{"id":3287,"date":"2023-05-19T10:37:20","date_gmt":"2023-05-19T13:37:20","guid":{"rendered":"https:\/\/enapol.com\/xi\/?post_type=avada_portfolio&#038;p=3287"},"modified":"2023-05-21T16:49:32","modified_gmt":"2023-05-21T19:49:32","slug":"ap-bertura-6-2","status":"publish","type":"avada_portfolio","link":"https:\/\/enapol.com\/xi\/pt\/portfolio-items\/ap-bertura-6-2\/","title":{"rendered":"Ap\/bertura #6"},"content":{"rendered":"<p><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container has-pattern-background has-mask-background nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1248px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div style=\"text-align:right;\"><a class=\"fusion-button button-flat fusion-button-default-size button-default fusion-button-default button-1 fusion-button-default-span fusion-button-default-type\" target=\"_blank\" rel=\"noopener noreferrer\" href=\"http:\/\/enapol.com\/xi\/wp-content\/uploads\/2023\/05\/ENAPOL-Apbertura-No-6-PORT.pdf\"><i class=\"fa-download fas button-icon-left\" aria-hidden=\"true\"><\/i><span class=\"fusion-button-text\">PDF<\/span><\/a><\/div><div class=\"fusion-separator fusion-full-width-sep\" style=\"align-self: center;margin-left: auto;margin-right: auto;margin-top:20px;margin-bottom:20px;width:100%;\"><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-2 fusion-flex-container has-pattern-background has-mask-background nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-margin-top:40px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1248px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-1 fusion_builder_column_1_3 1_3 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:33.333333333333%;--awb-margin-top-large:0px;--awb-spacing-right-large:5.76%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:5.76%;--awb-width-medium:33.333333333333%;--awb-order-medium:0;--awb-spacing-right-medium:5.76%;--awb-spacing-left-medium:5.76%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-image-element \" style=\"--awb-caption-title-font-family:var(--h2_typography-font-family);--awb-caption-title-font-weight:var(--h2_typography-font-weight);--awb-caption-title-font-style:var(--h2_typography-font-style);--awb-caption-title-size:var(--h2_typography-font-size);--awb-caption-title-transform:var(--h2_typography-text-transform);--awb-caption-title-line-height:var(--h2_typography-line-height);--awb-caption-title-letter-spacing:var(--h2_typography-letter-spacing);\"><span class=\" fusion-imageframe imageframe-none imageframe-1 hover-type-none\"><img decoding=\"async\" width=\"1984\" height=\"2560\" title=\"R\u00fabrica 1 &#8211; N\u00ba 6 (Transferencia)\" src=\"http:\/\/enapol.com\/xi\/wp-content\/uploads\/2023\/05\/Rubrica-1-No-6-Transferencia-1-scaled.jpg\" alt class=\"img-responsive wp-image-3274\" srcset=\"https:\/\/enapol.com\/xi\/wp-content\/uploads\/2023\/05\/Rubrica-1-No-6-Transferencia-1-200x258.jpg 200w, https:\/\/enapol.com\/xi\/wp-content\/uploads\/2023\/05\/Rubrica-1-No-6-Transferencia-1-400x516.jpg 400w, https:\/\/enapol.com\/xi\/wp-content\/uploads\/2023\/05\/Rubrica-1-No-6-Transferencia-1-600x774.jpg 600w, https:\/\/enapol.com\/xi\/wp-content\/uploads\/2023\/05\/Rubrica-1-No-6-Transferencia-1-800x1032.jpg 800w, https:\/\/enapol.com\/xi\/wp-content\/uploads\/2023\/05\/Rubrica-1-No-6-Transferencia-1-1200x1548.jpg 1200w, https:\/\/enapol.com\/xi\/wp-content\/uploads\/2023\/05\/Rubrica-1-No-6-Transferencia-1-scaled.jpg 1984w\" sizes=\"(max-width: 640px) 100vw, 400px\" \/><\/span><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-2 fusion_builder_column_2_3 2_3 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:66.666666666667%;--awb-margin-top-large:0px;--awb-spacing-right-large:2.88%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:2.88%;--awb-width-medium:66.666666666667%;--awb-order-medium:0;--awb-spacing-right-medium:2.88%;--awb-spacing-left-medium:2.88%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-title title fusion-title-1 fusion-sep-none fusion-title-text fusion-title-size-one\" style=\"--awb-text-color:var(--awb-custom_color_1);--awb-font-size:18px;\"><h1 class=\"fusion-title-heading title-heading-left\" style=\"font-family:&quot;Public Sans&quot;;font-style:normal;font-weight:500;margin:0;font-size:1em;\">RUBRICA 1<\/h1><\/div><div class=\"fusion-title title fusion-title-2 fusion-sep-none fusion-title-text fusion-title-size-one\" style=\"--awb-text-color:var(--awb-custom_color_1);--awb-font-size:22px;\"><h1 class=\"fusion-title-heading title-heading-left\" style=\"font-family:&quot;Public Sans&quot;;font-style:normal;font-weight:800;margin:0;font-size:1em;\">TRANSFER\u00caNCIA<\/h1><\/div><div class=\"fusion-text fusion-text-1\"><p style=\"text-align: right;\">Cristina Mart\u00ednez de Bocca &#8211; EOL<\/p>\n<p style=\"text-align: justify;\"><strong>Estar a\u00ed<\/strong><\/p>\n<p style=\"text-align: justify;\">Os sujeitos procuram um analista hoje? Dentre as m\u00faltiplas pr\u00e1ticas de escuta, os analistas necessitam de uma forma\u00e7\u00e3o para que \u201cestar a\u00ed\u201d seja suficiente.