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first=\u00bbtrue\u00bb][fusion_testimonials design=\u00bbclassic\u00bb navigation=\u00bbno\u00bb speed=\u00bb0″ backgroundcolor=\u00bb#2a2a38″ textcolor=\u00bb#ffffff\u00bb random=\u00bb\u00bb hide_on_mobile=\u00bbsmall-visibility,medium-visibility,large-visibility\u00bb class=\u00bb\u00bb id=\u00bb\u00bb][fusion_testimonial name=\u00bbLisa Erbin\u00bb avatar=\u00bbfemale\u00bb image=\u00bb\u00bb image_id=\u00bb\u00bb image_border_radius=\u00bb\u00bb company=\u00bb\u00bb link=\u00bb\u00bb target=\u00bb_self\u00bb]<\/p>\n
Buenos Aires, 17 de julho de 2021<\/p>\n
Querida Paula:<\/p>\n
Te escrevo com a proposta de ressaltar o signo para pensar o novo no amor. Tomo o poema de Rimbaud que Lacan cita no Semin\u00e1rio 20<\/em>[1]<\/sup><\/a>: \u201cA uma raz\u00e3o\u201d. Penso que ele tenta esclarecer, dizer algo do indiz\u00edvel e, ao esvaziar o sentido, permite algo novo sobre o amor.<\/p>\n \u201cUm toque de seus dedos no tambor detona os sons e inicia a nova harmonia.<\/p>\n Um passo seu \u00e9 o levante de novos homens e sua marcha.<\/p>\n Sua cabe\u00e7a se vira: o novo amor!<\/p>\n Sua cabe\u00e7a se volta, – o novo amor!\u201d<\/p>\n Ao mesmo tempo, toma a outra via, da raz\u00e3o, do sentido. Escreve signos, escreve um gesto. Isso que diz algo para algu\u00e9m, isso que toca o corpo, que toca a alma. Almor<\/em>. Esse detalhe que indica um sujeito e um gozo. Isso que se escreve \u00e9 fugaz e, para que seja novo, entendo que deva estar mais al\u00e9m da repeti\u00e7\u00e3o, do \u00c9dipo, das identifica\u00e7\u00f5es, ter algo da orden da inven\u00e7\u00e3o.<\/p>\n Os poetas nos abrem a cabe\u00e7a com o dizer algo novo do amor, de como passamos do gozo ao desejo. As cartas de amor s\u00e3o exemplos. Diante do imposs\u00edvel da rela\u00e7\u00e3o sexual, bordeiam, com a escrita, o contingente. Escrevemos, como analisantes, algumas linhas de poema em cada an\u00e1lise?<\/p>\n Um beijo<\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n [1]<\/sup><\/a> Lacan, J., O semin\u00e1rio, livro 20, Mais Ainda<\/em>, Rio de Janeiro, Jorge Zahar, 1995, p. 26.<\/p>\n [\/fusion_testimonial][\/fusion_testimonials][fusion_separator style_type=\u00bbnone\u00bb hide_on_mobile=\u00bbsmall-visibility,medium-visibility,large-visibility\u00bb sticky_display=\u00bbnormal,sticky\u00bb class=\u00bb\u00bb id=\u00bb\u00bb flex_grow=\u00bb0″ top_margin=\u00bb20″ bottom_margin=\u00bb20″ width=\u00bb\u00bb alignment=\u00bbcenter\u00bb border_size=\u00bb\u00bb sep_color=\u00bb\u00bb icon=\u00bb\u00bb icon_size=\u00bb\u00bb icon_color=\u00bb\u00bb icon_circle=\u00bb\u00bb icon_circle_color=\u00bb\u00bb \/][fusion_testimonials design=\u00bbclassic\u00bb navigation=\u00bbno\u00bb speed=\u00bb0″ backgroundcolor=\u00bb#2a2a38″ textcolor=\u00bb#ffffff\u00bb random=\u00bb\u00bb hide_on_mobile=\u00bbsmall-visibility,medium-visibility,large-visibility\u00bb class=\u00bb\u00bb id=\u00bb\u00bb][fusion_testimonial name=\u00bbPaula Szabo\u00bb avatar=\u00bbfemale\u00bb image=\u00bb\u00bb image_id=\u00bb\u00bb image_border_radius=\u00bb\u00bb company=\u00bb\u00bb link=\u00bb\u00bb target=\u00bb_self\u00bb]<\/p>\n Buenos Aires, 23 de julho de 2021<\/p>\n Querida Lisa:<\/p>\n Uma carta me convida a pens\u00e1-la como um signo de amor mais al\u00e9m de seu conte\u00fado: dar algo pr\u00f3prio ao outro. Muitas coisas podem ser dadas, at\u00e9 dar o que n\u00e3o se tem a quem n\u00e3o o \u00e9. Essa defini\u00e7\u00e3o cl\u00e1ssica do amor localiza algo novo? Ou somente chega a um amor narcisista que sutura a falta?