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type=\u00bb1_1″][fusion_testimonials design=\u00bbclassic\u00bb navigation=\u00bbno\u00bb speed=\u00bb0″ backgroundcolor=\u00bb#2a2a38″ textcolor=\u00bb#ffffff\u00bb random=\u00bb\u00bb hide_on_mobile=\u00bbsmall-visibility,medium-visibility,large-visibility\u00bb class=\u00bb\u00bb id=\u00bb\u00bb][fusion_testimonial name=\u00bbCamila Popadiuk\u00bb avatar=\u00bbfemale\u00bb image=\u00bb\u00bb image_id=\u00bb\u00bb image_border_radius=\u00bb\u00bb company=\u00bb\u00bb link=\u00bb\u00bb target=\u00bb_self\u00bb]<\/p>\n
S\u00e3o Paulo, 1 de junho de 2021<\/p>\n
\u00a0<\/p>\n
Louise,<\/p>\n
Recentemente, assisti ao filme\u00a0Malcolm & Marie<\/strong>. Trata-se do di\u00e1logo de um casal, cuja economia libidinal se d\u00e1 atrav\u00e9s dos gritos e do sil\u00eancio. Uma er\u00f3tica onde a puls\u00e3o invocante realiza seu circuito em torno do objeto voz e a partir da qual se presentifica o mal-entendido. E n\u00e3o sem ang\u00fastia.<\/p>\n Do lado dela, h\u00e1 uma demanda infinita de amor, desde uma posi\u00e7\u00e3o sacrificial, exigindo dele o reconhecimento de tudo aquilo que ela fez em prol do seu amor. Marie pede sempre mais, porque n\u00e3o \u00e9 isto.\u00a0Encore<\/em>, mais ainda.<\/p>\n Do lado dele, vemos a degrada\u00e7\u00e3o do objeto de amor, tal como Freud desenvolveu em \u201cSobre a mais geral degrada\u00e7\u00e3o da vida amorosa\u201d. Malcolm desqualifica Marie, a rebaixa.<\/p>\n Neste\u00a0m\u00e9nage<\/em>, a n\u00e3o rela\u00e7\u00e3o sexual \u00e9 escancarada e o amor, que poderia vir como resposta a esta aus\u00eancia, n\u00e3o aparece sen\u00e3o em sua face devastadora.<\/p>\n Malcolm diz: \u201ceu n\u00e3o preciso de voc\u00ea, mas eu te amo\u201d. Como entender esta declara\u00e7\u00e3o, pois, afinal, para amar \u00e9 preciso se reconhecer faltante e, portanto, castrado? Malcolm ama Marie? A rela\u00e7\u00e3o que predomina entre eles \u00e9 o que Lacan designou como am\u00f3dio?<\/p>\n \u00a0<\/p>\n Espero poder intercambiar com voc\u00ea!<\/p>\n Um beijo<\/p>\n [\/fusion_testimonial][\/fusion_testimonials][fusion_separator style_type=\u00bbnone\u00bb hide_on_mobile=\u00bbsmall-visibility,medium-visibility,large-visibility\u00bb sticky_display=\u00bbnormal,sticky\u00bb class=\u00bb\u00bb id=\u00bb\u00bb flex_grow=\u00bb0″ top_margin=\u00bb20″ bottom_margin=\u00bb20″ width=\u00bb\u00bb alignment=\u00bbcenter\u00bb border_size=\u00bb\u00bb sep_color=\u00bb\u00bb icon=\u00bb\u00bb icon_size=\u00bb\u00bb icon_color=\u00bb\u00bb icon_circle=\u00bb\u00bb icon_circle_color=\u00bb\u00bb \/][fusion_testimonials design=\u00bbclassic\u00bb navigation=\u00bbno\u00bb speed=\u00bb0″ backgroundcolor=\u00bb#2a2a38″ textcolor=\u00bb#ffffff\u00bb random=\u00bb\u00bb hide_on_mobile=\u00bbsmall-visibility,medium-visibility,large-visibility\u00bb