<\/p>\n<p style=\"text-align: justify;\">Os pedidos n\u00e3o veiculam um enigma, certo recha\u00e7o da ordem significante dificulta elaborar uma fic\u00e7\u00e3o a respeito do significante da transfer\u00eancia que os levou demandar uma consulta. \u201cPode ser um acontecimento, uma pessoa, um dito, um fato, um p\u00e1ssaro, um poste\u201d[1], um enigma, um vazio, uma interroga\u00e7\u00e3o. A dificuldade atual em rela\u00e7\u00e3o ao saber que prov\u00e9m do inconsciente, curto-circuita a pergunta sobre a significa\u00e7\u00e3o do sintoma. O saber est\u00e1 relativizado, \u00e9 uma quest\u00e3o de perspectiva, n\u00e3o estamos na \u00e9poca do \u201cPor que n\u00e3o me diz a verdade sobre a verdade?\u201d.<\/p>\n<p style=\"text-align: justify;\">Os \u201cUns sozinhos\u201d reivindicam seu direito aos <em>actings<\/em>, enquanto o mais-de-gozar comanda. Na pr\u00e1tica lacaniana os sintomas \u201cs\u00e3o articulados em significantes, mas isto \u00e9 secund\u00e1rio\u201d[2]. S\u00e3o sintomas-gozo, n\u00e3o mensagens correlativas ao furo, por isso \u00e9 preciso crer no sintoma pra localizar a ang\u00fastia. O pedido n\u00e3o \u00e9 a demanda, nela \u201cexiste o Outro que pode satisfaz\u00ea-la\u201d[3]. Como produzir uma demanda habitada pelo desejo de se analisar?<\/p>\n<p style=\"text-align: justify;\"><strong>Viradas de leme<\/strong><\/p>\n<p style=\"text-align: justify;\">Lacan d\u00e1 um giro com o sujeito suposto saber, piv\u00f4 da transfer\u00eancia, fundada na rela\u00e7\u00e3o do sujeito com o significante, acentuando cren\u00e7a e dizer. Se at\u00e9 ent\u00e3o era preciso aguardar a transfer\u00eancia para interpretar, o cap\u00edtulo XIX do <em>Semin\u00e1rio 11<\/em> nos indica: \u201cDa interpreta\u00e7\u00e3o \u00e0 transfer\u00eancia\u201d.<\/p>\n<p style=\"text-align: justify;\">Nos encontros, o analista deve interpretar para que o significante qualquer seja investido com a mola da transfer\u00eancia: o amor.<\/p>\n<p style=\"text-align: justify;\">Mas no <em>Semin\u00e1rio 11<\/em> o amor \u00e9 engano e fechamento do inconsciente, acentuando o desejo: \u201cpor tr\u00e1s do amor dito de transfer\u00eancia, podemos dizer que o que h\u00e1 \u00e9 afirma\u00e7\u00e3o do la\u00e7o do desejo do analista com o desejo do paciente\u201d[4]. O objeto <em>a<\/em> intrag\u00e1vel, \u201cresta atravessado na garganta do significante\u201d[5] como tamp\u00e3o.<\/p>\n<p style=\"text-align: justify;\">\u00c9 no <em>Semin\u00e1rio 20<\/em> que Lacan pensar\u00e1 o amor no n\u00edvel do programa de gozo, dando-lhe fun\u00e7\u00e3o de media\u00e7\u00e3o entre os Uns sozinhos. Assim, \u00e9 o amor de transfer\u00eancia o suporte do sujeito suposto saber e n\u00e3o o sujeito suposto saber o piv\u00f4 da transfer\u00eancia.[6] Esta invers\u00e3o \u00e9 uma das conseq\u00fc\u00eancias da sa\u00edda do pai, que afetou o sujeito suposto saber.<\/p>\n<p style=\"text-align: justify;\">O que faz existir o inconsciente como saber \u00e9 o amor, e o analista \u00e9 o lugar onde o sujeito procurar\u00e1 o objeto <em>a<\/em>. A aposta das entrevistas preliminares: um analista que interpreta, que corta \u2013 \u00e9 livre em sua t\u00e1tica e em sua inven\u00e7\u00e3o \u2013 para que surja a cren\u00e7a no sintoma quando j\u00e1 n\u00e3o estamos sob a \u00e9gide do pai. A pr\u00e1tica lacaniana distingue-se das outras, leva o \u201cinocente\u201d a constatar que tem um inconsciente pelo fato de falar, e que goza a\u00ed onde se queixa de n\u00e3o gozar. Assim o analista complementa o sintoma que vem do real, \u201cuma concretiza\u00e7\u00e3o libidinal do paciente\u201d[7], a transfer\u00eancia \u00e9 cren\u00e7a num saber leg\u00edvel e o analista-parceiro dos sintomas-gozo correlativos da n\u00e3o rela\u00e7\u00e3o sexual, o que no S\u00e9culo XXI tornou-se evidente.<\/p>\n<p style=\"text-align: justify;\"><strong>Decis\u00e3o<\/strong><\/p>\n<p style=\"text-align: justify;\">A transfer\u00eancia \u201csolda o analisante a qu\u00ea? \u2013 n\u00e3o ao analista, mas ao par analisante-analista\u201d[8] ao qual o sujeito se \u201capega\u201d. Recuperar o objeto funda a \u201cparceria\u201d da transfer\u00eancia via o amor, que possibilita abertura ao Outro, para depois \u201cfazer calar\u201d, se a palavra do analista \u00e9 habitada pelo sil\u00eancio.<\/p>\n<p style=\"text-align: justify;\">Tradu\u00e7\u00e3o: Mariana Zelis.<br \/>\nRevis\u00e3o: Ruskaya Maia.<\/p>\n<hr \/>\n<p style=\"text-align: justify;\">[1] Miller, J.-A., (1993-1994) <em>Donc. La l\u00f3gica de la cura<\/em>, Buenos Aires, Paid\u00f3s, 2011, p. 298.