:7.68%;--awb-width-medium:25%;--awb-order-medium:0;--awb-spacing-right-medium:7.68%;--awb-spacing-left-medium:7.68%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-title title fusion-title-8 fusion-sep-none fusion-title-text fusion-title-size-one\" style=\"--awb-text-color:var(--awb-custom_color_2);--awb-font-size:50px;\"><h1 class=\"fusion-title-heading title-heading-left\" style=\"font-family:&quot;Public Sans&quot;;font-style:normal;font-weight:800;margin:0;font-size:1em;\"><p style=\"text-align: right;\">freud<\/p><\/h1><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-9 fusion_builder_column_3_4 3_4 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:75%;--awb-margin-top-large:0px;--awb-spacing-right-large:2.56%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:2.56%;--awb-width-medium:75%;--awb-order-medium:0;--awb-spacing-right-medium:2.56%;--awb-spacing-left-medium:2.56%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-4\"><p>\u201cEsse primeiro relato se compara a um rio n\u00e3o naveg\u00e1vel cujo leito \u00e9 ora bloqueado por massas rochosas, ora dividido entre baixios e bancos de areia\u201d.<\/p>\n<p>Freud, S., (1905 [1901]) \u201cFragmento da an\u00e1lise de um caso de histeria\u201d, <em>Obras completas<\/em>, vol. VII, Rio de Janeiro: Imago, 1996. p. 27<br \/>\n.<\/p>\n<\/div><div class=\"fusion-separator fusion-full-width-sep\" style=\"align-self: center;margin-left: auto;margin-right: auto;margin-top:10px;margin-bottom:10px;width:100%;\"><\/div><div style=\"text-align:left;\"><a class=\"fusion-button button-flat button-small button-default fusion-button-default button-2 fusion-button-default-span fusion-button-default-type\" target=\"_self\" href=\"https:\/\/enapol.com\/xi\/pt\/bibliografia-2\/\"><span class=\"fusion-button-text\">BIBLIOGRAFIA<\/span><\/a><\/div><div class=\"fusion-separator fusion-full-width-sep\" style=\"align-self: center;margin-left: auto;margin-right: auto;margin-top:10px;margin-bottom:10px;width:100%;\"><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-10 fusion_builder_column_3_4 3_4 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:75%;--awb-margin-top-large:0px;--awb-spacing-right-large:2.56%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:2.56%;--awb-width-medium:75%;--awb-order-medium:0;--awb-spacing-right-medium:2.56%;--awb-spacing-left-medium:2.56%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-5\"><p style=\"text-align: right;\">\u201cEntra-se na an\u00e1lise por uma porta enigm\u00e1tica, porque a neurose de transfer\u00eancia est\u00e1 a\u00ed em todo o mundo, mesmo num ser t\u00e3o livre quanto Alcib\u00edades\u201d.<\/p>\n<p style=\"text-align: right;\">Lacan, J., (1962-1963) <em>O semin\u00e1rio, livro 10<\/em>: A angustia, Rio de Janeiro: Zahar, 2005, p. 307.<\/p>\n<\/div><div class=\"fusion-separator fusion-full-width-sep\" style=\"align-self: center;margin-left: auto;margin-right: auto;margin-top:10px;margin-bottom:10px;width:100%;\"><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-11 fusion_builder_column_1_4 1_4 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:25%;--awb-margin-top-large:0px;--awb-spacing-right-large:7.68%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:7.68%;--awb-width-medium:25%;--awb-order-medium:0;--awb-spacing-right-medium:7.68%;--awb-spacing-left-medium:7.68%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-title title fusion-title-9 fusion-sep-none fusion-title-text fusion-title-size-one\" style=\"--awb-text-color:var(--awb-custom_color_2);--awb-font-size:50px;\"><h1 class=\"fusion-title-heading title-heading-left\" style=\"font-family:&quot;Public Sans&quot;;font-style:normal;font-weight:800;margin:0;font-size:1em;\">lacan<\/h1><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-12 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-6\"><p style=\"text-align: justify;\">Tanto a imagem da capa quanto as imagens do interior correspondem a fotografias da obra do artista contempor\u00e2neo americano James Archie Turree. Ele trabalha principalmente com a luz e o espa\u00e7o dentro da corrente da Land Art<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jos\u00e9 Fernando Vel\u00e1squez<br \/><\/br><br \/>\nAndrea V. Zelaya<br \/><\/br><br \/>\nLouise Lhullier<\/p>\n","protected":false},"author":1,"featured_media":3238,"menu_order":33,"comment_status":"open","ping_status":"closed","template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"portfolio_category":[96,155],"portfolio_skills":[],"portfolio_tags":[],"_links":{"self":[{"href":"https:\/\/enapol.com\/xi\/wp-json\/wp\/v2\/avada_portfolio\/3245"}],"collection":[{"href":"https:\/\/enapol.com\/xi\/wp-json\/wp\/v2\/avada_portfolio"}],"about":[{"href":"https:\/\/enapol.com\/xi\/wp-json\/wp\/v2\/types\/avada_portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/enapol.com\/xi\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/enapol.com\/xi\/wp-json\/wp\/v2\/comments?post=3245"}],"version-history":[{"count":4,"href":"https:\/\/enapol.com\/xi\/wp-json\/wp\/v2\/avada_portfolio\/3245\/revisions"}],"predecessor-version":[{"id":3331,"href":"https:\/\/enapol.com\/xi\/wp-json\/wp\/v2\/avada_portfolio\/3245\/revisions\/3331"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/enapol.com\/xi\/wp-json\/wp\/v2\/media\/3238"}],"wp:attachment":[{"href":"https:\/\/enapol.com\/xi\/wp-json\/wp\/v2\/media?parent=3245"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/enapol.com\/xi\/wp-json\/wp\/v2\/portfolio_category?post=3245"},{"taxonomy":"portfolio_skills","embeddable":true,"href":"https:\/\/enapol.com\/xi\/wp-json\/wp\/v2\/portfolio_skills?post=3245"},{"taxonomy":"portfolio_tags","embeddable":true,"href":"https:\/\/enapol.com\/xi\/wp-json\/wp\/v2\/portfolio_tags?post=3245"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}