class=\u00bb\u00bb id=\u00bb\u00bb][fusion_testimonial name=\u00bbLouise Amaral\u00bb avatar=\u00bbfemale\u00bb image=\u00bb\u00bb image_id=\u00bb\u00bb image_border_radius=\u00bb\u00bb company=\u00bb\u00bb link=\u00bb\u00bb target=\u00bb_self\u00bb]<\/p>\n Florian\u00f3polis, 6 de junho de 2021<\/p>\n \u00a0<\/p>\n Cara Camila,<\/p>\n O que voc\u00ea escreveu sobre o papel da puls\u00e3o invocante na er\u00f3tica do casal me fez pensar que, al\u00e9m dos gritos e sil\u00eancios, a m\u00fasica \u00e9 uma forte presen\u00e7a nesse filme, em que as can\u00e7\u00f5es\u00a0entram na conversa<\/em>\u00a0como um terceiro. Ou seja, s\u00e3o incorporadas \u00e0 trama de mal-entendidos. A can\u00e7\u00e3o final alude a uma das quest\u00f5es que voc\u00ea prop\u00f5e, sem respond\u00ea-la:\u00a0there\u2019s a fine line between love and hate.<\/em><\/p>\n Como voc\u00ea pontuou, o filme evidencia que a rela\u00e7\u00e3o sexual\u00a0n\u00e3o cessa de n\u00e3o se escrever.\u00a0<\/em>Nessa hi\u00e2ncia, o amor pode fazer supl\u00eancia pela via da fala. Mas h\u00e1 um real que itera, um\u00a0querer-gozar<\/em>\u00a0indissoci\u00e1vel do\u00a0querer-dizer<\/em>\u00a0que faz fracassar as tentativas de Malcolm e Marie. O amor como devasta\u00e7\u00e3o se apresenta. Emerge a ang\u00fastia.<\/p>\n Mas pensei tamb\u00e9m nos encontros amorosos contingentes. Quando Malcolm e Marie riem juntos de si mesmos, \u00e9 disso que se trata? Pode-se v\u00ea-los como breves, fugidios momentos de encontro \u201cno parceiro (…) de tudo que em cada um marca o tra\u00e7o do seu ex\u00edlio (…) da rela\u00e7\u00e3o sexual\u201d [Lacan, Sem. 19, p.198]<\/p>\n Por fim, Malcolm ama Marie? Ela diz que n\u00e3o, que ele apenas precisa dela. Ele a contradiz:\u00a0I just love you, baby. I don\u2019t need you<\/em>. Trocam\u00a0palavras de amor e de \u00f3dio. Am\u00f3dio?<\/p>\n \u00a0<\/p>\n Um beijo<\/p>\n [\/fusion_testimonial][\/fusion_testimonials][fusion_separator style_type=\u00bbnone\u00bb hide_on_mobile=\u00bbsmall-visibility,medium-visibility,large-visibility\u00bb sticky_display=\u00bbnormal,sticky\u00bb class=\u00bb\u00bb id=\u00bb\u00bb flex_grow=\u00bb0″ top_margin=\u00bb20″ bottom_margin=\u00bb20″ width=\u00bb\u00bb alignment=\u00bbcenter\u00bb border_size=\u00bb\u00bb sep_color=\u00bb\u00bb icon=\u00bb\u00bb icon_size=\u00bb\u00bb icon_color=\u00bb\u00bb icon_circle=\u00bb\u00bb icon_circle_color=\u00bb\u00bb \/][fusion_testimonials design=\u00bbclassic\u00bb navigation=\u00bbno\u00bb speed=\u00bb0″ backgroundcolor=\u00bb#2a2a38″ textcolor=\u00bb#ffffff\u00bb random=\u00bb\u00bb hide_on_mobile=\u00bbsmall-visibility,medium-visibility,large-visibility\u00bb class=\u00bb\u00bb id=\u00bb\u00bb][fusion_testimonial name=\u00bbCamila Popadiuk\u00bb avatar=\u00bbmale\u00bb image=\u00bb\u00bb