{"id":4617,"date":"2023-09-10T20:00:28","date_gmt":"2023-09-10T23:00:28","guid":{"rendered":"https:\/\/enapol.com\/xi\/?post_type=avada_portfolio&p=4617"},"modified":"2023-09-02T23:03:08","modified_gmt":"2023-09-03T02:03:08","slug":"en-los-umbrales-cuarta-entrega","status":"publish","type":"avada_portfolio","link":"https:\/\/enapol.com\/xi\/portfolio-items\/en-los-umbrales-cuarta-entrega\/","title":{"rendered":"En los umbrales – Cuarta Entrega"},"content":{"rendered":"

CUARTA ENTREGA<\/span><\/a><\/div><\/div><\/div><\/div><\/div>

\u201cComenzar a analizarse\u201d; ni cat\u00e1logo, ni an\u00e1logo, la tercera v\u00eda\u2026 \u00a1la funci\u00f3n de la llave!<\/p>\n

Seguimos esta clave para presentarles las citas, la bibliograf\u00eda razonada y finalmente \u201cen los umbrales\u201d que se constituy\u00f3 en el detalle de este equipo que tuvimos el enorme placer de coordinar. \u00a1Nuestro modo de festejar el trabajo de Escuela! Nos despedimos con nuestras perlas.<\/p>\n

Despedida que no es un cierre, dejamos las llaves para abrir la gran puerta del XI ENAPOL: \u201cComenzar a analizarse\u201d.<\/p>\n

M\u00f3nica Gurevicz y Silvia Pino<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div>

Cita elegida por Silvia Pino<\/strong><\/p>\n<\/div><\/div><\/div>

\n

\u201cOh, el que sue\u00f1a no puede ser salvado\u201d<\/p>\n<\/div><\/div><\/span><\/blockquote>

Tsvjet\u00e1ieva, M.<\/strong>, <\/span>Rojo torrente de fresas, Poes\u00eda Mayor, Buenos Aires, Editorial Leviat\u00e1n, 2012.<\/span><\/span><\/div><\/div><\/div><\/div>
<\/div><\/div><\/div><\/div><\/div><\/div>

Cita elegida por M\u00f3nica Gurevicz <\/strong><\/p>\n<\/div><\/div><\/div>

\n

\u201cporque \u2014oh viejo hermoso Sigmund Freud\u2014 la ciencia psicoanal\u00edtica se olvid\u00f3 la llave en alg\u00fan lado:<\/p>\n

abrir se abre<\/p>\n

pero \u00bfc\u00f3mo cerrar la herida?\u201d<\/p>\n<\/div><\/div><\/span><\/blockquote>

Pizarnik, A. <\/strong>, <\/span>(1971) \u201cSala de Psicopatolog\u00eda\u201d, Poes\u00eda completa, Buenos Aires, Editorial Lumen, 2000, p. 415<\/span><\/span><\/div><\/div><\/div><\/div>
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