<\/p>\n<p style=\"text-align: justify;\">[2] Miller, J.-A., \u201cUma fantasia\u201d, <em>Op\u00e7\u00e3o Lacaniana<\/em> N\u00ba 42, S\u00e3o Paulo, fev. 2005, p. 17.<\/p>\n<p style=\"text-align: justify;\">[3] Miller, J.-A., (1993-1994) <em>Donc. La l\u00f3gica de la cura<\/em>, <em>op. cit.<\/em>, p. 294.<\/p>\n<p style=\"text-align: justify;\">[4] Lacan, J., (1964) <em>O semin\u00e1rio, livro 11, Os quatro conceitos fundamentais da psican\u00e1lise<\/em>, Rio de Janeiro, Jorge Zahar Editor, 1998, p. 240.<\/p>\n<p style=\"text-align: justify;\">[5] <em>Ibid<\/em>., p 255<\/p>\n<p style=\"text-align: justify;\">[6] Miller, J.-A., \u201cUma fantasia\u201d, <em>op. cit<\/em>., p. 18.<\/p>\n<p style=\"text-align: justify;\">[7] Miller, J.-A., \u201cVisto desde la salida\u201d, <em>C\u00f3mo terminan los an\u00e1lisis. Paradojas del pase<\/em>, Buenos Aires, Grama ediciones, 2022, p. 87.<\/p>\n<p style=\"text-align: justify;\">[8] Lacan, J., (1974) \u201cA Terceira\u201d, <em>Op\u00e7\u00e3o Lacaniana<\/em> N\u00ba 62, S\u00e3o Paulo, dez. 2011, p. 19.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-3 fusion-flex-container has-pattern-background has-mask-background nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-margin-top:40px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1248px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-3 fusion_builder_column_1_3 1_3 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:33.333333333333%;--awb-margin-top-large:0px;--awb-spacing-right-large:5.76%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:5.76%;--awb-width-medium:33.333333333333%;--awb-order-medium:0;--awb-spacing-right-medium:5.76%;--awb-spacing-left-medium:5.76%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-image-element \" style=\"--awb-caption-title-font-family:var(--h2_typography-font-family);--awb-caption-title-font-weight:var(--h2_typography-font-weight);--awb-caption-title-font-style:var(--h2_typography-font-style);--awb-caption-title-size:var(--h2_typography-font-size);--awb-caption-title-transform:var(--h2_typography-text-transform);--awb-caption-title-line-height:var(--h2_typography-line-height);--awb-caption-title-letter-spacing:var(--h2_typography-letter-spacing);\"><span class=\" fusion-imageframe imageframe-none imageframe-2 hover-type-none\"><img decoding=\"async\" width=\"2082\" height=\"2082\" title=\"R\u00fabrica 2 &#8211; N\u00ba 6 (Temporalidad)\" src=\"http:\/\/enapol.com\/xi\/wp-content\/uploads\/2023\/05\/Rubrica-2-No-6-Temporalidad.jpg\" alt class=\"img-responsive wp-image-3270\" srcset=\"https:\/\/enapol.com\/xi\/wp-content\/uploads\/2023\/05\/Rubrica-2-No-6-Temporalidad-200x200.jpg 200w, https:\/\/enapol.com\/xi\/wp-content\/uploads\/2023\/05\/Rubrica-2-No-6-Temporalidad-400x400.jpg 400w, https:\/\/enapol.com\/xi\/wp-content\/uploads\/2023\/05\/Rubrica-2-No-6-Temporalidad-600x600.jpg 600w, https:\/\/enapol.com\/xi\/wp-content\/uploads\/2023\/05\/Rubrica-2-No-6-Temporalidad-800x800.jpg 800w, https:\/\/enapol.com\/xi\/wp-content\/uploads\/2023\/05\/Rubrica-2-No-6-Temporalidad-1200x1200.jpg 1200w, https:\/\/enapol.com\/xi\/wp-content\/uploads\/2023\/05\/Rubrica-2-No-6-Temporalidad.jpg 2082w\" sizes=\"(max-width: 640px) 100vw, 400px\" \/><\/span><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-4 fusion_builder_column_2_3 2_3 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:66.666666666667%;--awb-margin-top-large:0px;--awb-spacing-right-large:2.88%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:2.88%;--awb-width-medium:66.666666666667%;--awb-order-medium:0;--awb-spacing-right-medium:2.88%;--awb-spacing-left-medium:2.88%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-title title fusion-title-3 fusion-sep-none fusion-title-text fusion-title-size-one\" style=\"--awb-text-color:var(--awb-custom_color_1);--awb-font-size:18px;\"><h1 class=\"fusion-title-heading title-heading-left\" style=\"font-family:&quot;Public Sans&quot;;font-style:normal;font-weight:500;margin:0;font-size:1em;\">RUBRICA 2<\/h1><\/div><div class=\"fusion-title title fusion-title-4 fusion-sep-none fusion-title-text fusion-title-size-one\" style=\"--awb-text-color:var(--awb-custom_color_1);--awb-font-size:22px;\"><h1 class=\"fusion-title-heading title-heading-left\" style=\"font-family:&quot;Public Sans&quot;;font-style:normal;font-weight:800;margin:0;font-size:1em;\">TEMPO\/TEMPORALIDADE<\/h1><\/div><div class=\"fusion-text fusion-text-2\"><p style=\"text-align: justify;\"><strong>O instante<\/strong><\/p>\n<p style=\"text-align: right;\">Bernardino Horne &#8211; EBP<\/p>\n<p style=\"text-align: justify;\">A acelera\u00e7\u00e3o temporal, cada vez mais presente em nosso mundo, depende muito de sua estreita rela\u00e7\u00e3o com a puls\u00e3o esc\u00f3pica. A acelera\u00e7\u00e3o temporal desfaz o la\u00e7o ao produzir uma desordem simb\u00f3lica, sustenta C\u00e9lio Garcia<sup>[1]<\/sup>. Dificulta-se o ato.