image_id=\u00bb\u00bb image_border_radius=\u00bb\u00bb company=\u00bb\u00bb link=\u00bb\u00bb target=\u00bb_self\u00bb]<\/p>\n S\u00e3o Paulo, 16 de junho de 2021<\/p>\n \u00a0<\/p>\n Louise,<\/p>\n Achei muito preciso, no duplo sentido do termo, voc\u00ea ter chamado a aten\u00e7\u00e3o para a presen\u00e7a da m\u00fasica como um terceiro na trama dos encontros e desencontros entre Malcolm e Marie. De fato, ela comp\u00f5e a modula\u00e7\u00e3o do circuito pulsional do casal.<\/p>\n Ao interrogar se os risos entre Malcolm e Marie seriam \u201cfugidios momentos de encontro \u2018no parceiro (…) de tudo que em cada um marca o tra\u00e7o do seu ex\u00edlio (…) da rela\u00e7\u00e3o sexual\u2019\u201d, lembrei-me, imediatamente, do livro de Pierre Naveau,\u00a0O que do encontro se escreve.\u00a0<\/em>Nele, Naveau apresenta, com riqueza, a outra face da inexist\u00eancia da rela\u00e7\u00e3o sexual.<\/p>\n No pref\u00e1cio, \u00c9ric Laurent anuncia que \u201co livro pode encontrar seu \u00e1pice sobre a abordagem do acontecimento de um encontro. O acontecimento \u00e9, a um s\u00f3 tempo, acontecimento de corpo e de discurso. O encontro condensa nele mesmo o mais precioso daquilo que vai do \u2018imposs\u00edvel ao contingente\u2019\u201d (p.28).<\/p>\n Ora, o real como o verdadeiro parceiro do sujeito, n\u00e3o seria justamente sobre ele que se funda o casal?<\/p>\n \u00a0<\/p>\n Um beijo<\/p>\n [\/fusion_testimonial][\/fusion_testimonials][fusion_separator style_type=\u00bbnone\u00bb hide_on_mobile=\u00bbsmall-visibility,medium-visibility,large-visibility\u00bb sticky_display=\u00bbnormal,sticky\u00bb class=\u00bb\u00bb id=\u00bb\u00bb flex_grow=\u00bb0″ top_margin=\u00bb20″ bottom_margin=\u00bb20″ width=\u00bb\u00bb alignment=\u00bbcenter\u00bb border_size=\u00bb\u00bb sep_color=\u00bb\u00bb icon=\u00bb\u00bb icon_size=\u00bb\u00bb icon_color=\u00bb\u00bb icon_circle=\u00bb\u00bb icon_circle_color=\u00bb\u00bb \/][fusion_testimonials design=\u00bbclassic\u00bb navigation=\u00bbno\u00bb speed=\u00bb0″ backgroundcolor=\u00bb#2a2a38″ textcolor=\u00bb#ffffff\u00bb random=\u00bb\u00bb hide_on_mobile=\u00bbsmall-visibility,medium-visibility,large-visibility\u00bb class=\u00bb\u00bb id=\u00bb\u00bb][fusion_testimonial name=\u00bbLouise Amaral\u00bb avatar=\u00bbfemale\u00bb image=\u00bb\u00bb image_id=\u00bb\u00bb image_border_radius=\u00bb\u00bb company=\u00bb\u00bb link=\u00bb\u00bb target=\u00bb_self\u00bb]<\/p>\n Florian\u00f3polis, 20 de junho de 2021<\/p>\n \u00a0<\/p>\n Camila,\u00a0<\/p>\n Sua quest\u00e3o me fez pensar sobre o que \u00e9, afinal, o casal.\u00a0Para situ\u00e1-lo \u00e0 luz da psican\u00e1lise \u00e9 necess\u00e1rio passar pela inexist\u00eancia\u00a0da\u00a0rela\u00e7\u00e3o sexual, que\u00a0n\u00e3o cessa de n\u00e3o se escrever.