<\/p>\n Pensar algo novo nos levaria a outro porto distinto do narcisismo, um porto Outro, desconhecido. Ali estaria a dignidade de um amor novo?<\/p>\n A possibilidade de abertura ao encontro com a diferen\u00e7a \u2013 \u00a0essa que n\u00e3o implica a repeti\u00e7\u00e3o do mesmo \u2013 seria aquilo que dignifica o amor?<\/p>\n N\u00e3o seria, portanto, o amor que homogene\u00edza, que faz do outro um espelho onde se encontra a forma ideal, f\u00e1cil de amar. Mas sim, um amor que surgiria do encontro com essa diferen\u00e7a que chamamos absoluta, que alude ao gozo singular, esse que irrompe no coro \u2013 pr\u00f3prio ou n\u00e3o \u2013 e nos interpela.\u00a0<\/p>\n Gosto do modo como Miquel Bassols[1]<\/sup><\/a> diz: \u201cQuando o amor permite a passagem ao h\u00e9tero, ali onde s\u00f3 haveria o Um do gozo solit\u00e1rio, n\u00e3o se trata de nenhuma pastoral da harmonia universal, sen\u00e3o do encontro com o outro ao qual suponho um saber sobre meu ser\u201d.<\/p>\n Esse apontamento me permitiu ler de um modo diferente a frase \u201cs\u00f3 o amor permite ao gozo condescender ao desejo\u201d. \u00c9 um encontro contingente com um Outro a quem suponho um saber ou um desejo de saber sobre meu ser enquanto ser de gozo. \u00c9 a passagem por um Outro ao qual suponho um saber\/amar\/fazer com o gozo que, metaforizando, transforma o gozo no desejo.<\/p>\n Ent\u00e3o, retomando sua pregunta: sim, cada analisante poemiza<\/em> seu gozo numa an\u00e1lise. Com o risco de simplificar a complexidade do assunto, penso o amor como um efeito do encontro com uma causa que permitiu, ent\u00e3o, essa transforma\u00e7\u00e3o.<\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n [1]<\/sup><\/a> Bassols, M., La diferencia de los sexos no existe en el inconsciente<\/em>, Buenos Aires, Grama, 2021, p 71.<\/p>\n [\/fusion_testimonial][\/fusion_testimonials][fusion_separator style_type=\u00bbnone\u00bb hide_on_mobile=\u00bbsmall-visibility,medium-visibility,large-visibility\u00bb sticky_display=\u00bbnormal,sticky\u00bb class=\u00bb\u00bb id=\u00bb\u00bb flex_grow=\u00bb0″ top_margin=\u00bb20″ bottom_margin=\u00bb20″ width=\u00bb\u00bb alignment=\u00bbcenter\u00bb border_size=\u00bb\u00bb sep_color=\u00bb\u00bb icon=\u00bb\u00bb icon_size=\u00bb\u00bb icon_color=\u00bb\u00bb icon_circle=\u00bb\u00bb icon_circle_color=\u00bb\u00bb \/][fusion_testimonials design=\u00bbclassic\u00bb navigation=\u00bbno\u00bb speed=\u00bb0″ backgroundcolor=\u00bb#2a2a38″ textcolor=\u00bb#ffffff\u00bb random=\u00bb\u00bb hide_on_mobile=\u00bbsmall-visibility,medium-visibility,large-visibility\u00bb class=\u00bb\u00bb id=\u00bb\u00bb][fusion_testimonial name=\u00bbLisa Erbin\u00bb avatar=\u00bbfemale\u00bb image=\u00bb\u00bb image_id=\u00bb\u00bb image_border_radius=\u00bb\u00bb company=\u00bb\u00bb link=\u00bb\u00bb target=\u00bb_self\u00bb]<\/p>\n Buenos Aires, 30 de julho de 2021<\/p>\n Pauli:<\/p>\n Uma frase fica ressoando em mim como um estribilho: sujeito suposto saber sobre meu ser de gozo! SSS, $ e o enlace com \u201cdar o que n\u00e3o se tem a quem n\u00e3o o \u00e9\u201d que implica um foco, um acento na pr\u00f3pria falta e na do outro. Dois sujeitos barrados. Ent\u00e3o o gozo, a falta, \u00e9 da\u00ed que surge o amor. Ali localizamos o signo? Com isso se poemiza, cada um em sua an\u00e1lise, na carta de amor, no amor. \u00c9 o caminho inverso ao de tamponar a falta: colocar isso sobre o tapete e fazer com isso. \u201cValentia ante fatal destino!\u201d diz o poeta Lacan em Mais<\/em>, Ainda<\/em>!<\/p>\n
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