<\/p>\n<p style=\"text-align: justify;\">A rigor, desde seu triunfo, ao elevar o ser humano \u00e0 condi\u00e7\u00e3o de b\u00edpede, a puls\u00e3o esc\u00f3pica toma a dianteira e cria meios para se satisfazer. \u00c9 respons\u00e1vel pelos inventos que permitem enxergar detalhes \u00edntimos do corpo e do universo, bem como a quantidade de informa\u00e7\u00e3o veloz que circula <em>online<\/em>. Como a psican\u00e1lise pode acompanhar estas mudan\u00e7as e se manter como \u201cl\u00e2mina cortante da verdade\u201d?<\/p>\n<p style=\"text-align: justify;\">Lacan abre o debate com a sess\u00e3o \u201ccurta\u201d pautada no tempo l\u00f3gico e n\u00e3o cronol\u00f3gico. O analista assume a responsabilidade na condu\u00e7\u00e3o do tempo e introduz a perspectiva da temporalidade lacaniana: o <em>instante de ver<\/em>, o <em>tempo para compreender<\/em> e o <em>momento de concluir<\/em>. O trabalho de luto \u00e9 um exemplo desta modalidade temporal na cl\u00ednica.<\/p>\n<p style=\"text-align: justify;\">As perguntas continuam. Qual o instante de interromper uma sess\u00e3o ou de iniciar uma an\u00e1lise? \u00c0s vezes, o tempo imp\u00f5e exig\u00eancias e limites. H\u00e1 tempo para cinco sess\u00f5es por semana? O tempo \u00e9 dinheiro? Pode ser uma sess\u00e3o presencial e uma <em>online<\/em>?<\/p>\n<p style=\"text-align: justify;\">Na amplitude do tema, vou focar no <em>instante<\/em>. Ele tem influ\u00eancia na cl\u00ednica do singular e na pr\u00f3pria institui\u00e7\u00e3o Escola. Conecta tempo e espa\u00e7o. Implica partir do Um e, como diz Lacan<sup>[2]<\/sup>, o primeiro passo a dar, se somos analistas, \u00e9 fazer entrar o Um no discurso.<\/p>\n<p style=\"text-align: justify;\">Partir do Um significa partir de um ponto. \u00c9 o campo do Um sozinho. O Um gozo que Plat\u00e3o distingue do ser, diz Lacan. <em>Esaiphnes<\/em>[3]. \u00c9 algo t\u00e3o pequeno que n\u00e3o ocupa espa\u00e7o ou tempo: \u00e9 como o <em>de repente<\/em>, o instante, o s\u00fabito. O acontecimento de corpo e o ato anal\u00edtico efetuam-se no tempo do instante. Marcam um antes e um depois.<\/p>\n<p style=\"text-align: justify;\">No instante do encontro do corpo biol\u00f3gico com o significante nasce a encarna\u00e7\u00e3o, produto de uma opera\u00e7\u00e3o simb\u00f3lica, o existir sem significante. Implica que, simultaneamente, corpo e significante desaparecem como seres para existirem como Gozo Um.<\/p>\n<p style=\"text-align: justify;\">Nas entrevistas preliminares, h\u00e1 um instante no qual se colocam em sintonia e se alinham o Gozo, o Sujeito do discurso e a Leitura do analista. \u00c9 um encontro singular onde a l\u00f3gica se apaga e aparecem o enigma e o desejo de saber, que \u00e9 do analisante. \u00c9 o instante do enganche do gozo opaco do <em>sinthoma<\/em> com o saber como objeto na transfer\u00eancia. Em todo Significante Um, h\u00e1 algo do Um uniano. A cl\u00ednica do <em>sinthoma<\/em>, do Um, do Singular, \u00e9 causa e produto do tempo.<\/p>\n<p style=\"text-align: justify;\">Na Escola, a pol\u00edtica de inclus\u00e3o de jovens implica o reconhecimento de uma realidade temporal na institui\u00e7\u00e3o e uma tentativa de resposta.<\/p>\n<hr \/>\n<p style=\"text-align: justify;\"><sup>[1]<\/sup> Garcia, C., \u201cAcelera\u00e7\u00e3o temporal\u201d, <em>Scilicet: a ordem simb\u00f3lica no s\u00e9culo XXI<\/em>, Textos preparat\u00f3rios para o VII Congresso da Associa\u00e7\u00e3o Mundial de Psican\u00e1lise (AMP), Belo Horizonte, Scriptum Livros, 2011, p. 15.<\/p>\n<p style=\"text-align: justify;\"><sup>[2]<\/sup> Lacan, J., (1971-1972) <em>O semin\u00e1rio, livro 19, \u2026ou pior<\/em>, Rio de Janeiro, Zahar, 2012.<\/p>\n<p style=\"text-align: justify;\">[3] <em>Ibid.<\/em>, p. 131.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-4 fusion-flex-container has-pattern-background has-mask-background nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-margin-top:40px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1248px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-5 fusion_builder_column_1_3 1_3 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:33.333333333333%;--awb-margin-top-large:0px;--awb-spacing-right-large:5.76%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:5.76%;--awb-width-medium:33.333333333333%;--awb-order-medium:0;--awb-spacing-right-medium:5.76%;--awb-spacing-left-medium:5.76%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-image-element \" style=\"--awb-caption-title-font-family:var(--h2_typography-font-family);--awb-caption-title-font-weight:var(--h2_typography-font-weight);--awb-caption-title-font-style:var(--h2_typography-font-style);--awb-caption-title-size:var(--h2_typography-font-size);--awb-caption-title-transform:var(--h2_typography-text-transform);--awb-caption-title-line-height:var(--h2_typography-line-height);--awb-caption-title-letter-spacing:var(--h2_typography-letter-spacing);\"><span