\u00a0<\/em>Seguindo sua refer\u00eancia a\u00a0O que do encontro se escreve<\/em>, de Pierre Naveau,\u00a0<\/em>por essa impossibilidade de articula\u00e7\u00e3o l\u00f3gica se chega aos \u00abdois Uns separados\u00bb ou \u00abUm sozinho (Un tout seul<\/em>) separado de outro Um sozinho\u00bb (p. 250).<\/p>\n No entanto, do n\u00e3o-saber que corresponde a esse imposs\u00edvel de escrever resulta o \u00abafeto de solid\u00e3o e de ex\u00edlio\u00bb que \u00ab\u00e9 a\u00a0condi\u00e7\u00e3o do encontro\u00bb (p. 259). Abre-se, assim, a possibilidade\u00a0<\/em>de\u00a0um casal, cada casal, se inventar, na conting\u00eancia de um encontro que\u00a0cessa de n\u00e3o se escrever.\u00a0<\/em>\u00a0Fala-se a\u00ed, ent\u00e3o, dessa supl\u00eancia chamada amor. Portanto,\u00a0a solid\u00e3o do Um n\u00e3o impede que um casal aconte\u00e7a, contingencialmente. \u00c9 dessa forma que localizo os fundamentos do casal no real como imposs\u00edvel [da rela\u00e7\u00e3o sexual] e como contingente [no encontro amoroso], e tamb\u00e9m nesse \u00abverdadeiro parceiro do sujeito\u00bb a que voc\u00ea se refere, nessa \u00absingularidade do real pr\u00f3prio a cada um e a cada uma\u00bb (Naveau, p. 276), que est\u00e1 na origem das vicissitudes do\u00a0a<\/em>mor para cada falasser.\u00a0<\/p>\n \u00a0<\/p>\n Um beijo<\/p>\n [\/fusion_testimonial][\/fusion_testimonials][\/fusion_builder_column][\/fusion_builder_row][\/fusion_builder_container]<\/p>\n","protected":false},"excerpt":{"rendered":" [fusion_builder_container type=\u00bbflex\u00bb hundred_percent=\u00bbno\u00bb hundred_percent_height=\u00bbno\u00bb min_height=\u00bb\u00bb hundred_percent_height_scroll=\u00bbno\u00bb align_content=\u00bbstretch\u00bb flex_align_items=\u00bbflex-start\u00bb flex_justify_content=\u00bbflex-start\u00bb flex_column_spacing=\u00bb\u00bb<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[9],"tags":[],"_links":{"self":[{"href":"https:\/\/enapol.com\/xpt\/wp-json\/wp\/v2\/posts\/912"}],"collection":[{"href":"https:\/\/enapol.com\/xpt\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/enapol.com\/xpt\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/enapol.com\/xpt\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/enapol.com\/xpt\/wp-json\/wp\/v2\/comments?post=912"}],"version-history":[{"count":1,"href":"https:\/\/enapol.com\/xpt\/wp-json\/wp\/v2\/posts\/912\/revisions"}],"predecessor-version":[{"id":913,"href":"https:\/\/enapol.com\/xpt\/wp-json\/wp\/v2\/posts\/912\/revisions\/913"}],"wp:attachment":[{"href":"https:\/\/enapol.com\/xpt\/wp-json\/wp\/v2\/media?parent=912"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/enapol.com\/xpt\/wp-json\/wp\/v2\/categories?post=912"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/enapol.com\/xpt\/wp-json\/wp\/v2\/tags?post=912"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}