class=\" fusion-imageframe imageframe-none imageframe-3 hover-type-none\"><img decoding=\"async\" width=\"1988\" height=\"2560\" title=\"R\u00fabrica 3 &#8211; N\u00ba 6 (S\u00edntoma)\" src=\"http:\/\/enapol.com\/xi\/wp-content\/uploads\/2023\/05\/Rubrica-3-No-6-Sintoma-scaled.jpg\" alt class=\"img-responsive wp-image-3271\" srcset=\"https:\/\/enapol.com\/xi\/wp-content\/uploads\/2023\/05\/Rubrica-3-No-6-Sintoma-200x258.jpg 200w, https:\/\/enapol.com\/xi\/wp-content\/uploads\/2023\/05\/Rubrica-3-No-6-Sintoma-400x515.jpg 400w, https:\/\/enapol.com\/xi\/wp-content\/uploads\/2023\/05\/Rubrica-3-No-6-Sintoma-600x773.jpg 600w, https:\/\/enapol.com\/xi\/wp-content\/uploads\/2023\/05\/Rubrica-3-No-6-Sintoma-800x1030.jpg 800w, https:\/\/enapol.com\/xi\/wp-content\/uploads\/2023\/05\/Rubrica-3-No-6-Sintoma-1200x1546.jpg 1200w, https:\/\/enapol.com\/xi\/wp-content\/uploads\/2023\/05\/Rubrica-3-No-6-Sintoma-scaled.jpg 1988w\" sizes=\"(max-width: 640px) 100vw, 400px\" \/><\/span><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-6 fusion_builder_column_2_3 2_3 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:66.666666666667%;--awb-margin-top-large:0px;--awb-spacing-right-large:2.88%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:2.88%;--awb-width-medium:66.666666666667%;--awb-order-medium:0;--awb-spacing-right-medium:2.88%;--awb-spacing-left-medium:2.88%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-title title fusion-title-5 fusion-sep-none fusion-title-text fusion-title-size-one\" style=\"--awb-text-color:var(--awb-custom_color_1);--awb-font-size:18px;\"><h1 class=\"fusion-title-heading title-heading-left\" style=\"font-family:&quot;Public Sans&quot;;font-style:normal;font-weight:500;margin:0;font-size:1em;\">RUBRICA 3<\/h1><\/div><div class=\"fusion-title title fusion-title-6 fusion-sep-none fusion-title-text fusion-title-size-one\" style=\"--awb-text-color:var(--awb-custom_color_1);--awb-font-size:22px;\"><h1 class=\"fusion-title-heading title-heading-left\" style=\"font-family:&quot;Public Sans&quot;;font-style:normal;font-weight:800;margin:0;font-size:1em;\">PERSPECTIVA DO SINTOMA<\/h1><\/div><div class=\"fusion-text fusion-text-3\"><p style=\"text-align: justify;\"><strong>Para come\u00e7ar: localizar a fun\u00e7\u00e3o do sintoma<\/strong><\/p>\n<p style=\"text-align: right;\">Clara Mar\u00eda Holguin &#8211; NEL<em>cf<\/em><\/p>\n<p style=\"text-align: justify;\">Como se apresentam os sujeitos que nos consultam? \u00c9 necess\u00e1ria uma modifica\u00e7\u00e3o em rela\u00e7\u00e3o \u00e0s condi\u00e7\u00f5es de nossa pr\u00e1tica nos come\u00e7os das an\u00e1lises?<\/p>\n<p style=\"text-align: justify;\">Sustentamos que para que se d\u00ea in\u00edcio a uma an\u00e1lise o sintoma deve precipitar-se como anal\u00edtico, o que implica al\u00e9m do chamado ao deciframento, estabelecer sua fun\u00e7\u00e3o. Diferente de outros tempos, o sujeito que nos consulta hoje n\u00e3o o faz a partir de uma falta ou insatisfa\u00e7\u00e3o no sentido estrito, tampouco de uma inadequa\u00e7\u00e3o do objeto, uma vez que esses \u00faltimos como extens\u00f5es do objeto perdido podem ser adquiridos segundo os modelos do mercado; pelo contr\u00e1rio, parece tratar-se de um mal estar referido a presen\u00e7a do objeto, a mais valia, que deixa o sujeito sem limite e localiza\u00e7\u00e3o, como nos diz J.-A. Miller, \u201csem refer\u00eancia\u201d,<sup>[1]<\/sup> \u201c\u2026 cuja aspira\u00e7\u00e3o mais radical \u00e9 a de poder decidir e escolher tudo sem limita\u00e7\u00f5es, abolindo qualquer determinismo, incluindo o sexual\u201d<sup>[2]<\/sup>.<\/p>\n<p style=\"text-align: justify;\">Uma l\u00f3gica distinta daquela da exce\u00e7\u00e3o, o Um toma a frente nos introduzindo na era do Outro que n\u00e3o existe e da ascens\u00e3o do objeto<em> a<\/em> ao z\u00eanite, cuja l\u00f3gica \u00e9 a do n\u00e3o-todo, onde o significante mestre da identifica\u00e7\u00e3o est\u00e1 pluralizado, \u201csem limite e sem totaliza\u00e7\u00e3o\u201d[3]. Ao contr\u00e1rio da culpa, \u00e9 a falta de vergonha em rela\u00e7\u00e3o ao gozo, bem como o desenraizamento e a err\u00e2ncia, que d\u00e3o conta da posi\u00e7\u00e3o do sujeito definida a partir de identifica\u00e7\u00f5es de massa. Mais do que la\u00e7o, trata-se de cola.<\/p>\n<p style=\"text-align: justify;\">O que esta cl\u00ednica nos ensina \u00e9 que os novos sintomas, no momento em que aparecem como resposta \u00e0 inefic\u00e1cia do simb\u00f3lico por n\u00e3o capturarem todo o gozo, d\u00e3o conta da fixidez e in\u00e9rcia do significante sozinho que \u201cinscreve o gozo opaco ao sentido\u201d. \u00c9 a \u00e9poca do desencanto da psican\u00e1lise, que como Lacan nos ensina, nos livra da imposi\u00e7\u00e3o do simb\u00f3lico que pretendia, ilusoriamente, colonizar e anular o gozo, dando lugar a este e inaugurando uma pr\u00e1tica orientada em dire\u00e7\u00e3o ao real.<\/p>\n<p style=\"text-align: justify;\">Uma pragm\u00e1tica que tem como b\u00fassola a suposi\u00e7\u00e3o de gozo, mais que a de um saber, e prop\u00f5e como m\u00e9todo a pot\u00eancia da palavra na via <em>moterialista<\/em>. Desse modo, ao inv\u00e9s de aprisionar o gozo tentando decifr\u00e1-lo, trata-se de localiz\u00e1-lo para <em>fazer com<\/em> ele.<\/p>\n<p style=\"text-align: justify;\">Para isso, Miller<sup>[4]<\/sup> prop\u00f5e que sejamos um pouco mais perplexos, inclusive poder\u00edamos dizer, mais psic\u00f3ticos, ler sem entender e compreender. Assim, sem foracluir o momento de perplexidade com um saber, S<sub>2<\/sub>, se aposta em fazer aparecer o <em>fen\u00f4meno elementar<\/em>, localizar o elementar da estrutura, um S<sub>1<\/sub> que n\u00e3o significa nada, mas que evoca \u201co gozo do significante, o que ele provoca, o que ele constitui [\u2026]\u201d<sup>[5]<\/sup>, acrescento, o sintoma. A localiza\u00e7\u00e3o de um significante Um, significante sozinho que \u00e9 sempre elementar, funciona como \u201coperador de perplexidade\u201d<sup>[6]<\/sup>, um <em>x<\/em> para todo sujeito que Lacan denomina significante da transfer\u00eancia. Ali onde nos deparamos com a falta de S<sub>2<\/sub>, a interpreta\u00e7\u00e3o pode come\u00e7ar e fazer emergir a fun\u00e7\u00e3o do sintoma, abrindo a porta para um in\u00edcio, seja pela via do reenodamento, seja possibilitando ao sujeito extrair-se da massa para encontrar uma rela\u00e7\u00e3o com o saber sobre sua exist\u00eancia.<\/p>\n<p>N\u00e3o tentar entender o que acontece \u00e9 uma disciplina, uma quest\u00e3o de forma\u00e7\u00e3o.<\/p>\n<p style=\"text-align: right;\">Abril \/2023.<\/p>\n<p>Tradu\u00e7\u00e3o: Eduardo Vallejos.<br \/>\nRevis\u00e3o: Paola Salinas.<\/p>\n<hr \/>\n<p style=\"text-align: justify;\"><sup>[1]<\/sup> Miller, J.-A., (2002) \u201cIntui\u00e7\u00f5es Milanesas II\u201d, <em>Op\u00e7\u00e3o lacaniana<\/em> <em>on line. Nova s\u00e9rie<\/em>, Ano 2, N\u00ba 6, nov. 2011, p. 15.<\/p>\n<p style=\"text-align: justify;\"><sup>[2]<\/sup> ELPTV (23 de enero de 2023), \u201cSujetos sin punto de referencia\u201d, entrevista com Manuel Fern\u00e1ndez Blanco, Youtube: <a href=\"http:\/\/www.youtube.com\/watch?v=vb1Gss2vcsU\">http:\/\/www.youtube.com\/watch?v=vb1Gss2vcsU<\/a> Tradu\u00e7\u00e3o livre.<\/p>\n<p style=\"text-align: justify;\">[3] Miller, J.-A., (2002) \u201cIntui\u00e7\u00f5es Milanesas II\u201d, <em>op. cit<\/em>., p. 11.<\/p>\n<p style=\"text-align: justify;\"><sup>[4]<\/sup> Miller, J.-A., (2005) \u201cA inven\u00e7\u00e3o do del\u00edrio\u201d, <em>Op\u00e7\u00e3o lacaniana on line<\/em> N\u00ba 5, 2009, p. 21. Dispon\u00edvel em: <a href=\"http:\/\/www.opcaolacaniana.com.br\/antigos\/pdf\/artigos\/JAMDelir.pdf\" target=\"_blank\" rel=\"noopener\">http:\/\/www.opcaolacaniana.com.br\/antigos\/pdf\/artigos\/JAMDelir.pdf<\/a><\/p>\n<p style=\"text-align: justify;\"><sup>[5]<\/sup> Lacan, J., \u201cTeoria de lal\u00edngua\u201d, <em>A terceira; Teoria de lal\u00edngua<\/em>, RJ, Zahar, 2022, p. 106.<\/p>\n<p style=\"text-align: justify;\"><sup>[6]<\/sup> Miller, J.-A., (2005) \u201cA inven\u00e7\u00e3o do del\u00edrio\u201d, <em>op. cit.<\/em>, p. 17.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-5 fusion-flex-container has-pattern-background has-mask-background nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1248px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-7 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-title title fusion-title-7 fusion-sep-none fusion-title-center fusion-title-text fusion-title-size-one\" style=\"--awb-text-color:var(--awb-custom_color_1);--awb-font-size:22px;\"><h1 class=\"fusion-title-heading title-heading-center\" style=\"font-family:&quot;Public Sans&quot;;font-style:normal;font-weight:800;margin:0;font-size:1em;\">VARIA\u00c7\u00d5ES<\/h1><\/div><div class=\"fusion-separator fusion-full-width-sep\" style=\"align-self: center;margin-left: auto;margin-right: auto;margin-top:20px;margin-bottom:20px;width:100%;\"><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-6 fusion-flex-container has-pattern-background has-mask-background nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-margin-top:40px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1248px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-8 fusion_builder_column_1_3 1_3 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:33.333333333333%;--awb-margin-top-large:0px;--awb-spacing-right-large:5.76%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:5.76%;--awb-width-medium:33.333333333333%;--awb-order-medium:0;--awb-spacing-right-medium:5.76%;--awb-spacing-left-medium:5.76%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-image-element \" style=\"text-align:center;--awb-caption-title-font-family:var(--h2_typography-font-family);--awb-caption-title-font-weight:var(--h2_typography-font-weight);--awb-caption-title-font-style:var(--h2_typography-font-style);--awb-caption-title-size:var(--h2_typography-font-size);--awb-caption-title-transform:var(--h2_typography-text-transform);--awb-caption-title-line-height:var(--h2_typography-line-height);--awb-caption-title-letter-spacing:var(--h2_typography-letter-spacing);\"><span class=\" fusion-imageframe imageframe-none imageframe-4 hover-type-none\"><img decoding=\"async\" width=\"2560\" height=\"1845\" title=\"Variaciones N\u00ba 6 (A)\" src=\"http:\/\/enapol.com\/xi\/wp-content\/uploads\/2023\/05\/Variaciones-No-6-A-scaled.jpg\" alt class=\"img-responsive wp-image-3272\" srcset=\"https:\/\/enapol.com\/xi\/wp-content\/uploads\/2023\/05\/Variaciones-No-6-A-200x144.jpg 200w, https:\/\/enapol.com\/xi\/wp-content\/uploads\/2023\/05\/Variaciones-No-6-A-400x288.jpg 400w, https:\/\/enapol.com\/xi\/wp-content\/uploads\/2023\/05\/Variaciones-No-6-A-600x432.jpg 600w, https:\/\/enapol.com\/xi\/wp-content\/uploads\/2023\/05\/Variaciones-No-6-A-800x577.jpg 800w, https:\/\/enapol.com\/xi\/wp-content\/uploads\/2023\/05\/Variaciones-No-6-A-1200x865.jpg 1200w, https:\/\/enapol.com\/xi\/wp-content\/uploads\/2023\/05\/Variaciones-No-6-A-scaled.jpg 2560w\" sizes=\"(max-width: 640px) 100vw, 400px\" \/><\/span><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-9 fusion_builder_column_2_3 2_3 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:66.666666666667%;--awb-margin-top-large:0px;--awb-spacing-right-large:2.88%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:2.88%;--awb-width-medium:66.666666666667%;--awb-order-medium:0;--awb-spacing-right-medium:2.88%;--awb-spacing-left-medium:2.88%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-title title fusion-title-8 fusion-sep-none fusion-title-text fusion-title-size-one\" style=\"--awb-text-color:var(--awb-custom_color_2);--awb-font-size:50px;\"><h1 class=\"fusion-title-heading title-heading-left\" style=\"font-family:&quot;Public Sans&quot;;font-style:normal;font-weight:800;margin:0;font-size:1em;\"><p style=\"text-align: left;\">lacan<\/p><\/h1><\/div><div class=\"fusion-text fusion-text-4\"><p>\u201cTrata-se de faz\u00ea-los entrar pela porta, que a an\u00e1lise seja um umbral, que haja para eles uma verdadeira demanda. Esta demanda: o que \u00e9 isso do qual eles querem ser desembara\u00e7ados? Um sintoma.<\/p>\n<p>Lacan, J., (1975) \u201cEntrevista com os estudantes na Yale University\u201d, <em>Lacan in North Armorica<\/em>, Porto Alegre, RS, Editora Fi, 2016, p. 49.<\/p>\n<\/div><div class=\"fusion-separator fusion-full-width-sep\" style=\"align-self: center;margin-left: auto;margin-right: auto;margin-top:10px;margin-bottom:10px;width:100%;\"><\/div><div style=\"text-align:left;\"><a class=\"fusion-button button-flat button-small button-default fusion-button-default button-2 fusion-button-default-span fusion-button-default-type\" target=\"_self\" href=\"https:\/\/enapol.com\/xi\/pt\/bibliografia-2\/\"><span class=\"fusion-button-text\">BIBLIOGRAFIA<\/span><\/a><\/div><div class=\"fusion-separator fusion-full-width-sep\" style=\"align-self: center;margin-left: auto;margin-right: auto;margin-top:10px;margin-bottom:10px;width:100%;\"><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-10 fusion_builder_column_2_3 2_3 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:66.666666666667%;--awb-margin-top-large:0px;--awb-spacing-right-large:2.88%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:2.88%;--awb-width-medium:66.666666666667%;--awb-order-medium:0;--awb-spacing-right-medium:2.88%;--awb-spacing-left-medium:2.88%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-title title fusion-title-9 fusion-sep-none fusion-title-text fusion-title-size-one\" style=\"--awb-text-color:var(--awb-custom_color_2);--awb-font-size:50px;\"><h1 class=\"fusion-title-heading title-heading-left\" style=\"font-family:&quot;Public Sans&quot;;font-style:normal;font-weight:800;margin:0;font-size:1em;\"><p style=\"text-align: right;\">negroni*<\/p><\/h1><\/div><div class=\"fusion-text fusion-text-5\"><p style=\"text-align: right;\">\u201cQuando o escrito falha, e isso ocorre raras vezes, h\u00e1 esperan\u00e7a.<br \/>\nPode-se come\u00e7ar a come\u00e7ar\u201d.<br \/>\nNegroni, M., <em>El coraz\u00f3n del da\u00f1o<\/em>, Buenos Aires, Literatura Random House, 2021, p. 64.<\/p>\n<p style=\"text-align: right;\">\u201cComecei a despertar. Me conheci de menos longe\u201d.<br \/>\n<em>Ibid.<\/em>, p. 64.<\/p>\n<p style=\"text-align: right;\">\u201cRemovo uma a uma, as camadas do vis\u00edvel que me impedem de ver\u201d.<br \/>\n<em>Ibid.<\/em>, p. 35.<\/p>\n<\/div><div class=\"fusion-separator fusion-full-width-sep\" style=\"align-self: center;margin-left: auto;margin-right: auto;margin-top:10px;margin-bottom:10px;width:100%;\"><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-11 fusion_builder_column_1_3 1_3 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:33.333333333333%;--awb-margin-top-large:0px;--awb-spacing-right-large:5.76%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:5.76%;--awb-width-medium:33.333333333333%;--awb-order-medium:0;--awb-spacing-right-medium:5.76%;--awb-spacing-left-medium:5.76%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-image-element \" style=\"text-align:center;--awb-caption-title-font-family:var(--h2_typography-font-family);--awb-caption-title-font-weight:var(--h2_typography-font-weight);--awb-caption-title-font-style:var(--h2_typography-font-style);--awb-caption-title-size:var(--h2_typography-font-size);--awb-caption-title-transform:var(--h2_typography-text-transform);--awb-caption-title-line-height:var(--h2_typography-line-height);--awb-caption-title-letter-spacing:var(--h2_typography-letter-spacing);\"><span class=\" fusion-imageframe imageframe-none imageframe-5 hover-type-none\"><img decoding=\"async\" width=\"1717\" height=\"2259\" title=\"Variaciones N\u00ba 6 (B)\" src=\"http:\/\/enapol.com\/xi\/wp-content\/uploads\/2023\/05\/Variaciones-No-6-B.jpg\" alt class=\"img-responsive wp-image-3273\" srcset=\"https:\/\/enapol.com\/xi\/wp-content\/uploads\/2023\/05\/Variaciones-No-6-B-200x263.jpg 200w, https:\/\/enapol.com\/xi\/wp-content\/uploads\/2023\/05\/Variaciones-No-6-B-400x526.jpg 400w, https:\/\/enapol.com\/xi\/wp-content\/uploads\/2023\/05\/Variaciones-No-6-B-600x789.jpg 600w, https:\/\/enapol.com\/xi\/wp-content\/uploads\/2023\/05\/Variaciones-No-6-B-800x1053.jpg 800w, https:\/\/enapol.com\/xi\/wp-content\/uploads\/2023\/05\/Variaciones-No-6-B-1200x1579.jpg 1200w, https:\/\/enapol.com\/xi\/wp-content\/uploads\/2023\/05\/Variaciones-No-6-B.jpg 1717w\" sizes=\"(max-width: 640px) 100vw, 400px\" \/><\/span><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-12 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-separator fusion-full-width-sep\" style=\"align-self: center;margin-left: auto;margin-right: auto;margin-top:20px;margin-bottom:20px;width:100%;\"><\/div><div class=\"fusion-text fusion-text-6\"><p style=\"text-align: justify;\">Hernan Paganini \u00e9 um artista argentino contempor\u00e2neo que se dedica principalmente \u00e0 colagem e \u00e0 instala\u00e7\u00e3o. Docente de arte e desenho, participou de diversas exibi\u00e7\u00f5es individuais e coletivas, tanto na Argentina como em outros pa\u00edses. Agradecemos a autoriza\u00e7\u00e3o para o uso da sua obra nos Boletins do XI ENAPOL.<\/p>\n<p style=\"text-align: justify;\"><sup>*<\/sup> Mar\u00eda Negroni \u00e9 escritora, poeta e tradutora argentina contempor\u00e2nea. Escreveu diversos romances, poesias e ensaios e recebeu in\u00fameros pr\u00eamios. Os textos utilizados na se\u00e7\u00e3o <em>Varia\u00e7\u00f5es<\/em> desse boletim pertencem ao seu \u00faltimo livro <em>El coraz\u00f3n del da\u00f1o<\/em>.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Cristina Mart\u00ednez de Bocca<br \/><\/br><br \/>\nBernardino Horne<br \/><\/br><br \/>\nClara Mar\u00eda Holguin<\/p>\n","protected":false},"author":1,"featured_media":3297,"menu_order":28,"comment_status":"open","ping_status":"closed","template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"portfolio_category":[165,96,155],"portfolio_skills":[],"portfolio_tags":[],"_links":{"self":[{"href":"https:\/\/enapol.com\/xi\/wp-json\/wp\/v2\/avada_portfolio\/3287"}],"collection":[{"href":"https:\/\/enapol.com\/xi\/wp-json\/wp\/v2\/avada_portfolio"}],"about":[{"href":"https:\/\/enapol.com\/xi\/wp-json\/wp\/v2\/types\/avada_portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/enapol.com\/xi\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/enapol.com\/xi\/wp-json\/wp\/v2\/comments?post=3287"}],"version-history":[{"count":8,"href":"https:\/\/enapol.com\/xi\/wp-json\/wp\/v2\/avada_portfolio\/3287\/revisions"}],"predecessor-version":[{"id":3296,"href":"https:\/\/enapol.com\/xi\/wp-json\/wp\/v2\/avada_portfolio\/3287\/revisions\/3296"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/enapol.com\/xi\/wp-json\/wp\/v2\/media\/3297"}],"wp:attachment":[{"href":"https:\/\/enapol.com\/xi\/wp-json\/wp\/v2\/media?parent=3287"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/enapol.com\/xi\/wp-json\/wp\/v2\/portfolio_category?post=3287"},{"taxonomy":"portfolio_skills","embeddable":true,"href":"https:\/\/enapol.com\/xi\/wp-json\/wp\/v2\/portfolio_skills?post=3287"},{"taxonomy":"portfolio_tags","embeddable":true,"href":"https:\/\/enapol.com\/xi\/wp-json\/wp\/v2\/portfolio_tags?post=3287"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}